Amarcord [2 Discs] [Criterion Collection]

MOVIE DESCRIPTION:

Federico Fellini's warmly nostalgic memory piece examines daily life in the Italian village of Rimini during the reign of Mussolini, and won the 1974 Academy Award as Best Foreign Film. The film's greatest asset is its ability to be sweet without being cloying, due in great part to Danilo Donati's surrealistic art direction and to the frequently bawdy injections of sex and politics by screenwriters Fellini and Tonino Guerra. Fellini clearly has deep affection for the people of this seaside village, warts and all, and communicates it through episodic visual anecdotes which are seen as if through the mists of a favorite dream, playfully scored by Nino Rota and lovingly photographed by Giuseppe Rotunno. ~ Robert Firsching, Rovi

DVD FEATURES:

• Region: 1
• Number of Discs: 2
• Aspect Ratio: 1.85:1 (Theatre Wide Screen)
• Screen: Enhanced Wide Screen Letterbox for 16x9 TV
• Audio: Dolby Digital Mono
• Subtitle: Eng
• Features:
  • Disc One:
  • New, restored high-definition digital transfer
  • Audio commentary by film scholars Peter Brunette and Frank Burke
  • American release trailer
  • Deleted scene
  • Optional English-dubbed soundtrack
  • New and improved English subtitle translation
  • Disc Two:
  • New, 45-minute documentary, Fellini's Homecoming, on the complicated relationship between the celebrated director, his hometown, and his past
  • Video interview with star Magali Noel
  • Fellini's drawings of characters in the film
  • "Felliniana," a presentation of ephemera devoted to Amarcord, from the collection of Don Young
  • Audio interviews with Fellini, his friends, and family by Gideon Bachmann
  • New restoration demonstration
  • Plus: A book featuring a new essay by scholar Sam Rohdie, authot of Fellini Lexicon, and the full text of Fellini's 1967 essay "My Rimini"

AWARDS

• Academy of Motion Picture Arts and Sciences

•     Won Best Foreign Language Film - 1974 (Federico Fellini)
•     Nominated Best Director - 1975 (Federico Fellini)
•     Nominated Best Original Screenplay - 1975 (Tonino Guerra, Federico Fellini)

• Hollywood Foreign Press Association

•     Nominated Best Foreign Film - 1974

• National Board of Review

•     Won Best Foreign Film - 1974

• New York Film Critics Circle

•     Won Best Director - 1974 (Federico Fellini)
•     Won Best Picture - 1974

ADDITIONAL INFORMATION:

• Cast:

  
       Bruno Zanin - Titta
       Pupella Maggio - Titta's Mother
       Armando Brancia - Titta's Father
       Magali Noel - Gradisca
       Ciccio Ingrassia - Uncle Teo
       Nando Orfei - Pataca
       Luigi Rossi - Lawyer
       Alvaro Vitali - Naso

• Director:

  Federico Fellini

• Producer:

  Franco Cristaldi

• Screenwriter:

  Federico Fellini, Tonino Guerra

• Cinematographer:

  Giuseppe Rotunno

• Composer (Music Score):

  Nino Rota

• Musical Direction/Supervision:

  Carlo Savina

• Editor:

  Ruggero Mastroianni

• Production Designer:

  Danilo Donati

• Costume Designer:

  Danilo Donati

REVIEW:

• "Amarcord" is the phonetic translation of the Italian words "Mi Ricordo" (I remember) as pronounced in the dialect of Emilia-Romagna, the birthplace of director Federico Fellini and the setting of this wonderful film. Little surprise, then, that it is a poignant and bawdy semi-autobiographical coming-of-age tale, with an ethereal, dreamlike quality that combines sharply drawn memories with vividly engaging fantasy. Like William Wordsworth, Fellini implies that the child is father to the man, and Amarcord is a both a lament for and an homage to his hometown. Employing a picaresque style, Fellini expertly weaves the tales of a wild menagerie of characters in pre-WW II Italy. No mere sentimentalist, he also tackles the prickly issue of the emergence of Fascism. The film takes careful aim at fanatics, while conserving its empathy for the lost, questing, confused, and lonely individuals in its midst. The family at the center of it all, loosely based on Fellini's own, is a well-drawn melange of coarse, pathetic, colorful, clever, and cranky characters. While Fellini does not choose nostalgic sepia tones, he does shoot much of the film in muted colors that seem slightly out-of-focus, as if he were attempting to transport us into a dreamlike state. Blending scenes of pathos and humor, vulgar carnal desire and transcendent magical illumination (the peacock's standing in the newly fallen snow, spreading its magnificent plumage is this film's signature image), Amarcord won the lion's share of 1974's Best Foreign Film awards, including the New York Film Critics Circle, the National Board of Review, the Golden Globe, and the Academy Award, and it remains a triumph of personal filmmaking. ~ Dan Jardine, Rovi