Inglourious Basterds [Special Edition] [Includes Digital Copy] [2 Discs] [Blu-ray]Inglourious Basterds [Special Edition] [Includes Digital Copy] [2 Discs] [Blu-ray]

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  • Aspect Ratio:
    Widescreen
  • Rating:
     R — for strong graphic violence, language and brief sexuality
  • Language:
      English, French, Spanish
  • Studio:
      Universal Studios
  • UPC:
      025192015397
  • Year of Release:
      2009
  • Item Number:
      MCA001539
  • Release Date:
      08/28/2011
  • Genre:
     

    War –

    War Adventure

  • Format:
     

    Blu-ray

MOVIE DESCRIPTION:

    A group of hardened Nazi killers stalk their prey in Nazi-occupied France as a Jewish cinema owner plots to take down top-ranking SS officers during the official premiere of a high-profile German propaganda film. As far as Lt. Aldo Raine (aka Aldo the Apache," Brad Pitt) -- is concerned, the only good Nazi is a dead Nazi. Raine's mission is to strike fear into the heart of Adolf Hitler by brutally murdering as many goose-steppers as possible, or die trying. In order to accomplish that goal, Lt. Raine recruits a ruthless team of cold-blooded killers known as "The Basterds" which includes baseball-bat-wielding Bostonian Sgt. Donnie Donowitz (aka "The Bear Jew," Eli Roth) and steely psychopath Sgt. Hugo Stiglitz (Til Schweiger), among others. When the Basterds' secret rendezvous with turncoat German actress Bridget von Hammersmark (Diane Kruger) goes awry, they learn that the Nazis will be staging the French premiere of "The Nation's Pride," a rousing propaganda film based on the exploits of German hero Fredrick Zoller (Daniel Bruhl), at a modest theater owned by Jewish cinephile Shoshanna Dreyfus (Melanie Laurent), posing as a Gentile after the brutal murder of her family by the ruthless Col. Hans Landa (Christoph Waltz). As the Basterds hatch an explosive plan to take out as many Nazis as possible at the premiere, they remain completely oblivious to the fact that Shoshanna, too, longs to bring the Third Reich to its knees, and that she's willing to sacrifice her beloved theater in the process. ~ Jason Buchanan, Rovi

DVD FEATURES:
  • Number of Discs: 1
  • Subtitle: Fre/Spa
  • Audio: Dolby Digital Stereo
  • Screen: Enhanced Wide Screen Letterbox for 16x9 TV
  • Features:
    • Hi-def features:
    • Extended & alternate scenes
    • Roundtable discussion with Quentin Tarantino, Brad Pitt and Elvis Mitchell
    • The making of Nation's Pride
    • A conversation with Rod Taylor
    • Additional features:
    • Nation's Pride - the film within the film
    • The original inglorious bastards
    • Quentin Tarantino's camera angel
    • Film poster gallery tour
AWARDS
  • Academy of Motion Picture Arts and Sciences
  •     Won Best Supporting Actor - 2009 (Christoph Waltz)
  •     Nominated Best Cinematography - 2009 (Robert Richardson)
  •     Nominated Best Director - 2009 (Quentin Tarantino)
  •     Nominated Best Editing - 2009 (Sally Menke)
  •     Nominated Best Original Screenplay - 2009 (Quentin Tarantino)
  •     Nominated Best Picture - 2009 (Lawrence Bender)
  •     Nominated Best Sound Editing - 2009 (Wylie Stateman)
  •     Nominated Best Sound Mixing - 2009 (Mark Ulano, Michael Minkler, Tony Lamberti)
  • Art Directors Guild
  •     Nominated Best Art Direction in a Period Film - 2009
  • Austin Film Critics
  •     Won Best Actress - 2009 (Mélanie Laurent)
  •     Won Best Original Screenplay - 2009 (Quentin Tarantino)
  •     Won Best Supporting Actor - 2009 (Christoph Waltz)
  •     Nominated Best Picture - 2009
  • Boston Society of Film Critics
  •     Won Best Supporting Actor - 2009 (Christoph Waltz)
  • British Academy of Film and Television Arts
  •     Won Best Supporting Actor - 2009 (Christoph Waltz)
  •     Nominated Best Cinematography - 2009 (Robert Richardson)
  •     Nominated Best Director - 2009 (Quentin Tarantino)
  •     Nominated Best Editing - 2009 (Sally Menke)
  •     Nominated Best Original Screenplay - 2009 (Quentin Tarantino)
  •     Nominated Best Production Design - 2009 (David Wasco, Sandy Reynolds-Wasco)
  • Cannes Film Festival
  •     Film Presented - 2009
  • Chicago Film Critics Association
  •     Won Best Supporting Actor - 2009 (Christoph Waltz)
  • Detroit Film Critics Society
  •     Won Best Supporting Actor - 2009 (Christoph Waltz)
  • Directors Guild of America
  •     Nominated Best Director - 2009 (Quentin Tarantino)
  • Florida Film Critics
  •     Won Best Supporting Actor - 2009 (Christoph Waltz)
  • Hollywood Foreign Press Association
  •     Won Best Performance by an Actor in a Supporting Role in a Motion Pictu - 2009 (Christoph Waltz)
  •     Nominated Best Director - 2009 (Quentin Tarantino)
  •     Nominated Best Picture - Drama - 2009
  •     Nominated Best Screenplay - 2009 (Quentin Tarantino)
  • National Board of Review
  •     Nominated Best Picture - 2009
  • National Society of Film Critics
  •     Won Best Supporting Actor - 2009 (Christoph Waltz)
  • New York Film Critics Circle
  •     Won Best Supporting Actor - 2009 (Christoph Waltz)
  • Online Film Critics Association
  •     Won Best Actress - 2009 (Mélanie Laurent)
  •     Won Best Cinematography - 2009 (Robert Richardson)
  •     Won Best Original Screenplay - 2009 (Quentin Tarantino)
  •     Won Best Supporting Actor - 2009 (Christoph Waltz)
  • Producers Guild of America
  •     Nominated Producer of the Year - 2009 (Lawrence Bender)
  • San Sebastián International Film Festival
  •     Film Presented - 2009
  • Screen Actors Guild
  •     Won Best Ensemble - 2009
  •     Won Best Supporting Actor - 2009 (Christoph Waltz)
  •     Nominated Best Supporting Actress - 2009 (Diane Kruger)
  • Toronto Film Critics Association
  •     Won Best Picture - 2009
  •     Won Best Screenplay - 2009 (Quentin Tarantino)
  •     Won Best Supporting Actor - 2009 (Christoph Waltz)
  • Washington D.C. Film Critics Association
  •     Won Best Original Screenplay - 2009 (Quentin Tarantino)
  •     Won Best Supporting Actor - 2009 (Christoph Waltz)
ADDITIONAL INFORMATION:
REVIEW:
  • There are elements of a Quentin Tarantino film you can always count on -- upturning genre conventions, strong female characters, extended conversational detours, and forceful violence. Right from its engaging, nail-biting beginning, Inglourious Basterds overflows with QT's signature style.

    The opening scene in question involves Colonel Hans Landa (Christoph Waltz) -- nicknamed "the Jew Hunter" because of his uncanny work during the nascent Nazi occupation of France -- interrogating a French farmer on the whereabouts of his missing Jewish neighbors. Like the infamous Christopher Walken/Dennis Hopper showdown in True Romance, their conversation grows increasingly intense with each line. However, where Hopper's ornately verbose history lesson/ethnic jab had little to do with the actual story, the dialogue in this exchange all relates directly to the plot. Landa knows exactly how to slowly inflict psychological stress on his subject so that the victim will eventually break -- an element of the character that Waltz underplays to arresting affect; this is one genial-seeming killer, and he's all the more terrifying because of it.

    Since Landa has built such a terrifying reputation for himself, there is little surprise that many people want him dead. One of them is Shosanna Dreyfus (Melanie Laurent), a Jewish woman passing herself off as a Gentile during the occupation. Landa wipes out her whole family, and years later Shosanna finds herself in the right place at the right time to exact revenge. She makes her living as the owner and operator of a movie theater that will host the world premiere for "A Nation's Hero" -- the latest piece of cinematic Nazi propaganda from Joseph Goebbels -- and Landa has been put in charge of security for the gala event. However, unbeknownst to Shosanna, a small unit of Jewish-American soldiers, led by the fearless Aldo Raine (Brad Pitt), also plans to attack the theater that night in order to assassinate the upper echelon of the Third Reich -- including Hitler himself.

    Laying his story out in five chapters, Tarantino manages to keep his densely populated tale clear; we always understand the character's goals, and see where they conflict with each other. And because Tarantino has such faith in himself as a writer, he fills each chapter with protracted verbal showdowns -- like the opener between Landa and the farmer -- that make an audience as white-knuckled as any conventional action scene. He knows well enough to punctuate all the verbal dexterity with blasts of kinetically staged violence -- it's hard not to flinch when Sgt. Donnie Donowitz (Eli Roth), one of Raine's men, uses a Louisville Slugger to bash in a Nazi's head. As memorable as the movie's violence is, Tarantino ratchets up the tension with his words -- and he's far more interested in the build-up than the release, something that might alienate those looking for a wall-to-wall bloodbath. Inglourious Basterds doesn't skip along swiftly, but anybody with a taste for Tarantino dialogue will savor every minute.

    Tarantino has always cast his films to perfection, and the performers here know how to get the most out of the ornate language. Brad Pitt uses a hilarious Southern drawl, and his attempts at speaking Italian are a comic highlight. As a German movie star spying for the Allies, Diane Kruger manages to be sexy, tough, smart, and flirty. But she isn't the only hard-nosed dame in the cast, thanks to Melanie Laurent's striking performance; the French actress embodies both Shosanna's determination, as well as her fear, with equal aplomb. But as good as the entire cast is, Christoph Waltz walks away with the movie. His calmness makes the simple act of eating strudel more frightening that you could've ever thought possible. He exudes calm logic and mercilessness, and he plays Landa so matter-of-factly that even when the character does something unexpected it always seems thoroughly plausible.

    Although the actors are flawless, it is Tarantino whose name will go hand in hand with the film -- he is by the modern definition of the word an "auteur." It's impossible to miss the distinctive mark he puts on all his films, but as an artist he doesn't repeat himself. Reservoir Dogs and Pulp Fiction are both crime films, but they are very different in structure -- just as the badass female leads in Kill Bill and Death Proof are the way they are for very different reasons. Because Tarantino keeps evolving as an artist, Inglourious Basterds might not be the movie you'd expect, but those who still worship at the altar of Tarantino will find ample reason to keep the faith. ~ Perry Seibert, Rovi

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