So Proudly We Hail
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MOVIE DESCRIPTION:
Paramount's So Proudly We Hail, like MGM's Cry Havoc, is a tribute to the Red Cross nurses trapped behind enemy lines in the early days of the Pacific war. Claudette Colbert is the self-sacrificing head nurse, struggling to minister to the wounded and to keep her staff (including Paulette Goddard, Veronica Lake and Barbara Britton, all of them giving better than usual performances) from buckling under the pressure. Taking into consideration the regular fans of the film's female cast, the producers thoughtfully include several scenes in which the ladies pursue their romantic lives. The story culminates with the fall of Bataan, ending on a resigned but optimistic note; this finale was designed to lift the spirits of the audience, which in 1943 wasn't so certain as Hollywood of final victory. So Proudly We Hail was not only effective propaganda (though not as effective as Cry Havoc), but it also enabled Paramount to introduce its new crop of male hunks--including the estimable Sonny Tufts. ~ Hal Erickson, Rovi
DVD FEATURES:
- Region: 1
- Subtitle: Eng/Fre
- Audio: DDM2.0
- Aspect Ratio: 1.33:1 (Pre-1954 Standard)
- Screen: Pan and Scan
- Features:
- Exclusive Introduction by Turner Classic Movies Host and Film Historian Robert Osborne, Theatrical Trailer.
AWARDS
Academy of Motion Picture Arts and Sciences
- Nominated Best Black and White Cinematography - 1943 (Charles B. Lang)
- Nominated Best Original Screenplay - 1943 (Allan Scott)
- Nominated Best Special Effects - 1943 (Gordon Jennings, Farciot Edouart, George Dutton)
- Nominated Best Supporting Actress - 1943 (Paulette Goddard)
Film Daily
- Won 10 Best Films - 1943
ADDITIONAL INFORMATION:
Cast:
Claudette Colbert - Lt. Janet Davidson
Paulette Goddard - Lt. Joan O'Doul
Veronica Lake - Lt. Olivia D'Arcy
George Reeves - Lt. John Summers
Barbara Britton - Lt. Rosemary Larson
Sonny Tufts - Kansas
Mary Servoss - Capt. "Ma" McGregor
Ted Hecht - Dr. Jose Bardia
Dick Hogan - Flight Lt. Archie McGregor
James Bell - Col. White
Lorna Gray - Lt. Tony Dacolli
Dorothy Adams - Lt. Irma Emerson
Kitty Kelly - Lt. Ethel Armstrong
Bill Goodwin - Capt. O'Rourke
Mary Treen - Lt. Sadie Schwartz
Helen Lynd - Lt. Elsie Bollenbacher
Jean Willes - Lt. Carol Johnson
Jan Wiley - Lt. Lynne Hopkins
Lynn Walker - Lt. Fay Leonard
William Forrest - Major
James Flavin - Capt. O'Brien
Byron Foulger - Mr. Larson
Richard Crane - Georgie Larson
Elsa Janssen - Mrs. Larson
James Millican - Young ensign
Victor Kilian - Corporal
Damian O'Flynn - 1st young doctor
Frances Morris - Nurse
Mimi Doyle - Nurse
Julia Faye - Nurse
Isabel Cooper - Filipino Nurse
Ann Doran - Lt. Betty PetersonDirector:
Mark SandrichProducer:
Mark SandrichScreenwriter:
Allan G. ScottCinematographer:
Charles B. LangSongwriter:
Edward HeymanComposer (Music Score):
Miklos RozsaSongwriter:
Miklos Rozsa, Edward HaymanEditor:
Ellsworth HoaglandArt Director:
Hans Dreier, Earl HedrickSet Designer:
Stephen SeymourSpecial Effects:
Farciot Edouart, Gordon Jennings, George Dutton
REVIEW:
- So Proudly We Hail! is a moving, stirring, and powerful World War II film, and unusual (although not unique) in the emphasis it places on the role of women during the war. Because of that focus -- and because of the stars cast in the leading female roles -- Hail features a good deal more romance than most war films, but it does not stint on the action. Indeed, the battle sequences are among the finest put on the screen during the time, with special effects work that is exemplary. More importantly, Hail doesn't glamorize the war; the fighting is painful and the consequences of the war are in plain sight. Occasionally, Hailfalls prey to a little flag waving where some restraint would have produced better drama, and there are occasional slurs from the period (though not as many as in other war films of the period), and So Proudly We Hail! could stand to lose a few minutes here and there. But these flaws in its writing and pacing are very slight; indeed, director Mark Sandrich turns in some of his very finest work here. He draws an exceptional performance from Paulette Goddard, plays to the very considerable strengths of the always winning Claudette Colbert, produces fine work from Veronica Lake, and gives George Reeves a chance to really shine. Even Sonny Tufts comes across as an actor rather than a pretty boy. Throw in some magnificent Charles B. Lang lensing, and the result is a top-drawer picture that packs plenty of punch. ~ Craig Butler, Rovi
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