Frankie and Annette Collection [4 Discs]
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Aspect Ratio:
Widescreen Rating:
NR-
Language:
English Studio:
MGMUPC:
027616081292Year of Release:
2007Item Number:
MGD008129Release Date:
07/10/2007Genre:
Beach Film –
Beach Film –
Comedy –
Drama –
Musical –
Musical Comedy –
Musical Comedy –
Rock Musical –
Romance –
Sports Drama –
Teen Movie
Format:
DVD
DVD FEATURES:
- Number of Discs: 4
- Aspect Ratio: 2.35:1 (Cinemascope)
- Audio: Dolby Digital Mono
- Screen: Color, Enhanced Wide Screen Letterbox for 16x9 TV
- Subtitle: Spanish, English, French
ADDITIONAL INFORMATION:
Cast:
Frankie Avalon - Todd Armstrong/Jane
Frankie Avalon - Frankie/Potato Bug
Frankie Avalon - Frankie
Frankie Avalon - Dave
Robert Cummings - Prof. Sutwell
Annette Funicello - Francie Madsen
Fabian - Tommy Callahan
Annette Funicello - Jane
Annette Funicello - Dee Dee
Dwayne Hickman - Craig Gamble/Nora
Dwayne Hickman - Ricky
Dorothy Malone - Marianne
Brian Donlevy - B.D.
Fabian - Leander
Martha Hyer - Vivien Clements
Diane McBain - Annie Blaine
Luciana Paluzzi - Julie
Deborah Walley - Linda Hughes
Deborah Walley - Bonnie Graham
Warren Berlinger - Eddie Sands
Yvonne Craig - Barbara Norris
Annette Funicello - Dolores
Harvey Lembeck - Eric Von Zipper
Chill Wills - Big Jaw
Keenan Wynn - Harvey Huntington Honeywagon
Beverly Adams - Cassandra
John Ashley - Steve Gordon
Buster Keaton - Bwana
Harvey Lembeck - Charlie Bigg
Robert Q. Lewis - Donald Pevney
Jan Murray - Pete Madsen
Don Rickles - Jack Fanny
Marta Kristen - Lorelei
Linda Evans - Sugar Kane
Timothy Carey - South Dakota Slim
Buddy Hackett - S.Z. Matts, The Rich Business Manager
Don Rickles - Big Drop
Paul Lynde - Bullets
Boris Karloff
Earl Wilson - HimselfDirector:
William Asher, Alan Rafkin, Richard RushProducer:
Samuel A. Arkoff, Samuel Z. Arkoff, Gene Corman, Robert Dillon, James H. Nicholson, Lou Rusoff, Burt TopperScreen Story:
Robert DillonScreenwriter:
William Asher, Robert Dillon, Robert Kaufman, Lou Rusoff, Sy Salkowitz, Leo Townsend, Sher TownsendCinematographer:
Arthur E. Arling, Monroe P. Askins, Floyd D.Crosby, Kay Norton, Harold E. WellmanComposer (Music Score):
Les Baxter, Al Simms, Gary UsherMusical Direction/Supervision:
Al SimmsSongwriter:
Roger Christian, Red Gilson, Guy Hemric, Jack Merrill, Jerry Styner, Gary UsherEditor:
Kenneth G. Crane, Fred R. Feitshans, Jr., Eve Newman, Homer Powell, Ronald Sinclair, Mort TuborArt Director:
Howard Campbell, Lucius O. Croxton, Daniel Haller, Bill PaxtonCo-producer:
Anthony CarrasAssociate Producer:
Clark Paylow
REVIEWS:
- American International's series of "beach" movies were among the most successful independent pictures of the 1960's, a fact which strikes many modern audiences as unbelievable. A staple of drive-in theatres, they basically existed merely to show Annette Funicello and Frankie Avalon in various swimming attire and to showcase a number of not-always-inspired musical sequences. Muscle Beach Party is typical of the series, evincing a strange mix of naivete and sexuality that nowadays provokes howls of derisive laughter. Adding to the extensive camp content is the presence of the body builders that give the film its title. Never taking itself too seriously (and how could it?), Muscle's script pays only lip service to its announced plot, preferring instead to serve as filler between numbers and as an excuse to showcase "hip" dialogue and to set up jokes that even at the time were shopworn. Avalon and Funicello are their usual selves; some will find them appealing, others appalling, but like the film itself, they simply are what they are. Luciana Paluzzi is on hand to add some spicy humor, and Buddy Hackett is actually pretty amusing. The score, some of which is performed by a young Stevie Wonder, includes Funicello's "classic" "A Girl Needs a Boy," as well as such typical fare as "Surfin' Woodie" and "Surfer's Holiday." For those with an appreciation for a certain style of camp, Muscle is a treasure trove, but even for those not tuned into that wave, it still is kind of fun. ~ Craig Butler, All Movie Guide
- For sheer in-joke references and pop-culture density, How to Stuff a Wild Bikini is the most rewarding entry in the entire "Beach Party" series. From the delightful Claymation opening credit sequence devised by Gumby-creator Art Clokey, one can tell that the producers were putting a little extra into this picture, probably because there was a lot less of both Frankie Avalon and Annette Funicello onscreen than in prior films. Avalon, who was making other films at the time, is barely in it, except at the beginning and the end, and Funicello was several months pregnant at the time and director William Asher was doing his best to shoot around her condition. They made up for the two stars' relative non-appearances with a very busy, goofy plot that managed to satirize the advertising industry, early '60s youth culture, and even exploitation movies of this kind (Keaton looks at the camera after delivering some explanatory dialogue and says "And that's all the plot you're gonna get out of me!") The script and plot are also filled -- practically to the penultimate scene, a great comic cameo by Elizabeth Montgomery -- with lines and characterizations that were lifted right out of the television series Bewitched, no surprise since this movie was co-authored and directed by William Asher, the producer of Bewitched. The presence of Dwayne Hickman, TV's Dobie Gillis, in a prominent role, is also exploited to the fullest, even allowing the actor to address the camera (as in that television series). There are also some surprising bonuses in the music -- all good surf songs and girl-group numbers -- which are much better integrated into the plot than any of the earlier movies, advancing the story like a real musical rather than stopping it cold. Brian Wilson is on hand as an anonymous beach denizen, but the Kingsmen grab the onscreen musical glory with a superb punk number called "Give Her Lovin'." And in the middle is a line of dialogue -- "If you can't be with the girl you love, love the girl you're with" -- lifted in part from Finian's Rainbow, but anticipating Stephen Stills' pop-sexist anthem "Love the One You're With" by seven years. Anyone with a sharp eye or ear and a memory for the time will need a scorecard to sort it all out -- if they can stop chuckling long enough. ~ Bruce Eder, All Movie Guide
- There's no sand, and very little Annette Funiclleo, but Ski Party is still nothing more than a "beach movie" in the snow -- and for fans of this very special subgenre, that should be just fine. Sure, Ski is not in the same ballpark as the more "classic" beach movies, but it's still a lot of silly fun for those who want something very, very mindless and very, very innocent. This one even has a slightly different plot from other beach movies -- although it's hardly original, as it's a steal from Some Like It Hot, thereby unfortunately inviting inevitably unfavorable comparisons with that classic. Frankie Avalon and Dwayne Hickman are -- well, exactly what you would expect them to be, and Yvonne Craig and Deborah Walley are cute and perky, as required. The supporting cast suffers a bit; one keeps waiting for someone like Don Rickles to show up, but he never does. The film's highlight is definitely the one and only James Brown performing "I Feel Good," but it's also fun to see Lesley Gore singing the ultra-bubblegum "Sunshine, Lollipops and Rainbows." ~ Craig Butler, All Movie Guide
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