Minority Report
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Aspect Ratio:
Widescreen Rating:
PG13 — for violence, brief language, some sexuality and drug content-
Language:
Eng Studio:
DreamWorksUPC:
678149067026Year of Release:
2002Item Number:
MCA090670Release Date:
08/23/2005Genre:
Sci-Fi Action –
Science Fiction –
Tech Noir
Format:
DVD
MOVIE DESCRIPTION:
Based on a short story by the late Philip K. Dick, this science fiction-thriller reflects the writer's familiar preoccupation with themes of concealed identity and mind control. Tom Cruise stars as John Anderton, a Washington, D.C. detective in the year 2054. Anderton works for "Precrime," a special unit of the police department that arrests murderers before they have committed the actual crime. Precrime bases its work on the visions of three psychics or "precogs" whose prophecies of future events are never in error. When Anderton discovers that he has been identified as the future killer of a man he's never met, he is forced to become a fugitive from his own colleagues as he tries to uncover the mystery of the victim-to-be's identity. When he kidnaps Agatha (Samantha Morton), one of the precogs, he begins to formulate a theory about a possible frame-up from within his own department. Directed by Steven Spielberg, who hired a team of futurists to devise the film's numerous technologically advanced gadgets, Minority Report co-stars Colin Farrell, Max von Sydow, and Neal McDonough. ~ Karl Williams, Rovi
DVD FEATURES:
- Region: 1
- Number of Discs: 1
- Aspect Ratio: 2.39:1
- Audio: Dolby Surround
- Screen: Enhanced Wide Screen Letterbox for 16x9 TV
- Features:
- cc
- Minority Report Story to Screen: an in-depth discussion between director Steven Spielberg and Tom Cruise on the controversial premise behind the film. Additional commentary is provided by the film's producers and screenwriters
- Minority Report Archives: fascinating imagery - including storyboard sequences, production photographs and more - reveals how the future was brought to life through the film's sets, costumes, props and vehicles
AWARDS
Academy of Motion Picture Arts and Sciences
- Nominated Best Sound Editing - 2002 (Gary Rydstrom, Richard Hymns)
Broadcast Film Critics Association
- Won Best Director - 2003 (Steven Spielberg)
- Won Best Score - 2003 (John Williams)
- Nominated Best Composer - 2002 (John Williams)
- Nominated Best Director - 2002 (Steven Spielberg)
French Academy of Cinema
- Nominated Best Foreign Film - 2002
ADDITIONAL INFORMATION:
Cast:
Tom Cruise - Officer John Anderton
Colin Farrell - Danny Witwer
Samantha Morton - Agatha
Max von Sydow - Director Lamar Burgess
Lois Smith - Dr. Iris Hineman
Peter Stormare - Dr. Solomon Eddie
Tim Blake Nelson - Gideon
Steve Harris - Jad
Kathryn Morris - Lara Clarke
Mike Binder - Leo Crow
Daniel London - Wally the Caretaker
Spencer Treat Clark - Sean at nine
Neal McDonough - Fletcher
Jessica Capshaw - Evanna
Patrick Kilpatrick - Knott
Jessica Harper - Anne Lively
Ashley Crow - Sarah Marks
Arye Gross - Howard Marks
Jason Antoon - Rufus Riley
Caroline LagerfeltDirector:
Steven SpielbergProducer:
Jan de Bont, Gerald R. Molen, Walter Parkes, Bonnie CurtisScreenwriter:
Scott Frank, Jonathan CohenCinematographer:
Janusz KaminskiComposer (Music Score):
John WilliamsEditor:
Michael KahnProduction Designer:
Alex McDowellArt Director:
Leslie McDonaldSupervising Art Director:
Chris GorakArt Director:
Ramsey AveryAssociate Producer:
Michael Doven, Sergio Mimica-GezzanExecutive Producer:
Ronald Shusett, Gary GoldmanSet Designer:
Anne Kuljian, Maya Shimoguchi, A. Todd Holland, Aric Lasher, Hugo SantiagoCostume Designer:
Deborah L. ScottSound/Sound Designer:
Gary Rydstrom, Ronald JudkinsFirst Assistant Director:
Sergio Mimica-GezzanAnimator:
Industrial Light & MagicCasting:
Denise ChamianSupervising Sound Editor:
Gary RydstromVisual Effects Supervisor:
Scott FarrarVisual Effects:
Industrial Light & MagicStunts Coordinator:
Brian SmrzSupervising Sound Editor:
Richard HymnsShort Story Author:
Philip K. DickSound Effects Editor:
David C. HughesStoryboard Artist:
David Lowery
REVIEW:
- In adapting one of Philip K. Dick's dystopian tales, Steven Spielberg has a tough act to follow after Blade Runner (1982) survived its box office death via E.T. (1982) to become one of the 1980s' most revered films. Rising to the challenge in eye candy and entertainment, if not philosophical depth, Minority Report (2002) finds Spielberg in top action form. With the desaturated photography lending a steely-gray cast to the deliriously high-tech activity, Spielberg neatly lays out the workings of the ominously potent Precrime outfit that sacrifices the freedom of the individual for the safety of all. The film really kicks into gear, however, once Tom Cruise's Precrime honcho John Anderton is fingered by the super-psychic Pre-Cogs and, true to Cruise form, runs. The pure cinematic pleasure in Cruise's adrenaline-rush escape from spirited G-man nemesis Colin Farrell through Washington D.C. is matched by his arrival at the lushly verdant mutant paradise cultivated by Precrime godmother Lois Smith; the rampant product placement throughout becomes a witty comment on the perils of bureaucratic omniscience. Spielberg sabotages the ending, however, by refusing to let the audience get a thought in edgewise. After over-explaining the paradoxes of Precrime, Spielberg and company negate the prior 90 minutes of sublimely bleak sci-fi noir by giving Cruise his obligatory star hero moment before ending on a vision of bucolic freedom strikingly at odds with the story's apparent implications. Sleekly crafted nevertheless, Minority Report is still an engaging walk on the safely Spielbergian dark side. ~ Lucia Bozzola, Rovi
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