The Assassination of Jesse James by the Coward Robert Ford [Blu-ray]
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Aspect Ratio:
Widescreen Rating:
R — for some strong violence and brief sexual references-
Language:
Eng Studio:
Warner Home VideoUPC:
012569829725Year of Release:
2007Item Number:
WBD020059Release Date:
02/05/2008Genre:
Psychological Western –
Western
Format:
Blu-ray
MOVIE DESCRIPTION:
Brad Pitt stars as legendary Wild West outlaw Jesse James in Chopper director Andrew Dominik's cinematic rendering of the events that would eventually bring about the death of the man rumored be the "fastest gun in the West." An eager recruit into James' notorious gang, Robert Ford eventually grows jealous of the famed outlaw. When Robert and his brother Charlie sense an opportunity to kill James, their murderous action elevates their target to near mythical status. Casey Affleck stars as Robert Ford and Sam Shepard co-stars as Frank James -- Jesse's devoted sibling and partner in crime. ~ Jason Buchanan, Rovi
DVD FEATURES:
- Number of Discs: 1
- Audio: Dolby Digital Stereo
- Aspect Ratio: 2.40:1
- Features:
- Making of documentary: The Assassination of Jesse James: Death of an Outlaw
AWARDS
Academy of Motion Picture Arts and Sciences
- Nominated Best Supporting Actor - 2007 (Casey Affleck)
American Society of Cinematographers
- Nominated Best Cinematography - 2007 (Roger Deakins)
Broadcast Film Critics Association
- Nominated Best Supporting Actor - 2007 (Casey Affleck)
Chicago Film Critics Association
- Won Best Cinematography - 2007 (Roger Deakins)
- Nominated Best Original Score - 2007 (Nick Cave, Warren Ellis)
- Nominated Best Supporting Actor - 2007 (Casey Affleck)
Dallas/Fort Worth Film Critics Association
- Won Best Cinematography - 2007 (Roger Deakins)
- Nominated Best Picture - 2007
Detroit Film Critics Society
- Nominated Best Supporting Actor - 2007 (Casey Affleck)
Florida Film Critics
- Won Best Cinematography - 2007 (Roger Deakins)
Golden Satellite Award
- Nominated Best Supporting Actor - 2007 (Casey Affleck)
Hollywood Foreign Press Association
- Nominated Best Performance by an Actor in a Supporting Role in a Motion Pictu - 2007 (Casey Affleck)
Las Vegas Film Critics Association
- Nominated Best Picture - 2007
London Film Festival
- Film Presented - 2007
National Board of Review
- Won Best Supporting Actor - 2007 (Casey Affleck)
- Nominated Best Picture - 2007
National Society of Film Critics
- Won Best Supporting Actor - 2007 (Casey Affleck)
San Francisco Film Critics Circle
- Won Best Picture - 2007
- Won Best Supporting Actor - 2007 (Casey Affleck)
Screen Actors Guild
- Nominated Best Supporting Actor - 2007 (Casey Affleck)
Southeastern Film Critics Association
- Nominated Best Picture - 2007
- Nominated Best Supporting Actor - 2007 (Casey Affleck)
St. Louis Gateway Film Critics Association
- Won Best Cinematography - 2007 (Roger Deakins)
- Won Best Supporting Actor - 2007 (Casey Affleck)
Toronto Film Critics Association
- Nominated Best Supporting Actor - 2007 (Casey Affleck)
Toronto International Film Festival
- Film Presented - 2007
Utah Film Critics
- Nominated Best Actor - 2007 (Casey Affleck)
- Nominated Best Picture - 2007
Venice International Film Festival
- In Competition - 2007
ADDITIONAL INFORMATION:
Cast:
Brad Pitt - Jesse James
Casey Affleck - Robert Ford
Sam Shepard - Frank James
Mary - Louise Parker - Zee James
Paul Schneider - Dick Liddil
Jeremy Renner - Wood Hite
Zooey Deschanel - Dorothy Evans
Sam Rockwell - Charley Ford
Garret Dillahunt - Ed Miller
Brooklyn Proulx - Mary James
Dustin Bollinger - Tim James
Joel McNichol - Express Manager
James DeFelice - Baggagemaster
J.C. Roberts - Engineer
Darrell Orydzuk - Ukranian Train Passenger
Jonathan Erich Drachenberg - Young Train Passenger
Torben S. Hansen - Danish Train Passenger
Alison Elliott - Martha Bolton
Lauren Calvert - Ida
Kailin See - Sarah Hite
Tom Aldredge - Major George Hite
Jesse Frechette - Albert Ford
Pat Healy - Wilbur Ford
Michael Parks - Henry Craig
Ted Levine - Sheriff Timberlake
Joel Duncan - Deputy
James Carville - Governor Crittenden
Stephanie Wahlstrom - Store Customer
Adam Arlukiewicz - Newsboy
Ian Ferrier - Photographer
Michael Rogers - Onlooker at Jesse's Death
Calvin Bliid - Small Boy at Jesse's Death
Sarah Lind - Bob's Girlfriend
Nick Cave - Bowery Saloon Singer
Matthew Walker - Bowery Saloonkeeper
Michael Copeman - Edward O'Kelly
Laryssa Yanchak - Ella Mae Waterson
Hugh Ross - NarratorDirector:
Andrew DominikProducer:
Brad Pitt, David Valdes, Dede Gardner, Jules Daly, Ridley ScottBook Author:
Ron HansenScreenwriter:
Andrew DominikCinematographer:
Roger DeakinsComposer (Music Score):
Nick Cave, Warren EllisEditor:
Curtiss Clayton, Dylan TichenorArt Director:
Martin Gendron, Troy SizemoreAssociate Producer:
Ron HansenExecutive Producer:
Benjamin Waisbren, Brad Grey, Cheryl Bainum, Lisa Ellzey, Tony ScottSet Designer:
Brad Milburn, Gordon White, Grant Van Der Slagt, Marilyn Humphreys, Michael Madden, Rejean Labrie, Ricardo Alms, Terry GunvordahlCostume Designer:
Helen Uffner Vintage Clothing, Pat NorrisSet Decorator:
Janice Blackie-GoodineSound/Sound Designer:
Bruce Carwardine, Christopher Aud, Leslie Shatz, Richard KingMakeup:
Jean A. Black, Rochelle L. PomerleauSpecial Effects:
Amanda Paller, Hayden S. Scott, Jason ParadisFirst Assistant Director:
Scott Andrew RobertsonCamera Operator:
Roger DeakinsStunts:
Alex Green, Blake Schlosser, Brett Edge, Chad Cosgrave, Colt Cosgrave, Corry Glass, Dale Gibson, Dave Hospes, Dennis Hambling, Greg Schlosser, Guy Bews, Jacqueline Loewen, Jason Glass, Jesse Thomson, Jim Finkbeiner, Jim Randle, Jodi Terhoch, Joe A. Dodds, John Scott, Jordon Dodds, Kristy Glass, Kyle Thomson, Lyle Edge, Michael Langlois, Randy Hambling, Reg Glass, Rick Skene, Ross Wideman, Sean Skene, Shane Pollitt, Terrance Leigh, Tom Glass, Tom W. Eirikson, Wacey FinkbeinerCasting:
Deb Green, Jackie Lind, Mali FinnADR Editor:
Kimberly HarrisADR Mixer:
John P. FasalAnimal Trainer/Wrangler:
Allison Red Crow, Bruce Flewelling, Catherine V. Sutherland, Colt Cosgrave, Dave McBean, Greg Holem, Holly Fortier, Jesse Thomson, Jordan Dodds, Justin Blades, Larry O'Connor, Lloyd Jacobson, Lyle Edge, Tom Lloyd, Troy Dorchester, Wade PearsonArt Department Coordinator:
Deanne Rohde, Wendy DobsonAssistant Art Director:
Jackie Bagley, Kimberley ZaharkoAssistant Chief Lighting Technic:
Mike GouldAssistant Costume Designer:
Lizzie McGovernAssistant Editor:
Alex Hepburn, John Paul Horstmann, Marie GaerlanAssistant Location Manager:
Eric Rebalkin, Jay St. Louis, Stuart BeckerAssistant Production Coordinator:
Scott LaytonAssistant Properties:
Johnny Jones, Shelly GoldsackAssistant Set Decorator:
Sean BlackieAssistant Sound Editor:
Jacob RiehleAssistant to the Director:
Evan Godfrey, Eyad ZaharaAssociate Editor:
Peter McNultyBest Boy Grip:
Chris B. SpeersBoom Operator:
Markus WadeCasting Assistant:
Liz ShoaiCasting Associate:
Lauren BassChief Lighting Technician:
Martin KeoughColor Timing:
Terry HaggarConductor:
Matt DunkleyConstruction Coordinator:
Alfred Arndt, Olaf DuxCostume/Wardrobe:
Devora Brown, Diane Routly, Heather Moore, Mary Hyde-Kerr, Nancy B. JonesCostumes Supervisor:
Kelly FraserCraft Service/Catering:
Avaline Adshead, Cathy Barillaro, Filmworks Catering, James C. KennedyDepartment Head Makeup:
Gail KennedyDGA Intern:
Jesse Cooper, Travis McConnellDialogue Editor:
Allen Hartz, Hugo Weng, Michael MagillDolly Grip:
Bruce HammeExtra Casting:
Charles Crossin, Janet Powers, Louise MackiewiczFirst Assistant Accountant:
Caro Rothel, Raluca SheridanFirst Assistant Camera:
Andy HarrisFirst Assistant Editor:
Hugh RossFirst Assistant Sound Editor:
Andrew Bock, Linda YeaneyFoley Artist:
Robin Harlan, Sarah MonatFoley Editor:
Jonathon Klein, Mark Pappas, Michael DresselFoley Mixer:
Randy K. SingerFoley Supervisor:
Christopher FlickGraphic Design:
Craig HumphriesGreensman:
Deborah Day, Donny Dolan, James Weeks, Richard "Jesse" Irwin, Shannon Ross WatsonHair Styles:
Chris HarrisonHead Animal Trainer:
John Scott, Ross WidemanKey Grip:
Rick SchmidtKey Hairstylist:
Iloe FlewellingLocation Manager:
Rino Pace, Robert Hilton, Sarah Jane CundellMakeup Special Effects:
Christien TinsleyMatte Artist:
Deak Ferrand, Dominic Daigle, Hatch FXMusic Editor:
Jonathan Karp, William B. KaplanMusic Producer:
Gerard McCannMusical Performer:
Gerard McCann, Luke Cave, Martyn CaseyNegative Cutter:
Mo HenryPost Production Supervisor:
David DresherProducer's Assistant:
Doborah Heslop, Emily Currie, Kelly Williams, Yoleine DumarsaisProduction Accountant:
Dorothy PreciousProduction Coordinator:
Jill Christensen, Nicole FlorianProperties Master:
Dean GoodinePublicist:
Lee Anne MuldoonRe-Recording Mixer:
Doug Hemphill, Ron BartlettScenic Artist:
David Belcourt, Erika Zonderland, George Griffiths, Tom JohnsonScript Supervisor:
Nancy McDonaldSecond Assistant Camera:
David Lourie, Susan StrembitskySecond Assistant Director:
Karen SowiakSet Dresser:
Amber Humphries, Christopher Smith, Jack Lowen, Jay Benoliel, Laura Cuthill-Luft, Marlis Wilson, Stacey GoochSound Effects Editor:
Michael Babcock, Michael W. MitchellSpecial Effects Coordinator:
Maurice RoutlySpecial Effects Supervisor:
James ParadisSteadicam Operator:
Damon MoreauStill Photographer:
Kimberley FrenchStoryboard Artist:
Al BergStunts Coordinator:
Billy Burton, Brent WoolseySupervising Sound Editor:
Richard KingThird Assistant Director:
Lisa JemusTitle Design:
James LeakeTransportation Captain:
Dean RobinsonTransportation Coordinator:
Coleman RobinsonUnit Production Manager:
Brian Parker, David ValdesVideo Assist:
Daniel J. Quesenl, Rob DoakVisual Effects:
Chris Hollywood, CIS HollywoodVisual Effects Producer:
Sophie Leclerc
REVIEW:
- Director Andrew Dominik adopts a style throughout his new psychological western The Assassination of Jesse James By the Coward Robert Ford that he believes will give the film the weight and seriousness of an epic. The movie runs a stately 160 minutes not because there is too much action or too many sequences, but because conversations are edited so that protracted silences occur between every line of dialogue. For the first 30 minutes, as the members of the gang are introduced while they plan and execute a train robbery, Dominik is at his best. The deliberate tone and slow pace make this a unique and rewarding sequence, but the next 90 minutes of the film eats away that interest. Casey Affleck embodies the creepy stalker elements of Robert Ford with great skill, but his boyish face keeps him from ever being truly threatening -- perfect casting considering what the director does with the character. Ford's obsession with Jesse James (played as alternately psychotic or brooding by Brad Pitt) manages to be complete, without being in any way sexual. He's a boy trying to figure out what he wants to be when he grows up. His performance, in fact each performance throughout, is solid, but they are undermined by the film's pace. The editing style, which is obviously purposeful, hampers the film's protracted middle because while the film suggests many reasons why Ford kills Jesse, it never seems to take a stand on the issue. Jealousy, fear, duty, and a desire for celebrity are all presented as possibilities, but often these different motivations seem to conflict directly with each other. Over dinner with the Ford family, James humiliates the 20-year-old Robert, and one would think that his actions from then on stem from a desire for revenge, but even after the embarrassment, Ford is seen sniffing James' bedding. A film can be open-ended and open to interpretation, yet still present an explanation as to why everyone was interested in the material to begin with. The movie plays like the director wanted to make the film in order to figure out his own feeling about Robert, but never came to any resolution.
The final 20 minutes, after Ford shoots Jesse and must live with the consequences, bring the proceedings back to life. As Robert revels in his notoriety, the viewer can draw so many parallels with what went on before that one can start to see that the material might have supported the stately rhythm. As it is, The Assassination of Jesse James by the Coward Robert Ford is a failure, but the combination of ideas, however unformed, and the style make it a genuine attempt at something new -- which makes the film more interesting than most failures. ~ Perry Seibert, Rovi
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