Earth/End of St. Petersburg/Chess Fever

MOVIE DESCRIPTION:

One of the undisputed masterpieces of the cinema, no single viewing of Earth will ever reveal all of its poetic brilliance. The third in a triptych of films by Ukrainian director Alexander Dovzheko (after Zvenigora in 1927 and Arsenal in 1928), Earth is strikingly simple in plot. On the eve of collectivization in the Ukraine, an old farmer dies peacefully in bed. His grandson Vasil has a new vision: the village council will buy a tractor to be shared among the farmers. Struggling against the superstition, rich landowners and nature itself, Vasil is ultimately the victim of a tragic murder, but the dawn brings forth a new life and the promise of prosperity to the poor village. The story itself is secondary to the beautifully stunning images that Dovzhenko creates. His love for the Ukrainian people and land intoxicates the viewer with the sensual splendors that fill the screen. Assigned to make a film commemorating the 10th anniversary of the 1917 Revolution, Vsevolod Pudovkin crafted an intensely dramatic and personal dramatization of those earth-shaking events. The End of St. Petersburg opens on a farm where a peasant must stay in the field and plow as his wife dies in childbirth. Trudging to the city to seek work, he is forced into scab labor. He tragically realizes the consequences of his mistake and violently attacks his employer. After jail, he is forced to join the army. World War I, in the best depiction yet of the horrors of battle, destroys all in its path as the bourgeois speculators grow rich. But the revolution frees St. Petersburg from the brutal yoke of the rich and there is born a new hope for the future. The New York Times remarked that "one feels sometimes as though this film were a remarkable newsreel of the Russian Revolution." Also featured on this DVD is Chess Fever a Keaton-esque comedy in which a young man's passion for the game threatens to wreck his marriage.

DVD FEATURES:

• Number of Discs: 1
• Aspect Ratio: 1.33:1 (Pre-1954 Standard)
• Audio: Silent
• Screen: Black and White
• Features:
  • cc
  • [None specified]

AWARDS

• National Board of Review

•     Won Best Foreign Film - 1930

ADDITIONAL INFORMATION:

• Cast:

  
       Alexander Chistyakov - A worker
       Anatoly Ktorov
       Anna Zemtsova - The Heroine
       V. Obolensky
       Boris Barnet
       Ivan Franko - Khoma's Father
       Fedor Otsep
       Konstantin Eggert
       Ivan Koval - Samborsky
       Alexandr Gromov
       E. Bondina
       Luka Lyashenko
       Orlov - Broshat
       Anna Zemtsova

• Director:

  Alexander Dovzhenko, Vsevolod Pudovkin, Nikolai Shpikovsky

• Screenwriter:

  Alexander Dovzhenko

• Cinematographer:

  Danylo Demutsky, Anatoli Golovnya

• Songwriter:

  Herbert Stothart

• Editor:

  Alexander Dovzhenko

• Art Director:

  Sergei Kozlovsky

REVIEW:

• Vsevolod Pudovkin's commemorative film has a slightly misleading title; the "end" of St. Petersburg (that is, its transformation to Leningrad) is saved for the film's final reel. The director and his colleagues wanted to offer some context before presenting the storming of the Winter Palace, so we get plenty of back story, with a peasant trading rural poverty for the oppression of factory life, lots of shots of frenzied stock traders representing capitalism at its most mindless, Russia's entry into World War I temporarily staving off the inevitable revolution, and then, finally, the opening of the floodgates for the proletariat to assert itself. There's nothing subtle about Pudovkin's version of history; the war is portrayed as a "transaction" fought "in the name of the Czar, the Fatherland, and money!" as battle scenes alternate with more shots of stock trading. But the vigor of the images is also exhilarating, and the dynamism of the editing intoxicating. Pudovkin invests an immense amount of faith in imagery to tell a story, and no matter what your own politics or interpretation of history, you can't help admire the sheer joy he takes in filmmaking. ~ Tom Wiener, Rovi