The Bourne Trilogy [WS] [3 Discs]The Bourne Trilogy [WS] [3 Discs]

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  • Aspect Ratio:
    Widescreen
  • Rating:
     PG13 — for violence and some language
  • Language:
      Eng
  • Studio:
      Universal Studios
  • UPC:
      025195052047
  • Year of Release:
      2008
  • Item Number:
      MCA005204
  • Release Date:
      08/28/2011
  • Genre:
     

    Action –

    Action Thriller –

    Spy Film –

    Unglamorized Spy Film

  • Format:
     

    DVD

MOVIE DESCRIPTION:

    Get ready for non-stop action, edge-of-your-seat suspense and spectacular chase sequences with everyone's favorite assassin in The Bourne Trilogy! Matt Damon is Jason Bourne, an elite government agent determined to outwit and outmaneuver anyone who stands in the way of his finding out the secrets of his mysterious past. Follow his explosive, action-packed adventures in three blockbuster films from one of the most popular series of all time: The Bourne Identity, The Bourne Supremacy and The Bourne Ultimatum. Loaded with hours of bonus features, The Bourne Trilogy is the complete Bourne experience for movie fans everywhere!

DVD FEATURES:
  • Region: 1
  • Number of Discs: 3
  • Audio: Dolby Digital 5.1
  • Aspect Ratio: 2.40:1
  • Screen: Color
  • Features:
    • The Bourne Identity - From Identity to Supremacy: Jason and Marie
    • The Bourne Mastermind: Robert Ludlum
    • The Bourne Diagnosis
    • Inside a Fight Scene
    • Deleted Scenes
    • Feature Commentary with Director Doug Liman
    • The Bourne Supremacy
    • On the move with Jason Bourne
    • Blowing Things Up
    • Bourne to be Wild: Fight Training
    • Matching Identities: Casting
    • Deleted Scenes
    • Feature Commentary with Director Paul Greengrass
    • The Bourne Ultimatum
    • Man on the Move: Jason Bourne
    • Planning the Punches
    • Driving School
    • New York Chase
    • Deleted Scenes
    • Feature Commentary with Director Paul Greengrass
AWARDS
  • Academy of Motion Picture Arts and Sciences
  •     Won Best Editing - 2007 (Christopher Rouse)
  •     Won Best Sound Editing - 2007 (Karen Baker Landers, Per Hallberg)
  •     Won Best Sound Mixing - 2007 (Kirk A. Francis, David Parker, Scott Millan)
  • Art Directors Guild
  •     Nominated Best Art Direction in a Contemporary Film - 2007 (Peter Wenham)
  • British Academy of Film and Television Arts
  •     Nominated Best British Film - 2007 (Paul L. Sandberg, Tony Gilroy, Frank Marshall, Patrick Crowley, Paul Greengrass, George Nolfi, Scott Z. Burns)
  •     Nominated Best Cinematography - 2007 (Oliver Wood)
  •     Nominated Best Director - 2007 (Paul Greengrass)
  •     Nominated Best Editing - 2007 (Christopher Rouse)
  •     Nominated Best Sound - 2007 (Karen Baker Landers, Kirk A. Francis, David Parker, Per Hallberg, Scott Millan)
  •     Nominated Best Special Visual Effects - 2007 (Mattias Lindahl, Peter Chiang, Charlie Noble, Joss Williams)
  • Broadcast Film Critics Association
  •     Nominated Best Popular Movie - 2004
  • Las Vegas Film Critics Association
  •     Won Best Editing - 2007 (Christopher Rouse)
  • National Board of Review
  •     Nominated Best Picture - 2007
  • Phoenix Film Critics Association
  •     Won Best Stuntwork - 2007
ADDITIONAL INFORMATION:
REVIEWS:
  • A tight, gripping spy thriller that's nonetheless a pleasant surprise given a notoriously difficult production that included an incomplete script, usually an omen of impending artistic doom. Not to disparage his abilities in any way -- a pair of showdowns with rival assassins are high-octane show stoppers -- but so much of what works about director Doug Liman's make-or-break studio debut is in the absolutely superb, even brilliant, casting. Matt Damon is perfect in a role that requires him to be simultaneously smart but baffled, competent but confused, lethal but little-boy-lost. By comparison, Richard Chamberlain in the late '80s TV-movie version of the same novel plays like a stone carving. Franka Potente is the first solid, realistic female foil to hit this genre in a long, long time, leaving one to wonder what exactly the James Bond producers will do with characters like Pussy Galore and Honey Ryder now that they've been trumped by the modern, feminist approach of Bourne and the spoofing jabs of the Austin Powers series. Praise must also be heaped on the blink-and-you'll-miss-it performance of Clive Owen as a rival assassin, whose chilling performance suddenly twists into eerie poignancy in a Van Gogh-inspired death scene that occurs in a wheat field bursting with crows, an unexpectedly quiet high point of the film. The always reliably efficient Chris Cooper, who never seems to use a movement, facial expression, or vocal inflection without deliberate care, seems at first an odd choice for a villain, until it becomes clear that his character's villainy is hopelessly intertwined with his very bureaucratic flunkeyism. Envisioned by Universal as a franchise-launcher with at least two follow-ups to come, The Bourne Identity is a solid kick-start to a series that will, hopefully, remain grounded in the sort of reality that makes the film a slick, enjoyable thriller. ~ Karl Williams, Rovi
  • Interesting things happen when real actors are cast in action films. The heroes and villains in films like this are better able to find shades of gray in the usual good-guy/bad-guy conflict. Matt Damon, Brian Cox, and Joan Allen all communicate a powerful intelligence in The Bourne Supremacy. That intelligence helps sell the non-action sequences because a scared intelligent person creates much more tension in a viewer than a scared dumb person. These characters should all be able to think themselves out of difficult situations, and watching each of them mentally process their labyrinthine game of cat and mouse provides the movie's biggest thrills. The problem with the film is that the actual action sequences are shot in tight close-ups and edited frantically so that the audience is never given a big picture in which to place the action. These sequences, especially a momentum-draining final car chase, do not measure up to the quiet moments in the film. Director Paul Greengrass appears to be more interested in the characters than in the action. He resolves the movie with a scene of personal confession, a scene that helps remind the viewer what is really good in the film, rather than an action sequence. The Bourne Supremacy is a humorless film. There was a kick in The Bourne Identity when Jason Bourne discovered his powers. The only time Bourne discovers something about himself in this sequel is at the very end of the film, and that piece of information does not provide any payoff. All it does is promise a third film in the series that hopefully will find a better balance between character and action. Thanks to the top-notch cast, The Bourne Supremacy is a functional summer thriller, but it could have been more. ~ Perry Seibert, Rovi

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