Blue Crush/Honey/Josie and the Pussycats [2 Discs]
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Aspect Ratio:
Widescreen Rating:
PG13 — for sexual content, teen partying, language and a fight-
Language:
Eng Studio:
Universal StudiosUPC:
025195014427Year of Release:
2007Item Number:
MCA001742Release Date:
09/09/2008Genre:
Comedy –
Coming-of-Age –
Dance Film –
Drama –
Romance –
Showbiz Comedy –
Sports Drama –
Teen Movie –
Teen Movie –
Urban Drama
Format:
DVD
DVD FEATURES:
- Region: 1
- Number of Discs: 2
- Screen: Enhanced Wide Screen Letterbox for 16x9 TV
- Audio: Dolby Digital 5.1
- Aspect Ratio: 1.85:1 (Theatre Wide Screen)
ADDITIONAL INFORMATION:
Cast:
Jessica Alba - Honey Daniels
Matthew Davis - Matt
Lil' Romeo - Benny
Alan Cumming - Wyatt Frame
David Moscow - Michael Ellis
Gabriel Mann - Alan M.
Paulo Costanzo - Alexander Cabot
Missi Pyle - Alexandra Cabot
Tom Butler - Agent Kelly
Carson Daly - Himself
Layne Beachley - Herself
3rd Storee - ThemselvesDirector:
John Stockwell, Bille Woodruff, Harry Elfont, Deborah KaplanProducer:
Brian Grazer, Karen Kehela, Andre Harrell, Marc E. Platt, Tracey E. Edmonds, Chuck Grimes, Tony DeRosa-GrundScreenwriter:
John Stockwell, Alonzo Brown, Kim Watson, Harry Elfont, Deborah KaplanCinematographer:
David Hennings, Bruce MacCallum, John R. Leonetti, Matthew J. LibatiqueMusical Direction/Supervision:
Dana SanoComposer (Music Score):
Paul Haslinger, Mervyn WarrenMusical Direction/Supervision:
Kathy Nelson, Paris DavisComposer (Music Score):
John FrizzellEditor:
Emma E. Hickox, Mark Helfrich, Robb Sullivan, Peter TeschnerProduction Designer:
Jasna Stefanovich, Yasna StefanovicArt Director:
Denise Hudson, Anastasia Masaro, Kelvin HumennyCo-producer:
Rick Dallago, Suzy Barbieri, Grace GilroyAssociate Producer:
Nicole BrownExecutive Producer:
Kathy Jones, Louis G. Friedman, Billy Higgins, Kenneth Edmonds, Michael Silberkleit, Richard GoldwaterSet Designer:
Steven Essam, Vivien Nishi, Anneke Van Oort, Jennifer DonaldsonCostume Designer:
Susan MathesonSet Decorator:
Meg EveristCostume Designer:
O'Neal McKnight, Leesa Evans, Johanne HubertSet Decorator:
Johanne HubertSound/Sound Designer:
Mark Ulano, Claude Letessier, Cameron Frankley, Eric Batut, Paul N.J. OttossonMakeup:
Katie BrennanSpecial Effects:
Custom Film EffectsFirst Assistant Director:
Mary Ellen Woods, Marcei Brubaker, Jim BrebnerConsultant/advisor:
Denise PinkleySupervisor/Manager:
Sean Fogel, Cameron Frankley, Quita AlfredCamera Operator:
Angelo Colavecchia, Michael Carella, Brian HarperStunts:
Winston T. AndersonChoreography:
Laurie-Anne Gibson, Luther A. Brown, Hi-HatCasting:
Randi Hiller, Sarah Halley-Finn, Bernie Telsey, Aisha ColeySound Mixer:
Douglas GantonCasting:
Michelle Morris Gertz, Robin D. CookSound Mixer:
Frank WolfSecond Unit Director:
Gregory J. BarnettStunts Coordinator:
Gregory J. BarnettVisual Effects:
Hammerhead ProductionsStunts Coordinator:
Brian L. KeaulanaVisual Effects Supervisor:
Jon FarhatSupervising Sound Editor:
Kelly CabralUnit Production Manager:
Billy HigginsAerial Photography:
David NowellStunts Coordinator:
John Stoneham, Sr.Extra Casting:
Jane RogersUnit Production Manager:
Josh KingADR Editor:
Alison FisherVoice Casting:
Barbara HarrisExecutive Music Producer:
Kathy NelsonUnit Publicist:
Amy Jo JohnsonSound Effects Director:
John Kohlbrenner, Peter A. BrownRe-Recording Mixer:
Bill MeadowsDialogue Editor:
Carin RogersMusic Editor:
Angie RubinCostumes Assistant:
Catherine AshtonADR Recordist:
David LucarelliElectrician:
Gord EldridgeBoom Operator:
Reynald TrudelAssistant Hair:
Renée ChanFirst Assistant Camera:
John ColavecchiaStunts Coordinator:
Shelley CookSecond Assistant Camera:
Cylvan DesrouleauxGenerator Operator:
Brian MontagueChief Lighting Technician:
Tom StarnesDialogue Editor:
Robert TroyThird Assistant Director:
Darrin BrownDialogue Editor:
Ryan JugglerProduction Assistant:
Eric SimkinGrip:
Carlo CampanaRecording:
Frank WolfFoley Artist:
Dawn Fintor, Alicia IrwinSecond Assistant Director:
Nancy VenturaProperties Master:
Vic RiglerDialogue Editor:
Lucy ColdsnowADR Mixer:
Charleen RichardsKey Hairstylist:
Lucy OrtonStill Photographer:
Eva V. GerlitzUnit Production Manager:
Dennis ChapmanLocation Manager:
Tom Yeager, Jonathan N. MatthewsDolly Grip:
Tracy ShawAssistant Sound Editor:
Jon "Shorty" MichaelsDialogue Coach:
Jerome ButlerTitle Design:
Custom Film EffectsConstruction Coordinator:
Kirk CheneySound Effects Director:
Ai-Ling LeeProduction Assistant:
Anthony ReynaAssistant Location Manager:
Drazen BaricScript Supervisor:
Kathryn BuckGaffer:
Steve SpurrellExecutive Music Producer:
Rodney JerkinsPost Production Supervisor:
Virginia Landis AlbertsonPersonal Assistant:
Annie RhodesADR Mixer:
Jeff GomillionSound Effects Director:
Scott G.G. HallerMusic Editor:
Terry WilsonProduction Assistant:
MacGregor Austin-OlsenSecond Assistant Camera:
Mark BeauchampFirst Assistant Camera:
Robert J. BecchioKey Make-up:
Sylvain CournoyerElectrician:
Tony EldridgeLeadman:
Rex FieldsSecond Assistant Editor:
Christine HareSet Dresser:
Stephen HayesAssistant Art Director:
Dwight HendriksonCasting Associate:
Nicole Hillard-FordeElectrician:
Eric HolmesCamera Loader:
Michael HouslanderTransportation Captain:
Gord IonsonKey Grip:
Mike KirilenkoChief Lighting Technician:
Derrick P. KolusAssistant Properties:
Jonathan KovasProduction Assistant:
Jason KrauskopfGrip:
Bernie LalondeElectrician:
Marvin MacinaAssistant Location Manager:
Alex MakrygiannisPost Production Accountant:
James O. MaullFirst Assistant Camera:
Joe MicomonacoProduction Accountant:
Monica Mueuhlhause-HornTransportation Coordinator:
Orest MuzSound Effects Director:
Paul N.J. OttosonGrip:
Derek ParkesChief Lighting Technician:
Danny PivaSet Dresser:
John RankinDolly Grip:
Ron RenzettiProduction Assistant:
Paul RikonenADR Recordist:
Phillip RogersSet Dresser:
Peter StrangeAssistant Sound Editor:
Nancy TracyProduction Assistant:
Sean TraversGrip:
Sam TurturiciProduction Coordinator:
Debbie WilkinsonAssociate Editor:
Julia WongBest Boy Grip:
Ron YolevskyVoice Casting:
David KramerNegative Cutter:
Executive CuttingFoley Editor:
Jonathon KleinFoley Mixer:
David BetancourtFoley Supervisor:
John MurrayTitle Design:
Kaleidoscope Films GroupADR Supervisor:
James SimicikFirst Assistant Accountant:
Juan Aguirre, Angela Clarke, Laurie Hoover, Michael Rese, Derek UrsackiAssistant Choreographer:
Monica GomezAssistant Editor:
Charise E. Angone, Steve Corcoran, Terry Hubbard-Legorreta, David TarnawskyPersonal Assistant:
Pat Shanks, Israel Gordan, Joey Levy, Onanong SourathaBest Boy Electric:
Nikki HolmesCostumes Supervisor:
Suzanne AplinCraft Service/Catering:
Simone Lindo, Chantel PigeonGenerator Operator:
John PivaPilot:
Robert ZajonicProduction Assistant:
James FraneyProduction Secretary:
Jillian SabeanVideo Playback:
James TablynAssistant Head Carpenter:
Delbert LeckyHead Carpenter:
Ian FraserAdditional Editing:
Peter TeschnerSupervising Sound Editor:
Cameron FrankleyAdditional Editing:
Gabriel WryeAdditional Cinematography:
Ron WilliamsSecond Unit Camera:
Ron Williams
REVIEWS:
- Although its standard-issue plot and dialogue aren't in danger of winning any awards, it's hard not to root for this good-hearted, often thrilling surf flick. Blue Crush is so sure that girls rule that it doesn't waste much time establishing the fact, and its collection of burners and alterna-kids is so rough-edged and authentic that all thoughts of prefab John Hughes suburbia can easily be banished. Instead of faux high-school politics and strident feminism, the film focuses on spectacular footage of extreme surfing, with just enough working-class back story to lend the ESPN-isms dramatic heft. With a chip on her shoulder and some definition in her biceps, model-perfect Kate Bosworth is never less than adequate as pro hopeful Anne Marie, the focus of the story. That ethnically balanced sidekicks Michelle Rodriguez and Sanoe Lake would probably make more convincing star athletes is a minor quibble, easily chalked up to cold Hollywood reality. (Besides, it's more fun to watch Rodriguez generate Resident Evil-style lesbian subtext in her supporting role than it would be to see her sidle up to a quarterback beau in the lead.) It's a cliche to say so, but the real stars are the wave-riding action sequences, which seem more like an IMAX documentary than the payoff in a sports-themed romance. Director/screenwriter John Stockwell goes in for a few too many motivational cliches at the end, but once the digitally tweaked Bosworth is in the eye of a swell, Blue Crush is pure action, the script incidental. ~ Brian J. Dillard, Rovi
- Satirizing teen wish-fulfillment fantasies as it satisfies them, Josie and the Pussycats provides just enough bite to set it apart from the cookie-cutter parade of high-gloss, adolescent-marketed offerings of the new century. Although laid on in thick, broad, fluorescent-hued strokes, Josie's pointed satire could never be mistaken for mere absurdity: the plot insinuates that boy bands, MTV, and mall record stores are all part of a corporate conspiracy to sell more Starbucks coffee and Abercrombie and Fitch T-shirts. Directors Deborah Kaplan and Harry Elfont occasionally let the film's staging and pacing go slack -- perhaps they should've reviewed a few more screwball comedies before shooting -- but they smartly keep the proceedings at Saturday morning-cartoon level (even the insidious subliminal-advertising generator is a giant, opaque plastic box). Better yet, leads Rachel Leigh Cook, Rosario Dawson, and Tara Reid strike a near-perfect balance between savvy and giddy. The film's catchy, proto-grunge soundtrack may be its greatest asset and -- at least commercially -- its biggest liability: full of raw power chords and hummable melodies, it's a throwback to the days of good punk-pop, as opposed to the saccharine, Britney-esque sound of its time. ~ Michael Hastings, Rovi
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