La Bete Humaine [Criterion Collection]

MOVIE DESCRIPTION:

Based on a novel by Emile Zola, La Bete Humaine weaves a mesmerizing tale of a tragic triangle. Train engineer Jean Gabin lusts after Simone Simon, the wife of his co-worker Fernand Ledoux. When Ledoux is in danger of losing his job, Simon offers herself to her husband's boss. In jealous pique, Ledoux kills the man. Gabin is witness to this, so Simon promises to reward him sexually if he'll keep quiet. As this romance intensifies, Simon tries to finagle Gabin into killing Ledoux. Sick of the whole sordid affair, Gabin murders Simon and then kills himself. When Fritz Lang remade La Bete Humaine as Human Desire in 1953, he carefully copied several of the best visual selections made by Jean Renoir in the original film; what he was not permitted to copy was the story itself, which had to be heavily laundered to accommodate Hollywood's censorship limitations. ~ Hal Erickson, Rovi

DVD FEATURES:

• Region: 1
• Number of Discs: 1
• Subtitle: Eng
• Audio: Dolby Digital Mono
• Screen: Black and White
• Aspect Ratio: 1.33:1 (Pre-1954 Standard)
• Features:
  • New, restored high-definition digital transfer of the original, uncensored version
  • Introduction to the film by Jean Renoir
  • New interview with director Peter Bogdanovich
  • Archival footage of Renoir directing actress Simone Simon, and interviews with Renoir, Emile Zola scholar Henri Mitterand, and others on adapting Zola to the screen
  • Gallery of on-set photographs and theatrical posters
  • Theatrical trailer
  • New and improved English subtitle translation
  • A booklet featuring critic Geoffrey O'Brien, film historian Ginette Vincendeau, and production designer Eugene Lourie

ADDITIONAL INFORMATION:

• Cast:

  
       Jean Gabin - Jacques Lantier
       Simone Simon - Severine
       Julien Carette - Pecqueux
       Fernand Ledoux - Robaud, Severine's Husband
       Jean Renoir - Cabuche, the Poacher
       Blanchette Brunoy - Flore
       Gerard Landry - Dauvergne's Son
       Jenny Helia - Philomene
       Colette Regis - Victoire
       Charlotte Clasis - Aunt Phasie
       Georges Peclet - Railway Worker
       Jacques Berlioz - Grand-Morin
       Guy Decomble - Garde-barriere
       Claire Gerard - Traveler
       Leon Larive - Grand-Morin's servant
       Tony Corteggiani - Section's Chief
       Marcel Peres - Lampmaker
       Emile Genevois - Farm Worker
       Georges Spanelly - Grand-Morin's Secretary
       Jacques Brunius - Farm Worker

• Director:

  Jean Renoir

• Producer:

  Raymond Hakim, Robert Hakim

• Screenwriter:

  Jean Renoir

• Book Author:

  Emile Zola

• Cinematographer:

  Curt Courant

• Composer (Music Score):

  Joseph Kosma

• Editor:

  Suzanne de Troeye, Marguerite Renoir

• Set Designer:

  Eugène Lourié

REVIEW:

• Jean Renoir's masterful adaptation of the Emile Zola novel of heredity and fate has been cited as both a reflection of the fatalistic mood in France in the face of Nazi Germany's aggression and as a blueprint for many postwar film noirs. It's also part of a magnificent mini-run in Renoir's career, preceded by Grand Illusion and followed, two films later, by Rules of the Game. The film begins and ends with a train hurtling noisily down a track, the camera shooting from either the engineer's point of view or from the very front of the locomotive, and the sensation is one of imminent danger. Jean Gabin's Jacques Lantier is a man haunted by his family's history of alcoholism; although he is able to stay away from booze, he is still prone to seizures and blackouts. He accepts his fate as a damaged man, even rejecting love from a young woman who promises to be patient with him. Instead, his involvement with the self-absorbed Severine (Simone Simon) and her jealous husband, the stationmaster Roubaud (Fernand Ledoux), accelerates his sense of doom. The Roubauds are concealing a crime, and Jacques becomes their accomplice, falling in love with Severine, whom he rightly senses is a damaged soul like himself. "I always got what I wanted," Severine says in reference to her godfather, but we soon learn that the old man extracted something in return. Renoir sets much of the action on the train or in the railroad yards, an all-male preserve that becomes a trysting spot for Jacques and Severine's first sexual encounter. Almost every scene is perfectly orchestrated, none better than a later post-coital conversation in which Jacques shows an unhealthy interest in how the Roubauds committed their crime and then Severine sighs, "If my husband were out of the way..." Fans of Double Indemnity, The Postman Always Rings Twice, Human Desire (Fritz Lang's take on Zola's story), and Body Heat will recognize that line, as well as Severine's desperate attempt at a dance hall to brush off the persistent Jacques, "We have no future." ~ Tom Wiener, Rovi