The Arrival [Blu-ray]
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Aspect Ratio:
Widescreen Rating:
PG13 — for some sci-fi violence and terror, and for brief language-
Language:
Eng Studio:
LionsgateUPC:
012236103073Year of Release:
1996Item Number:
LGE025338Release Date:
01/19/2010Genre:
Alien Film –
Sci-Fi Action –
Science Fiction
Format:
Blu-ray
MOVIE DESCRIPTION:
A shy radio telescope operator named Zane Ziminski (Charlie Sheen) picks up a series of regular signals coming from space -- and deliberately pointed toward Earth. Convinced that he has discovered alien transmissions, Ziminski is first chastised and then fired by his boss (Ron Silver). Obsessed, he builds a makeshift radio telescope in his house to find out where the signals were sent. Convinced that they're intended for aliens already hidden on Earth, he tracks them to a bleak, isolated Mexican village, where he joins forces with a female scientist (Lindsey Crouse), who has suspicions of her own after witnessing an acceleration of global warming. The villagers turn out to be aliens, and the village a front for an underground alien complex. The aliens are here to "terraform" Earth and prepare it for the arrival of the rest of their race, who will die unless they leave their homeworld and colonize elsewhere. Only Ziminski can stop them. Written and directed by David N. Twohy, The Arrival is a throwback to the genre chillers of the '50s. ~ Don Kaye, Rovi
DVD FEATURES:
- Number of Discs: 1
- Audio: DTS-HD Master Audio
- Aspect Ratio: 1.85:1 (Theatre Wide Screen)
- Screen: Enhanced Wide Screen Letterbox for 16x9 TV
ADDITIONAL INFORMATION:
Cast:
Charlie Sheen - Zane Ziminski
Ron Silver - Phil Gordian
Lindsay Crouse - Ilana Green
Teri Polo - Char
Richard Schiff - Calvin
Tony T. Johnson - Kiki
Monica Dionne - reporter
Shane - 1st JPL guard
Buddy Joe Hooker - 2nd Department of Defence Man
Javier Morga - co-worker
Luisa Huertas - security woman
Angel De La Pena - Skeleton Man
Reed Johnson - maintenance man
Andrea Sisniega - weather woman
Phyllis Applegate - Mrs. Roosevelt
Jorge Zepeda - detective
Alan Coates - Terraformer
Maria Luisa Coronel - maid
Georg Lillitsch - George, Computer Technician
Jorge Becerril - plancecorp guard
Dave Galasso - 2nd Jpl Guard
Jacqueline Voltaire - reporter
Ellen Bradley - screaming woman
Roger Cudney - JPL Official
Catalina Botello - N. C. A. R. Woman
Leon Rippy - 1st Department of Defence Man
Jose Garcia - planecorp guard
Alejandro Usigli - reporter
David Villalpando - cabbieDirector:
David N. TwohyProducer:
Jim Steele, David N. Twohy, Thomas G. Smith, Melissa Cira TaylorScreenwriter:
David N. TwohyCinematographer:
Isidore Mankofsky, Hiro Narita, Russell J. Lyster, Richard Malzahn, Mark SheltonComposer (Music Score):
Arthur KempelSongwriter:
Arthur KempelMusical Direction/Supervision:
William Kidd, Sharal Churchill, Audrey DeRocheEditor:
Martin Hunter, Steve R. MooreProduction Designer:
Michael NovotnyArt Director:
Tony Stabley, Hector RomeroCo-producer:
Cyrus YavnehAssociate Producer:
Lorenzo O'Brien, David TripetExecutive Producer:
Robert W. Cort, Ted Field, Brad Lewis, Mark GalvinSet Designer:
Jaime Rivas RuizSet Decorator:
Enrique Estevez, Hermelindo HinojosaCostume Designer:
Mayes C. RubeoSet Decorator:
Teresa VisinareSound/Sound Designer:
David FarmerMakeup:
Todd MastersSpecial Effects:
Paul Wang, Paul Kocar, Carmen GonzalesFirst Assistant Director:
Rene Villarreal, John Nelson, Hugo Gutierrez, Federic Henocque, Evan Yavne, José Martinez, Jr.Consultant/advisor:
Paul LombardiAnimator:
Peter Plevritis, Apurva Shah, Collin Hemnen, Fred Nilsson, Dave Rader, Terry Emmons, Karl Fornander, Matt MerkovichCamera Operator:
Erich Anderson, Guillermo RosasCasting:
Mary Jo Slater, Claudia Becker, Steven Brooksbank, Rogelio Rojas, Laura SeidelProduction Manager:
Mark HannahADR Voice Casting:
Mitch CarterVisual Effects Supervisor:
Available Light Ltd.Additional Cinematography:
Arthur R. BothamStunts Coordinator:
Eddie BraunVisual Effects Supervisor:
Jeff BurksSpecial Effects Coordinator:
Laurencio CorderoStunts Coordinator:
Buddy Joe HookerVisual Effects Producer:
Katherine KeanConductor:
Arthur KempelSecond Unit Director:
Isidore MankofskyVisual Effects Supervisor:
Bob SkotakAerial Photography:
John M. StephensTitle Design:
Howard A. Anderson CompanyPost Production Supervisor:
Brad ArensmanUnit Production Manager:
Gerardo BarreraProduction Sound:
Fernando CamaraProduction Sound Mixer:
Fernando CamaraDigital Effects:
Pacific Data ImagesVisual Effects Supervisor:
John T. Van VlietFoley Editor:
Sandina Bailo-LapeMusic Editor:
Stephen A. HopeKey Hairstylist:
Marsha LewisADR Editor:
Michael SilversADR Mixer:
Michael SilversRe-Recording Mixer:
Gary SummersFoley Artist:
Dennie ThorpeADR Recordist:
Tami TreadwellPilot:
Chuck TamburroDigital Effects:
The Digital Magic Co.Key Make-up:
Gabriel SolanaADR Editor:
Richard HymnsADR Mixer:
Richard HymnsSound Effects Editor:
Ethan Van der RynLocation Manager:
Diego SandovalAnimation Director:
Raman HuiSteadicam Operator:
Checco VareseADR Mixer:
Greg SteeleRe-Recording Mixer:
Lora HirschbergFoley Artist:
Jana VancePilot:
John TamburroDialogue Editor:
Dianna StripeDraftsman:
Carlos BenassiniProduction Coordinator:
Belinda UriegasMatte Artist:
Bob ScifoVisual Effects Producer:
Rodney MontagueLocation Manager:
John JohnstonTitle Design:
Design PublicationsRecording:
Ricky LopezVisual Effects Producer:
Lauren Alexander RitchieDialogue Editor:
Dianna StirpeScript Supervisor:
Dea CantuVisual Effects Supervisor:
Richard MalzahnUnit Production Manager:
Bob JohnstonProsthetic Makeup Effects:
Rick LalondeLocation Manager:
Karl H. "Charlie" BraunProduction Controller:
Dianne Cheek BlascoProduction Coordinator:
Adriana Mondragon, Rebecca BattUnit Production Manager:
Carlos Taibo MahovoScript Supervisor:
Rebecca Fulton, Dee WhitehurstVisual Effects Producer:
Charles L. FinanceProduction Coordinator:
John ChalduScenic Artist:
Forrest A. LeathersModel Effects:
Valentin Vassilev, Konrad DuntonLine Producer:
John "JR" RobeckVisual Effects Supervisor:
Rick ThorneSpecial Effects Coordinator:
Sharon HollyCGI Effects:
Michael J. Travers, David LauerSpecial Effects Supervisor:
Daniel Cordero, Rudy PerezDraftsman:
David Novotny, Luis Amezquita, Francisco GarciaModel Effects:
Juan Jos Martinez, Jesus A. Gomez Capetillo, Antonio Gomez, Elpidio CanoProsthetic Makeup Effects:
Todd Masters Company, Lenny MacDonald, David MatherlyProduction Coordinator:
Kristine MorganSupervising Sound Editor:
Hugh WaddellADR Recordist:
Diane LynnCGI Effects:
Richard AlonsoADR Voice Casting:
L.A. MadDogsFoley Recordist:
Frank MerelTitle Design:
Nina Saxon Film DesignFoley Mixer:
Tony EckertVisual Effects Editor:
Amy Pawlowski, Daniel ArkinCostumes Supervisor:
Wendy RangeVisual Effects Editor:
Kelly G. CrawfordMatte Artist:
Michael LloydProsthetic Makeup Effects:
Greg Johnson
REVIEW:
- In his sophomore directorial effort, screenwriter David Twohy creates yet another underrated, inventive science fiction adventure, one of the very few solid films for star Charlie Sheen in the 1990s. Twohy has a lot of fun with the conventions of his genre, spinning old saws such as alien invasion, terraforming, and the obligatory protagonist paranoia into new and intelligent directions. Okay, global warming isn't all that fresh but it's more contemporary than, say, the aliens need to deplete Earth's undefined "resources," the hackneyed premise of both Independence Day (1996) and Battlefield Earth (2000) (what, the alien home worlds in those films ran out of water, beef, and coal?). If Sheen is a miscast as a tech wizard (other actors better at playing smart and available on limited budgets having been presumably unavailable), the rest of the cast is pretty sharp. Teri Polo provides her usual workmanlike performance as the supportive, attractive love interest with a twist and oily Ron Silver is typically loathsome as an up-to-no-good villain. The film's effects, while limited, are decent, while the tight script, no-frills direction, and briskly edited pace keep things moving along fast enough that one barely notices this sturdy thriller seems to have been produced on a made-for-TV budget. The Arrival (1996) might not be the biggest sci-fi spectacle of its year, having been trampled in the Independence Day onslaught, but like most of Twohy's other behind-the-camera projects, it earns the shelf-life respect it's garnering on video and cable. ~ Karl Williams, Rovi
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