MOVIE DESCRIPTION:

The origins of the Caped Crusader of Gotham City are finally brought to the big screen in this new adaptation of the perennially popular comic-book series. The young Bruce Wayne (Gus Lewis) leads a privileged life as the son of wealthy, philanthropist parents, both of whom stress their commitment to improving the lives of the citizens of crime-ridden Gotham City. After his mother and father are murdered by a mugger, however, Wayne grows into an impudent young man (Christian Bale), full of rage and bent on retribution until encouraged by his childhood sweetheart, Rachel Dawes (Katie Holmes), to search for answers beyond his own personal vendettas. Wayne eventually finds discipline in the Far East under the tutelage of Henri Ducard (Liam Neeson), a member of the mysterious League of Shadows who guides him in the study of martial arts -- and the ways in which an ordinary man can hone his senses to an almost superhuman acuity. After seven years away from Gotham, Wayne returns, determined to bring peace and safety back to the city. With the help of his faithful manservant, Alfred Pennyworth (Michael Caine), and Lucius Fox (Morgan Freeman), a scientist at his late father's corporation, Wayne develops a secret identity as Batman, a masked fighter for justice. But when a shady psychiatrist (Cillian Murphy) joins forces with the criminal underworld, Wayne realizes that putting an end to their nefarious plans will be very difficult indeed. Batman Begins also features Gary Oldman as Lt. James Gordon and Tom Wilkinson as the crime boss Carmine Falcone. ~ Mark Deming, Rovi

DVD FEATURES:

• Region: 1
• Number of Discs: 1
• Aspect Ratio: 1.33:1 (Pre-1954 Standard)
• Audio: Dolby Digital 5.1
• Screen: Pan and Scan, Color
• Subtitle: French, Spanish, English
• Features:
  • • cc DVD Features: DVD ROM Features : Batman Begins Mobile Game Demo & Weblinks

AWARDS

• Academy of Motion Picture Arts and Sciences

•     Nominated Best Cinematography - 2005 (Wally Pfister)

• American Society of Cinematographers

•     Nominated Best Cinematography - 2005 (Wally Pfister)

• Art Directors Guild

•     Nominated Best Art Direction - Period or Fantasy Film - 2005 (Nathan Crowley)

• British Academy of Film and Television Arts

•     Nominated Best Production Design - 2005 (Nathan Crowley)
•     Nominated Best Sound - 2005 (Stefan Henrix, Peter Lindsay, David Evans)
•     Nominated Best Visual Effects - 2005 (Dan Glass, Chris Corbould, Janek Sirrs)

• Chicago Film Critics Association

•     Nominated Best Original Score - 2005 (James Newton Howard, Hans Zimmer)

• London Film Critics Association

•     Nominated Best British Director - 2005 (Christopher Nolan)
•     Nominated Best British Supporting Actor - 2005 (Cillian Murphy)

• Online Film Critics Association

•     Nominated Best Score - 2005 (James Newton Howard, Hans Zimmer)

• Phoenix Film Critics Association

•     Won Best Stunts - 2005

ADDITIONAL INFORMATION:

• Director:

  Christopher Nolan

• Producer:

  Charles Roven, Emma Thomas, Larry Franco

• Screen Story:

  David S. Goyer

• Screenwriter:

  David S. Goyer, Christopher Nolan

• Cinematographer:

  Wally Pfister

• Composer (Music Score):

  James Newton Howard, Hans Zimmer

• Editor:

  Lee Smith

• Production Designer:

  Nathan Crowley

• Art Director:

  Peter Francis

• Supervising Art Director:

  Simon Lamont

• Art Director:

  Dominic Masters, Su Whitaker, Paul Kirby

• Associate Producer:

  Cheryl A. Tkach

• Executive Producer:

  Michael E. Uslan, Benjamin Melniker

• Costume Designer:

  Lindy Hemming

• Set Decorator:

  Simon Wakefield, Paki Smith

• Sound/Sound Designer:

  Peter Lindsay

• First Assistant Director:

  Cliff Lanning

• Casting:

  John Papsidera, Lucinda Syson

• Special Effects Supervisor:

  Chris Corbould

• Visual Effects:

  Jim Henson's Creature Shop

• Visual Effects Supervisor:

  Janek Sirrs

• Visual Effects:

  Moving Picture Company, BUF

• Stunts Coordinator:

  Sy Hollands

• Re-Recording Mixer:

  Lora Hirschberg

• Visual Effects Supervisor:

  Dan Glass

• Visual Effects:

  Double Negative Ltd., Rising Sun Pictures

• Re-Recording Mixer:

  Gary Rizzo

• Supervising Sound Editor:

  David Evans, Stefan Henrix

• Visual Effects:

  Cutting Edge, Senate Visual Effects

REVIEW:

• The Dark Knight lives again with Batman Begins, a stunning big-screen reintroduction that resurrects a crippled franchise and does justice to the legacy of the dark Caped Crusader. Director Christopher Nolan and writer David Goyer boldly turn their backs on Burton's inspired gothic styling and Schumacher's gaudy odes to camp and instead weave the character into a convincing modern world that acts as an enticing base for what's to come. Though the design might seem a bit jarring, the pair sells it all thanks to the grounded context they've laid out; it doesn't hurt that the flick is a virtual who's who of Hollywood, with heavyweights lending their credibility to each role as this new universe is established for the crime fighter. Batman himself is one mean, angry machine, played to a hilt by Christian Bale. While the character's voice has its on-and-off moments, for the most part, Bale delivers a solid study of the vigilante billionaire. Supporting him effortlessly in their roles are such stalwarts as Michael Caine, Gary Oldman, and Liam Neeson, who shine in an abundance of solid performances. And while easily the weakest link the otherwise top-notch cast, the young Katie Holmes surely handles one of the most poignant lines in reference to who and what Bruce Wayne really is; just one moment out of many that nails the core of what makes the mythos tick. In fact, the results are downright frightening at times, adding to the excitement of how different this version feels. For everything it does right, the movie does have a few shortfalls, starting with the furiously edited action scenes. While Nolan tried to capture the criminal's confusion, far too often the close flashes of breathless cuts overload on too much visual chaos for the audience to register. Some have fault with the music as well, with both James Newton Howard and Hans Zimmer collaborating on an eclectic score that features no driving superhero theme (though one was originally written). In their defense, this isn't the kind of rousing piece of work that deserves that kind of pageantry, nor should its exclusion take away from their otherwise superlative work. DC Comics finally has a film worthy of Marvel's most successful theatrical outings, and if this and the zinger that's at the end of the movie is any indication, there's plenty more good stuff on the way. ~ Jeremy Wheeler, Rovi