Action 3-Pack [3 Discs]
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-
Aspect Ratio:
Widescreen Rating:
NR — for some language and sexual content-
Language:
Eng Studio:
Warner Home VideoUPC:
883929023295Year of Release:
2008Item Number:
WBD009371Release Date:
05/20/2008Genre:
Adventure –
Adventure Drama –
Adventure Drama –
Anti-War Film –
Caper –
Caper –
Comedy –
Comedy Drama –
Crime –
Disaster Film –
Drama –
Ensemble Film –
Military Comedy –
Sea Adventure –
War –
War Adventure
Format:
DVD
DVD FEATURES:
- Region: 1
- Number of Discs: 3
- Audio: Dolby Digital 5.1
- Screen: Enhanced Wide Screen Letterbox for 16x9 TV
- Features:
- cc
- Ocean's Eleven:
- Behind-the-scenes documentaries
- HBO First Look: The Making of Ocean's Eleven
- The Look of the Con
- Two feature-length audio commentaries: One with stars Matt Damon, Andy Garcia and Brad Pitt, the other with director Steven Soderbergh and screenwriter Ted Griffin
- Soundtrack presented in both Dolby Digital 5.1 and Dolby Surround 2.0
- 3 theatrical trailers
- Interactive menus
- Cast film highlights
- Enhanced features for DVD-ROM PC
- The Perfect Storm:
- 3 behind-the-scenes documentaries
- 3 feature-length filmmaker/author/craftsperson commentaries
- Yours Forever photo montage
- Conceptual art gallery with director commentary
- Storyboard gallery
- Interactive menus
- cast/director/screenwriter filmographies
- Theatrical trailer
- Enhanced features for DVD-ROM PC
- Three Kings:
- Behind-the-scenes documentaries
- Filmmaker commentaries anc creative personnel interviews
- Director's Video Journal
- An Intimate Look Inside the Acting Process With Ice Cube
- Stills gallery
- Hidden bunkers
- Interactive menus
- Production notes
- Theatrical trailer
AWARDS
Academy of Motion Picture Arts and Sciences
- Nominated Best Sound - 2000 (Keith A. Wester, David E. Campbell, John Reitz, Gregg Rudloff)
- Nominated Best Visual Effects - 2000 (John Frazier, Stefen Fangmeier, Walt Conti, Habib Zargapour)
American Society of Cinematographers
- Nominated Best Cinematography - 2000 (John Seale)
British Academy of Film and Television Arts
- Won Best Visual Effects - 2000
- Nominated Best Sound - 2000
Broadcast Film Critics Association
- Won Breakthrough Performer - 1999 (Spike Jonze)
- Nominated Best Acting Ensemble - 2001
French Academy of Cinema
- Nominated Best Foreign Film - 2002
National Board of Review
- Nominated Best Picture - 2001
- Nominated Best Picture - 1999
National Society of Film Critics
- Won Best Director (Runner-up) - 1999 (David O. Russell)
Writers Guild of America
- Nominated Best Original Screenplay - 1999 (David O. Russell, John Ridley)
ADDITIONAL INFORMATION:
Cast:
George Clooney - Capt. Billy Tyne
Brad Pitt - Rusty Ryan
Ice Cube - Chief Elgin
Diane Lane - Christine Cotter
Andy Garcia - Terry Benedict
Casey Affleck - Virgil Malloy
Allen Payne - Alfred Pierre
Cliff Curtis - Amir Abdulah
Elliott Gould - Reuben Tishkoff
Cherry Jones - Edie Bailey
Bernie Mac - Frank Catton
Christopher McDonald - Todd Gross
Dash Mihok - Sgt. Jeremy Mitchell
Josh Hopkins - Capt. Darryl Ennis
Michael Ironside - Bob Brown
Rusty Schwimmer - Irene "Big Red" Johnson
Janet Wright - Ethel Shatford
Angie Dickinson - HerselfDirector:
Steven Soderbergh, Wolfgang Petersen, David O. RussellProducer:
Jerry Weintraub, Gail Katz, Wolfgang Petersen, Paula Weinstein, Charles Roven, Paul Junger Witt, Edward L. McDonnellScreenwriter:
Ted Griffin, Bo Goldman, William D. WittliffBook Author:
Sebastian JungerScreenwriter:
David O. RussellScreen Story:
John RidleyCinematographer:
Peter Andrews, John Seale, Newton Thomas SigelComposer (Music Score):
David HolmesMusical Direction/Supervision:
Maureen CroweComposer (Music Score):
James HornerSongwriter:
Jerry CantrellComposer (Music Score):
Carter BurwellMusical Arrangement:
Richard WolfMusical Direction/Supervision:
Ralph SallEditor:
Stephen Mirrione, Richard Francis-Bruce, Robert LambertProduction Designer:
Philip Messina, William Sandell, Catherine HardwickeArt Director:
Keith P. Cunningham, Charles ButcherSupervising Art Director:
Bruce Crone, Derek R. HillArt Director:
Jann K. EngelCo-producer:
R.J. Louis, Douglas Segal, John Ridley, Kim RothAssociate Producer:
Alan B. Curtiss, Brian McNulty, Alan GlazerExecutive Producer:
John Hardy, Susan Ekins, Bruce Berman, Duncan Henderson, Barry Levinson, Gregory Goodman, Kelley Smith-WaitSet Designer:
Dawn Brown-Manser, Nancy Deren, Kristen Toscano Messina, Barbara Ann Spencer, George R. Lee, Eric P. Sundahl, Bill Taliaferro, Bruce K. West, John Leimanis, Doug Meerdink, Gene SerdenaCostume Designer:
Jeffrey Kurland, Nigel Boyd, Corey C. Bronson, Betsy Glick, Anthony T. Lukins, Shoshana Rubin, Julie YangSet Decorator:
Ernie BishopCostume Designer:
Erica Phillips, Kym BarrettSound/Sound Designer:
Paul Ledford, Keith A. Wester, Edward TiseMakeup:
Jean A. Black, Richard Dean, Fionagh Cush, Elisa MarshSpecial Effects:
Cinesite, R.J. HohmanFirst Assistant Director:
Greg Jacobs, Alan B. Curtiss, Julian WallAnimator:
CinesiteCamera Operator:
Duane ManwillerStunts:
Michael Cassidy, Cheryl Lawson, Corey Michael Eubanks, Steve Lambert, John Moio, Richard L. Bucher, Jayson Dumenigo, Brad Martin, Jon Sakata, Justin SundquistCasting:
Debra ZaneProduction Manager:
Charles MillerCasting:
Jane Jenkins, Janet Hirshenson, Mary Vernieu, Anne McCarthyRe-Recording Mixer:
Larry BlackSupervising Sound Editor:
Larry BlackShort Story Author:
George Clayton JohnsonBoom Operator:
Randy JohnsonStunts Coordinator:
John RobothamUnit Production Manager:
Frederic W. BrostSet Production Assistant:
Lynne MartinSteadicam Operator:
Duane ManwillerProduction Sound:
Paul LedfordHair Styles:
Bonnie Clevering, Peggy SemtobSet Production Assistant:
Lynn StruiksmaAssistant Art Director:
Robert WoodruffAssistant Costume Designer:
Bobby WojewodskiTechnical Advisor:
Chic DanielSound Editor:
Aaron GlascockShort Story Author:
Jack Golden RussellKey Make-up:
Christien TinsleyPublicist:
Spooky StevensSet Production Assistant:
Dan BerkowitzSound Editor:
Michael ChockAssistant Chief Lighting Technic:
Eric Wolfson-SagotSecond Assistant Director:
Trey BatchelorProduction Controller:
Jackie BaughCasting Assistant:
George BrownSet Production Assistant:
Keri BrunoSet Dresser:
Robert CamronSet Production Assistant:
Anne G. CellucciFoley Editor:
James ChristopherFirst Assistant Editor:
Douglas CriseSet Dresser:
Jeff DamalKey Costumer:
Victoria De KayAssistant Location Manager:
Caleb DuffyCasting Assistant:
John O. Falvey, Jenny GiengerTranslator:
Steve HaiLocation Manager:
Quentin HallidaySet Dresser:
Larry HaneySpecial Effects Coordinator:
Kevin HanniganLocation Manager:
George HarthelAssistant Art Director:
Blair HuizinghProduction Coordinator:
Karen JarneckeExtra Casting:
Rich King & AssociatesCasting Assistant:
Thomas King Jr.Set Production Assistant:
Michael La CorteAssistant Properties:
Lance LarsonKey Grip:
Al LaverdeLocation Manager:
Ken LavetProduction Supervisor:
Robin Le ChanuSet Dresser:
Mike MaloneStill Photographer:
Bob MarshakCostumes Supervisor:
Elaine MaserProperties Master:
Steven B. MeltonAssistant Properties:
Melody MillerCasting Assistant:
Danny MolinaStoryboard Artist:
Leonard MorgantiKey Costumer:
Chris NewlanderSet Production Assistant:
Natascha OppenheimChief Lighting Technician:
Jim PlannetteSet Production Assistant:
Keith PopelyAssistant Properties:
Gregory F. PoulosVisual Effects Producer:
Michael S. PryorHair Styles:
K.G. Ramsey, Waldo SanchezFirst Assistant Editor:
Keith SauterHair Styles:
Betty Lou SkinnerConstruction Coordinator:
Chris SnyderAssistant Sound Editor:
F. Scott TaylorCasting Associate:
Terri TaylorCasting Assistant:
Pamela ThomasDolly Grip:
Paul ThrelkeldCamera Loader:
Timothy TillmanAssistant Production Coordinator:
Ken UngrodtSecond Second Assistant Director:
Basti Van Der WoudeCasting Assistant:
Christopher Just WeaverScript Supervisor:
Annie WellesKey Hairstylist:
Roxanne WightmanSpecial Effects Supervisor:
Thomas J. SmithSet Dresser:
Paul RichardsBest Boy Grip:
Ricky HarrisSpecial Effects Supervisor:
John FrazierAnimation Effects:
Industrial Light & MagicVisual Effects:
Industrial Light & MagicSecond Unit Director Of Photogra:
Walt LloydSecond Unit Director:
David R. EllisStunts Coordinator:
Doug Coleman, Daniel W. BarringerFoley Artist:
Kevin BartnofSupervising Sound Editor:
Wylie StatemanVisual Effects Supervisor:
Stefen FangmeierVisual Effects:
Habib ZargapourProduction Executive:
Diana RathbunSecond Unit Makeup:
Norman PageSecond Unit Director:
Dan BradleyStunts Coordinator:
Dan BradleySecond Unit Camera:
Philip PfeifferSecond Unit Assistant Director:
Lisa SatrianoSound Editor:
John LevequeSupervising Sound Editor:
Bruce Fortune
REVIEWS:
- Cool, calm, collected, and low-key -- almost to a fault -- director Steven Soderbergh's starry remake of 1960's plodding Rat Pack vehicle may be little more than a muscle-stretching exercise for the newly minted Oscar-winner, but at least it's an audience-pleasing one. Ocean's Eleven is a hodgepodge of some of the director's pet influences: the deft multi-character juggling of Robert Altman, the just-the-facts policier technique of Jules Dassin or Francois Truffaut, and even some of the high-gloss pyrotechnics of David Fincher or John McTiernan. In many ways, it's Soderbergh's least distinctive film: the casual explosions, rag-tag rapport, and only-in-the-movies plot conveniences are just a notch away from the territory of the director's one-time nemesis Jerry Bruckheimer. Where he makes the material his own is in the casting -- this motley crew is more geek than chic, and they all play off each other incredibly well -- and in the zippy dissection of the complex heist. So while Ocean's Eleven isn't as funny or as involving as it could be -- in other words, it's not Out of Sight Part II -- watching Soderbergh spin his wheels is still more enjoyable than just about anything out there. ~ Michael Hastings, Rovi
- Director Wolfgang Petersen returns to form after the disappointing Air Force One (1997) with this taut, detailed account of 1991's "storm of the century." Though the film's landlocked melodrama never takes off -- most of it consists of the fishermen's significant others biting their nails and overacting -- the action at sea is tense, believable, and completely unrelenting. Petersen adeptly mixes CGI visual effects with impressive soundstage recreations and location footage, as he charts the doomed course of crazily-determined skipper Billy Tyne (George Clooney) and his more cautious neophyte crewman Bob Shatford (Mark Wahlberg, in a standout performance). Though the film's dark, complex set pieces have the potential to be murky and convoluted, Petersen never shortchanges the audience with confusing logistics, shaky camerawork, or jumpy editing. In every scene, there's a palpable, specific sense of the risk and danger involved -- so much so that James Horner's cloying score seems redundant and superficial. One particularly sore spot: the talented Karen Allen is underused as a yachtswoman caught in the eye of the storm; it's as if her scenes were left on the cutting-room floor. ~ Michael Hastings, Rovi
- Though its subject matter was a risky endeavor, Three Kings has the surprise visceral impact of a scud missile fired at close range. Director David O. Russell attacked a subject with dubious luster, possibly better suited to the topical realm of TV movies, and crafted one of the more visually arresting films of 1999. Russell's bag of tricks includes following a bullet into a human abdomen, sight and sound distortion during battlefield chaos, a POV of a dazed soldier watching his own life being saved, and the kind of gritty film stock that brings each individual fleck of sand into focus. Accompanying these is an equally offbeat perspective on what made the war such a disjointed and foreign experience for those involved: they may as well have been on Mars. "Are we shooting people or what?" yells Mark Wahlberg's Troy Barlow during the film's tone-setting opener, as a tired Iraqi on a nearby hill waves his weapon half-heartedly, with ambiguous intent. Barlow rips the guy's throat open with a slug, for lack of any guiding policy, either moral or military. Barlow and his eventual band of marauders, including (George Clooney, Ice Cube and, in a memorable acting breakthrough, Being John Malkovich director Spike Jonze), only put a human face on these Iraqis when they stumble into a civil strife in which a woman is brutally executed. For all the humor of the absurd vignettes that propel the film, Three Kings also taps into a shock wave of human emotion -- guaranteeing that it will linger in the viewer's consciousness far longer than that forgotten conflict in the desert. ~ Derek Armstrong, Rovi
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