13 Tzameti
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Rating:
NR-
Language:
Fra Studio:
Palm PicturesUPC:
660200314729Year of Release:
2005Item Number:
PLM003147Release Date:
02/13/2007Genre:
Foreign Films –
Psychological Thriller –
Thriller
Format:
DVD
MOVIE DESCRIPTION:
An aimless 20-year-old with a penchant for following the rules receives a mysterious set of instructions that lead him down a path from which he may never return in director Gela Babluani's tense tale of death and chance. Sebastien has come into possession of a train ticket and a mysterious set of instructions. Though he is unsure of exactly what fate awaits him when he arrives at his destination, one thing is certain: these items were most certainly not meant for him. Bored by his uneventful existence and hungering for something new, Sebastien boards the outbound train and takes his first bold steps into an unknown future. But the world can be a cruel and unforgiving place filled with unfeeling men to whom human life means little more than a lost wager, and if Sebastien is to make it through his harrowing journey alive he must keep his wits about him and pray that luck is on his side. ~ Jason Buchanan, Rovi
DVD FEATURES:
- Region: 1
- Number of Discs: 1
- Subtitle: Eng
- Audio: Dolby Digital Stereo
- Screen: Enhanced Wide Screen Letterbox for 16x9 TV
- Features:
- Interview with director Gela Babluani and Actors Georges Babluani and Aurelien Recoin
- The DVD design contest - top 13 finalists
- Sunday's Game - a short film about some nice old ladies
- Deleted scenes
- Testimony of a survivor
- 5.1 surround sound
- US theatrical trailer
- Palm previews
- Weblinks
AWARDS
Sundance Film Festival
- Won World Cinema Jury Prize - Dramatic - 2006
ADDITIONAL INFORMATION:
Cast:
Georges Babluani - Sebastien
Aurelien Recoing - Jacky, Player No. 6
Pascal Bongard - Master of Ceremonies
Fred Ulysse - Alain
Nicolas Pignon - Godfather
Vania Vilers - Mr. Shloendorff
Christophe Vandevelde - Ludo, Player No. 6's Brother
Augustin Legrand - Jose
Jo Prestia - Biereau, Pierre
Jean - Francois Godon - Philippe Passon
Djalalli Amouche
Melchior Aquino
Nouredine Ameur
Makharadze Avtandil
Herve Babadi
Liana Babluani
Likouna Babluani
Temur Babluani
Laurent Bariteau
Robert Beaupre
Philippe Beautier
Allan Benkaci
Claude Billois
Gilles Bongibault
Karim Bouguerra
Jean Borodine
Bernard Bouillon
Cedric Bouvier
Urbain Cancelier
Mateo Capelli
Alexandre Cardinalli
M. Chapion
Didier Champion
Didier Constant
Jean - Pierre Cormarie
Simon Cohen
Jean - Pierre Cottin
Christelle Coulee
Stephane De Fraia
Benoit De La Porte
Bruno Daveze
Gerard Desestre
Jean - Michel Delaloche
Cedric Deprez
Benoit Deseze
Abed Djerrar
Louis Donval
Jean - Paul Dostone
Emmanuel Du Couldray
Irene Joseph Edouard
Fred Epaux
Daniel Faure
Serge Feuillard
Cyprien Fiasse
Laurent Ficher
Eric Fouchet
Marc - Antoine Frederic
Christian Gaitch
Olivier Galliano
Jacques Gallo
Patrice Garelli
Roland Gervet
Alain Girardot
Philippe Gluck
Andre Huet
Mohamed Houssain Ali
Franck Houis
Mohammed Ikrou
Daniel Isoppo
Pascal Ivancic
Franck Jean Elie
Claude Johann
Pierre Johann
Amaud Kakpeyen
Samba Kante
Philippe Kieffer
Jacques Lafolye
Nadir Lalouni
Daniel Lefort
Francois Legrand
Jean - Baptiste Legrand
Jean - Paul Lopez
Christelle Louessard
Joseph Malerba
Gaston Marcantoni
M. Marel
Jacqueline Martin
Bruno Mary
Mohammed Mazari
Patrick Michaelis
Christian Nedjel
Didier Nobletz
Pascal Oumaklouf
Raphael Palma
Jerome Paquette
Franck Pejoux
Jacques Petit
Patrick Pierron
Jean - Pierre Pivolot
Bouges Stephane RouqetDirector:
Géla BabluaniProducer:
Géla BabluaniScreenwriter:
Géla BabluaniCinematographer:
Tariel MeliavaMusical Arrangement:
East (Troublemakers)Featured Music:
East (Troublemakers)Editor:
Noemie MoreauArt Director:
Bernard PeaultAssociate Producer:
Jean-Baptiste Legrand, Bruno Daniault, Jean-Marie Delbary, Nathanael Karmitz, Alexandre Meliava, Morteza Mohammadi, Olivier OurselCostume Designer:
Sabine SolinMakeup:
Delphine Birarelli, Aurore Goureau, Séverine Le Chapelin, Valentine Perrin Morali, Anna Paradisi, Elodie RischmannFirst Assistant Director:
Julien DarrasSound Mixer:
Didier LozahicProduction Manager:
Jean-Baptiste Legrand, Fanny SaadiSpecial Effects Supervisor:
Georges DemetreauSound Editor:
Didier LozahicScript Supervisor:
Sabine BauchartMusic Producer:
East (Troublemakers)Sound Recordist:
Ludovic EliasUnit Production Manager:
Andy AchardSteadicam Operator:
Loic AndrieuProperties Master:
Florent BoissinotSecond Assistant Director:
Mélodie ChabertKey Make-up:
Aurore ChauchatSecond Assistant Director:
Margot De Guillebon, Guillaume DeviercyGaffer:
Julien GalloisUnit Production Manager:
Morvan Le NoachSecond Assistant Director:
Yoann Milin, Cyril RoquesKey Make-up:
Tiphaine RousseProperties Master:
Victor SaumontGaffer:
Karim Younes
REVIEW:
- 13 Tzameti has a chilling, electrifying central showpiece, but it lacks the plot mechanics to deliver an equivalent sense of dramatic tension. There's plenty of the regular kind of tension -- sometimes more than a viewer can handle -- but it's restricted to certain contained moments of wincing intensity. And because it's driven more by the situation than the characters, it's visceral and surface-level, rather than emotionally resonant. Writer-director Gela Babluani has made an impeccable homage to the French New Wave with his black-and-white thriller about a 13-person game of Russian roulette, gambled on by the rich, in which participants become involved somewhat unwittingly. The Georgian filmmaker uses his outsider perspective to bring a unique touch to the French-language film, making for a memorable experience that recalls classic New Wave films. 13 Tzameti is so rich with style and atmosphere, however, that the story ends up not quite living up to its potential. The viewer's surrogate (played by the director's younger brother) is a guy we don't know much about -- he's an opportunistic contractor who's about to be stiffed for services rendered, so he steals his employer's invitation to a game he knows nothing about. He doesn't have a goal other than to be compensated, and to get out alive. Babluani masterfully controls each moment of truth -- cutting away to the participants' faces, destroyed by anxiety, and to a bulb that illuminates when it's time to pull the trigger -- but by following one character at the expense of all others, he inevitably removes some uncertainty about each outcome. Fans probably won't care too deeply about any narrative shortcomings, since the French New Wave was not particularly a plot-driven movement, anyway. 13 Tzameti has the stylistic trademarks and the bleak world view to make it a shining modern example of that form. ~ Derek Armstrong, Rovi
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