Amelia

MOVIE DESCRIPTION:

Hilary Swank and Richard Gere star in director Mira Nair's biopic tracing the life of famed aviator Amelia Earhart -- who made history in 1932 by becoming the first woman ever to fly solo across the Atlantic Ocean. The trip made the aviatrix a national celebrity -- with help from her publicist George Putnam (Gere), whom she fell in love with and eventually married. Their union was tested, however, as Earhart developed feelings for contemporary Gene Vidal (Ewan McGregor ), and the couple's marriage faced the ultimate tragedy years later, as Earhart's fierce independent spirit spurred her to attempt to fly around the world -- a venture that infamously shrouded her in mystery, as the pilot simply vanished after crashing into the Pacific Ocean. Christopher Eccleston and co-star in the Avalon Pictures production. ~ Jason Buchanan, Rovi

DVD FEATURES:

• Region: 1
• Number of Discs: 1
• Screen: Enhanced Wide Screen Letterbox for 16x9 TV
• Aspect Ratio: 2.35:1 (Cinemascope)
• Audio: Dolby Digital 5.1
• Features:
  • cc
  • Deleted scenes
  • Making Amelia, the power of Amelia Earhart
  • Movietone news reels:
  • Mrs. Putnam flies atlantic again-this time alone
  • Amelia Earhart flies over the us in 17 hours
  • Miss earhart flies from Hawaii to us to win solo crown
  • Aviation (introducing the electra)
  • Aviation (Amelia testing her plane)
  • Names in the news: Amelia Earhart
  • Race to rescue Amelia Earhart!

ADDITIONAL INFORMATION:

• Cast:

  
       Hilary Swank - Amelia Earhart
       Richard Gere - George Putnam
       Ewan McGregor - Gene Vidal
       Christopher Eccleston - Fred Noonan
       Joe Anderson - Bill Stultz
       Cherry Jones - Eleanor Roosevelt
       Mia Wasikowska - Elinor Smith
       Aaron Abrams - Slim Gordon
       Dylan Roberts - Leo Bellarts
       Scott Yaphe - William Dalten
       Tom Fairfoot - Balfour
       Ryann Shane - Young Amelia
       William Cuddy - Gore Vidal
       Elizabeth Shepherd - Frances Putnam
       Richard Donat - Gallagher
       Scott Anderson - Parade Reporter
       Keelin Jack - Student
       Sarah Kitz - George's Secretary
       Jeremy Akerman - Sheriff
       Derek Keurvorst - Minister
       Thomas Hauff - Man at Opera House
       Sarah Dood - 1st Woman at Opera
       Danielle Bourgon - 2nd Woman at Opera
       Hamish McEwan - Paul
       Michael Daly - Frank Cipriani
       Jeffrey Knight - Commander
       Paul Johnston - Thomas O'Hare
       Michael Richard - Reporter #1
       Daniel Janks - Reporter #2
       Ron Smerczac - Reporter #3
       Kerin McCue - Movie Tone Announcer
       Richard Lothian - Coast Guard Man
       Divine Brown - Torch Singer
       Elizabeth Saunders - Louise Thaden
       Precious Chong - Gladys O'Donnell
       Kathryn Haggis - Powder Puff Aviator
       Duane Murray - Cleveland Reporter
       Joe Renzi - Welsh Singer
       Geoff Gillespie - Welsh Singer
       Christopher Eccleston

• Director:

  Mira Nair

• Producer:

  Lydia Dean Pilcher, Kevin Hyman, Ted Waitt

• Screenwriter:

  Ronald Bass, Anna Hamilton Phelan

• Book Author:

  Susan Butler, Mary S. Lovell

• Cinematographer:

  Stuart Dryburgh

• Composer (Music Score):

  Gabriel Yared

• Editor:

  Lee Percy, Allyson C. Johnson

• Production Designer:

  Stephanie Carroll

• Art Director:

  Nigel Churcher

• Co-producer:

  Don Carmody

• Executive Producer:

  Ronald Bass, Hilary Swank

• Costume Designer:

  Kasia Walicka Maimone

• Set Decorator:

  Gordon Sim

• First Assistant Director:

  Walter Gasparovic

• Casting:

  Avy Kaufman

• Unit Production Manager:

  Armand Leo

• Stunts Coordinator:

  Steve Lucescu

• Script Supervisor:

  Susan Marucci

• Key Hairstylist:

  Vincent Sullivan

• Key Make-up:

  Jordan Samuel

REVIEW:

• Hilary Swank's performance as the extremely independent, extremely adorable aviatrix Amelia Earhart is pretty much as good as it gets. Straddling the line between full-body character acting and old-school stylization, Swank has a tough job, but she makes her portrayal look easy -- even with a script that's not necessarily the best.
  
  Opening on Earhart's fateful decision to complete a round-the-world journey in 1937, the narrative subsequently jumps back to her first meeting with publicist George Putnam (Richard Gere), who would organize her 1928 transatlantic flight, and later become her husband. The freckle-faced young pilot is fiercely independent, but though the movie illustrates the strides that Earhart made for the feminist movement through her celebrity, the plot is much more focused on the love story between her and Putnam -- whom she calls GP. It's a very sweet romance, and it dovetails nicely with the nature of the overall film -- which is a traditional inspirational drama through and through, and certainly doesn't reach for profundity. Swank and Gere have great chemistry in this way, and the two share a believable intimacy onscreen. Even still, there are other elements -- like Earhart's affair with Gore Vidal's father, Gene (Ewan McGregor) -- that seem shoehorned in, disconnected from the rest of the movie. Swank works as hard as she can to illuminate her character's motivations, but sometimes there just isn't enough material there for her to succeed.
  
  However, Amelia might just make up for these shortcomings by virtue of its beauty alone, as the art direction is as lavish and immaculate as we've come to expect from big-budget period pieces. The film is shot, costumed, and set decorated within an inch of its gorgeous life, alternating between lush aerial landscapes and lovely, sepia-tinged art deco style. Earhart's own boyish take on the gamine look of her day -- complete with Annie Hall-style men's shirts and ties draped over her boyish frame -- provides a particularly compelling aesthetic, as do the captivating scenes of her journeys to Africa and the Middle East. When the pilot's infamously mysterious demise begins to loom on the story's horizon, we certainly know what's coming, but don't be surprised if you find yourself hoping against hope for Earhart's fate to change -- if for no other reason than so we can live in that stunning cinematic world a little longer. ~ Cammila Albertson, Rovi