Music Appreciation 101 [3 Discs]
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Aspect Ratio:
Widescreen Rating:
NR-
Language:
Eng Studio:
MGMUPC:
027616083531Year of Release:
2007Item Number:
MGD008353Release Date:
08/12/2008Genre:
Comedy –
Crime Comedy –
Cult Classics –
Mockumentary –
Sci-Fi Adventure –
Sci-Fi Comedy –
Sci-Fi Comedy –
Science Fiction –
Showbiz Comedy –
Teen Movie
Format:
DVD
DVD FEATURES:
- Region: 1
- Number of Discs: 3
- Aspect Ratio: 2.35:1 (Cinemascope)
- Audio: Dolby Digital Surround
- Screen: Enhanced Wide Screen Letterbox for 16x9 TV
ADDITIONAL INFORMATION:
Cast:
Brendan Fraser - Chazz Darby
Alex Winter - Bill S. Preston
Adam Sandler - Pip
Bernie Casey - Mr. Ryan
Chris Farley - Wilson
Amy Locane - Kayla
Bruno Kirby - Tommy Pischedda
June Chadwick - Jeanine Pettibone
Fran Drescher - Bobbi Flekman
Ernie Hudson - O'Malley
Clifford David - Ludwig van Beethoven
Hal Landon, Jr. - Capt. Logan
Patrick Macnee - Sir Denis Eton-Hogg
Amy Stock - Poynton - Missy/Mom
Fred Willard - Lt. Hookstratten
Ed Begley, Jr. - John "Stumpy" Pepys
Howard Hesseman - Terry Ladd
Al Leong - Genghis KhanDirector:
Michael Lehmann, Stephen Herek, Rob ReinerProducer:
Mark Burg, Robert Simonds, Robert W. Cort, Stephen Deutsch, Ted Field, Michael S. Murphey, Karen MurphyScreenwriter:
Rich Wilkes, Chris Matheson, Ed Solomon, Christopher Guest, Michael McKean, Rob Reiner, Harry ShearerCinematographer:
John Schwartzman, Tim Suhrstedt, Peter SmoklerComposer (Music Score):
Carter BurwellMusical Direction/Supervision:
Douglas Axtell, Russell FagerComposer (Music Score):
David NewmanSongwriter:
Christopher Guest, Michael McKean, Rob Reiner, Harry ShearerEditor:
Steve Semel, Larry Bock, Partick Rand, Kent Beyda, Robert Leighton, Kim SecristProduction Designer:
David Nichols, Roy Forge Smith, Bryan JonesArt Director:
Edward Mcavoy, Gordon WhiteCo-producer:
Ira Shuman, Scott Kroopf, Joel SoissonExecutive Producer:
Todd BakerSet Designer:
Jennifer WilliamsCostume Designer:
Bridget Kelly, Jill M. Ohanneson, Renee JohnstonSound/Sound Designer:
Robert EberMakeup:
Daniel MarcSpecial Effects:
Barry NolanFirst Assistant Director:
Joe Camp IIIStunts:
Dan BradleyChoreography:
Brad JeffriesCasting:
Billy Hopkins, Glenis S. Gross
REVIEWS:
- After the cult hit Heathers, Michael Lehmann was hired to make Hudson Hawk. That infamous turkey bombed so spectacularly that it was another three years before Lehmann could follow it up. Airheads feels like the work of a man learning to direct all over again, and protecting himself by organizing a dependable cast. Although the screenplay is not nearly as smart or funny as it could be, the film is full of actors who put just enough of a spin on the material to give it some life. Steve Buscemi, Joe Mantegna, and even Adam Sandler are given enough space to get whatever laughs they can from the limited material, and Brendan Fraser holds it all together just enough by giving one of his typically dependable (if less than inspired) performances. Given the script, Lehmann and his cast make Airheads about as good as it could possibly be. ~ Perry Seibert, Rovi
- If there has ever been a funnier and truer film about rock music than This Is Spinal Tap, no one has had the courage to show it in public. Rob Reiner's hilarious mockumentary chronicle of the misadventures of a group of intellectually challenged British rock musicians touring the U.S. manages to laugh at and with its protagonists at the same time. While the unending cluelessness of Spinal Tap's core members, David St. Hubbins (Michael McKean), Nigel Tufnel (Christopher Guest), and Derek Smalls (Harry Shearer), is a marvel to behold (especially the scene in which Nigel is baffled by the miniature pumpernickel on the deli tray), the leading characters also exude a goofy charm. As we watch their career slowly collapse around them, it's difficult not to feel a certain sympathy while laughing at their travails (it helps that they've seen enough of this coming to be more annoyed than despairing about their careers). Guest, McKean, and Shearer, who improvised most of the film's material, all did time in rock bands in the 1960s and '70s, and it seems as if they didn't forget a thing; no one who has ever been in a band, no matter how lowly, will fail to recognize the arguments at rehearsal, the on-stage screwups, the frustration of getting lost en route to a show, the thrill of hearing yourself on the radio, the chore of playing for an audience that doesn't care, and the excitement of a show that goes over. While This Is Spinal Tap takes deadly (and wildly funny) aim at the absurdities of the music business and the pompous excesses of the heavy metal scene, it's also made by people who understand the kick of a good rock show (for both performer and audience), and much of the humor comes from the fact that this seemingly absurd tale is not far at all from the truth. ~ Mark Deming, Rovi
- This slacker comedy provides some good low-brow laughs and, sadly enough, delivered many teenagers some history lessons when it was released. Keanu Reeves' breakthrough role as the loveable dunce Ted resulted in typecasting that would plague his career until The Matrix. The film aggravated some educators with its frivolous treatment of academia but brought praise from others for making history fun and palatable. It also stamped words like "bogus" and "gnarley" firmly into the '80s slang lexicon. George Carlin's appearance as the time-traveler Rufus adds a little comedic legitimacy to this little film, which essentially boils down to engaging and well-paced silly, mindless fun with a fairly well-written script. The legacy of Bill and Ted can be traced to the slacker comedies of Adam Sandler, and the film itself was popular enough to spawn an ill-fated sequel and a short-lived Saturday morning cartoon. ~ Mike DiBella, Rovi
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