Thrillers: 4 Film Favorites [2 Discs]
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$12.10
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-
Aspect Ratio:
Widescreen Rating:
R — for violence and language-
Language:
Eng Studio:
Warner Home VideoUPC:
085391174257Year of Release:
2007Item Number:
WBD017425Release Date:
11/10/2009Genre:
Erotic Thriller –
Mystery –
Police Detective Film –
Police Detective Film –
Post-Noir (Modern Noir) –
Psychological Thriller –
Thriller
Format:
DVD
DVD FEATURES:
- Region: 1
- Number of Discs: 2
- Screen: Enhanced Wide Screen Letterbox for 16x9 TV
- Aspect Ratio: 2.40:1
- Audio: Dolby Digital Stereo
- Features:
- Copycat includes:
- Widescreen version [16x9 2.4:1]
- Commentary by director Jon Amiel
- Theatrical trailer
- Languages: English & Francais
- Subtitles: English, Francais & Espanol (Main feature only)
- Diabolique (1996) includes:
- Widescreen version [16x9 1.85:1]
- Featurette
- Theatrical trailers
- Languages: English & Francais
- Subtitles: English, Francais & Espanol (Main feauture only)
- The Crush includes: Widescreen version [16x9 1.85:1]
- Theatrical trailers
- Subtitles: English, Francais & Espanol (Main feature only)
- Pacific Heights includes:
- Widescreen version [16x9 1.85:1]
- Theatrical trailer
- Languages: English & Francais
ADDITIONAL INFORMATION:
Cast:
Cary Elwes - Nick Eliot
Alicia Silverstone - Darian Forrester
Chazz Palminteri - Guy Baran
Amber Benson - Cheyenne
Dorian Harewood - Dennis Reed
Gwynyth Walsh - Liv Forrester
Carl Lumbly - Lou Baker
Adam Hann - Byrd - Erik PretzerDirector:
Jon Amiel, Jeremiah S. Chechik, Alan Shapiro, John SchlesingerProducer:
Arnon Milchan, Mark Tarlov, James G. Robinson, Marvin Worth, Michael MacDonald, Joe Roth, Monroe SachsonScreenwriter:
Frank Pierson, Ann Biderman, David MadsenBook Author:
Pierre Boileau, Thomas NarcejacScreenwriter:
Don Roos, Alan Shapiro, Daniel PyneCinematographer:
Laszlo Kovacs, Tony Pierce-Roberts, Peter James, Bruce Surtees, Amir Mokri, Dennis E. JonesComposer (Music Score):
Christopher Young, Randy EdelmanSongwriter:
Randy Edelman, Dennis Maitland IIComposer (Music Score):
Graeme RevellFeatured Music:
Wolfgang Amadeus Mozart, Antonio VivaldiMusical Direction/Supervision:
Shirley WalkerComposer (Music Score):
Hans ZimmerEditor:
Jim Clark, Alan Heim, Carol Littleton, Ian Crafford, Mark WarnerProduction Designer:
Jim Clay, Leslie Dilley, Michael S. Bolton, Neil SpisakArt Director:
Chris Seagers, Dennis Bradford, Dennis Bridges, Eric Fraser, Brett Schwieters, Gershon Ginsburg, Sharon SeymourCo-producer:
Joseph M. Caracciolo, Jr., Gary Daigler, Scott Rudin, William Sackheim, Dennis E. JonesAssociate Producer:
Kirsten Welles, Joel Segal, Marci LiroffExecutive Producer:
John Fiedler, Michael Nathanson, Gary Barber, Bill Todman, Jr., Chuck Binder, Jerry Offsay, David Nicksay, James G. RobinsonSet Designer:
Catherine Davis, Michael Seirton, Clay Griffith, Debra ShuttCostume Designer:
Claudia Brown, Michael Kaplan, Bridget Kelly, Ann RothSound/Sound Designer:
Chris NewmanMakeup:
Stephan Dupuis, Dennis Eger, Ronnie Spector, Valli O'ReillySpecial Effects:
R. Bruce Steinheimer, Peter M. Chesney, Image Engineering, J.D. StreettFirst Assistant Director:
Matthew Carlisle, Jeffrey Wetzel, Hilbert Hakim, Richard Oswald, Stephen Lee Davis, K.C. ColwellConsultant/advisor:
J.P. PomposelloCamera Operator:
Craig HaagensenStunts:
Chuck Picerni, Jr., Michael Cassidy, Chad Randall, Shane Dixon, Tom Elliott, Gary Epper, Bobby Foxworth, Matt McColm, Debby PorterCasting:
Kerry Barden, Billy Hopkins, Suzanne Smith, Marci Liroff, Mali FinnProduction Manager:
Dennis E. JonesSecond Unit Director:
Leslie DilleyTechnical Director:
Leslie DilleyKey Hairstylist:
Medusah
REVIEW:
- After the phenomenal success of 1991's Silence of the Lambs, serial killer movies aspired to avoid "typical" grisly killings, instead devising the cleverest murders possible. 1995's Seven had its arty killer referencing classical literature; that same year, in Copycat, the killer mimics the famous real-life murders of the Son of Sam, Jeffrey Dahmer, and Ted Bundy. The stylish, pretentious Seven was by far more successful at the box office, but in fact, Copycat is a more likable thriller. Though the script is often unfocused and implausible, it features a functional mystery, and director Jon Amiel (responsible for the divine British mini-series The Singing Detective) creates much tension by balancing character-building scenes with the action. There are very good performances all around: Sigourney Weaver, in a part similar her role in Death and the Maiden, is typically skillful; but it is Holly Hunter and the Frank Sinatra-esque Harry Connick Jr., playing a hillbilly killer, who stand out the most. ~ Brendon Hanley, Rovi
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