Agatha Christie's Mysteries CollectionAgatha Christie's Mysteries Collection

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  • Aspect Ratio:
    Widescreen
  • Rating:
     PG
  • Language:
      Eng
  • Studio:
      Lionsgate
  • UPC:
      031398104841
  • Year of Release:
      2009
  • Item Number:
      LGE024786
  • Release Date:
      01/27/2009
  • Genre:
     

    Detective Film

    Foreign Films

    Mystery

    Whodunit

  • Format:
     

    DVD

MOVIE DESCRIPTION:

    Murder novelist Agatha Christie has sold over 2 billion books worldwide and made household names of characters such as Hercule Poirot and Miss Marple. The AGATHA CHRISTIE MYSTERIES COLLECTION features three gripping film adaptations of favorite Agatha Christie tales. In DEATH ON THE NILE, Poirot (Peter Ustinov) investigates a murder on board a cruise ship sailing down the Nile. Poirot travels to a posh island resort in EVIL UNDER THE SUN, where he discovers that murder never takes a holiday. And in THE MIRROR CRACK'D, even Hollywood actors find it hard to hide their crimes from amateur sleuth Miss Marple (Angela Lansbury). Loaded with classic movie legends such as Elizabeth Taylor, Bette Davis, Rock Hudson, Tony Curtis, Kim Novak and more, the Agatha Christie Mysteries Collection offers hours of thrilling fun for the entire family!

DVD FEATURES:
  • Region: 1
  • Number of Discs: 3
  • Audio: Dolby Digital Stereo
  • Screen: Enhanced Wide Screen Letterbox for 16x9 TV
  • Features:
    • Death on the Nile: "Making Of" featurette
    • Interviews with cast members Peter Ustinov and Jane Birkin
    • Cast bios
    • Theatrical trailer
    • The Mirror Crack'd: Cast bios
    • Theatrical trailer
    • TV spots
    • Evul Under the Sun: "Making-of" featurette
    • Cast bios
    • Theatrical trailers
AWARDS
  • Academy of Motion Picture Arts and Sciences
  •     Won Best Costume Design - 1978 (Anthony Powell)
  • British Academy of Film and Television Arts
  •     Won Best Costume Design - 1978 (Anthony Powell)
  • Hollywood Foreign Press Association
  •     Nominated Best Foreign Film - 1978
  • National Board of Review
  •     Won Best Supporting Actress - 1978 (Angela Lansbury)
ADDITIONAL INFORMATION:
REVIEWS:
  • A prototypical Agatha Christie adaptation, Death on the Nile is a classic mystery with an all-star cast of recognizable names and faces. Continuing in the vein of Murder on the Orient Express, a murder has occurred during a river cruise, making everyone onboard a suspect, and, as the eminent detective Hercule Poirot observes, everyone had either an opportunity or a motive to do the dastardly deed. Death on the Nile features Peter Ustinov in the role of Poirot and he gives an uncharacteristically subtle, low-key performance, leaving the histrionics to the rest of the cast which features David Niven, Bette Davis, Mia Farrow, Maggie Smith, and George Kennedy, among others. This is Ustinov's first appearance as Poirot and he seems to be feeling out the role and leaving the plot to carry the film. Like most works by Agatha Christie are on some level, the plot is somewhat formulaic. However, the mystery is well-constructed as one would also expect from a Christie story, but there is a lot of information to digest in order for the viewer to be able to participate in the solving of the crime and the resolution of the story. By necessity most of the action takes place on the ship, but the other Egyptian locations lend an exoticism to the film and set the period well. ~ Dan Friedman, Rovi
  • Considering the talent onscreen, The Mirror Crack'd should be much better than it actually is. Not that Mirror is by any means bad; it's a more than acceptable English village murder mystery, the kind of cozy little whodunit that is the bread and butter of the mystery genre. Mirror gets off to a crackling good start, with the screening of a murder mystery film that, in its five or so minutes, is an enormous amount of fun; but Mirror itself doesn't reach that same level of entertainment. Part of the reason is that Angela Lansbury as Miss Marple is sidelined for a good portion of the film. This is the kind of device that can work in a TV series, when it provides variety; but it's harder to pull off in a single film and pokes a hole in the center of Mirror that just doesn't feel right. It also doesn't help that Lansbury, who should be ideally cast, doesn't seem particularly comfortable; the formidable actress never really gets to work her special magic and never makes the character her own. By contrast, as her assistant, Edward Fox wears the character like a pair of comfortable old shoes. The rest of the star-studded cast comes off better, although they're generally relegated to playing two-dimensional stereotypes. Even so, they seem to be having an enjoyable time, and don't seem to be bothered by material that's only average. Their fun is contagious and makes The Mirror Crack'd worth catching. ~ Craig Butler, Rovi
  • The financial and critical success of Murder on the Orient Express inspired a spate of all-star Agatha Christie adaptations, but none were able to equal Murder. Evil Under the Sun is mildly enjoyable, a case of a film in which its whole is somehow less than the sum of its parts. Certainly the cast is not to blame. While they have a tendency to go over the top, most of them do so in a rather delicious way, and Diana Rigg and Maggie Smith in particular make scenery chewing seem the most natural way of acting in a movie. (Riggs' performance of "You're the Top" -- constantly interrupted by Smith -- is particularly memorable.) Although physically miscast, Peter Ustinov is certainly enjoyable, if a bit too amiable; he seems afraid to let the character's grouchiness and imperiousness have the freedom they needs. The photography makes good use of the exotic, often-stunning locations, and the costumes and soundtrack are period-perfect. Perhaps the film doesn't totally satisfy because the screenplay concentrates so wholeheartedly on its plot, with the result that the characters - as witty as they may be -- come across strictly as types. The fact that the resolution is extremely convoluted --even for Christie -- also damages the film, as does Guy Hamilton's adequate but uninspired direction. The viewer watches the film, eager for it to reach out and grab him -- but it never quite manages to do that. ~ Craig Butler, Rovi

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