The Jennifer Aniston Collection
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Rating:
NR — for language, including sex-related dialogue-
Language:
Eng Studio:
20th Century FoxUPC:
024543256755Year of Release:
2006Item Number:
FXD035675Release Date:
12/05/2006Genre:
Comedy –
Comedy Drama –
Gay & Lesbian Films –
Romance –
Romantic Comedy –
Romantic Comedy –
Romantic Comedy –
Urban Comedy –
Urban Comedy –
Workplace Comedy
Format:
DVD
DVD FEATURES:
- Region: 1
- Number of Discs: 3
- Aspect Ratio: 1.85:1 (Theatre Wide Screen)
- Audio: Dolby Digital Surround
- Screen: Enhanced Wide Screen Letterbox for 16x9 TV
- Features:
- cc
ADDITIONAL INFORMATION:
Cast:
Jennifer Aniston - Nina Borowski
Jennifer Aniston - Kate Mosley
Jennifer Aniston - Rene
Paul Rudd - George Hanson
Maxine Bahns - Hope
Jay Mohr - Nick
Edward Burns - Mickey Fitzpatrick
Alan Alda - Sidney Miller
Kevin Bacon - Sam Mayfair
Cameron Diaz - Heather Davis
Olympia Dukakis - Rita Mosley
Nigel Hawthorne - Rodney Fraser
John Pankow - Vince McBride
John Mahoney - Mr. Fitzpatrick
Illeana Douglas - Darcy O'Neil
Kevin Dunn - Mr. Mercer
Mike McGlone - Francis Fitzpatrick
Tim Daly - Dr. Robert Joley
Allison Janney - Constance Miller
Faith Prince - Mrs. Mercer
Leslie Mann - Connie
Anne Twomey - Sela
Steve Zahn - Frank Hanson
Amo Gulinello - Paul James
Bruce Altman - Dr. Goldstein
Kevin Carroll - Louis Crowley
Lauren Varija Pratt - Sally Miller
Frank Vincent - Ron
Jim Ryan - Anchor Person
Amanda Peet - Molly
Kaley Cuoco
Samia Shoaib - Suni
Robert Weil - Mr. De Lucca
Anita Gillette - CarolDirector:
Edward Burns, Glenn Gordon Caron, Nicholas HytnerProducer:
Edward Burns, James Schamus, Ted Hope, Erwin Stoff, Laurence MarkScreenwriter:
Edward BurnsScreen Story:
May Quigley, Arleen SorkinScreenwriter:
Arleen Sorkin, Glenn Gordon CaronScreen Story:
Paul SlanskyScreenwriter:
Paul Slansky, Wendy WassersteinBook Author:
Stephen McCauleyCinematographer:
Frank Prinzi, Paul Sarossy, Oliver StapletonSongwriter:
Tom PettyComposer (Music Score):
Carter BurwellMusical Direction/Supervision:
Carter BurwellComposer (Music Score):
George FentonSongwriter:
Earl RoseEditor:
Susan Graef, Robert Reitano, Tariq AnwarProduction Designer:
William Barklay, Larry Fulton, Jane MuskyArt Director:
Caty Maxey, John Wright Stevens, Patricia WoodbridgeCo-producer:
Diana PokornyAssociate Producer:
Petra AlexandriaExecutive Producer:
Michael Nozik, Robert Redford, John Sloss, William Teitler, Molly MaddenSet Designer:
Susan Bode-TysonCostume Designer:
Susan Lyall, Jane RobinsonSet Decorator:
Debra SchuttCostume Designer:
John DunnSound/Sound Designer:
T.J. O'Mara, Les Lazarowitz, Michael BaroskyFirst Assistant Director:
Howard McMaster, Sam HoffmanCasting:
Laura Rosenthal, Mary Colquhoun, Daniel SweeLine Producer:
Alysse Bezahler
REVIEW:
- Ed Burns' follow-up to The Brothers McMullen(1995) again works the territory of the romantic dilemmas of Irish-American brothers, but without the charm or credibility of his previous film. Burns and Francis McGlone play the brothers, respectively, a cab-driver and a stock-broker. The director throws them into a story full of improbable situations and characters, and artificially cranks up the hostility level. It's typical of Burns' world that, although both brothers are either married to, engaged to, or involved with apparently fabulous women, they seem to prefer fighting with each other to paying attention to them. John Mahoney as, their self-absorbed, trouble-making father appears to be at the root of the problems. As usual Burns comes up with some very funny one-liners which still sound true to life, but sadly, the same can't be said for the film as a whole. Burns himself is sharp and charismatic here, sometimes reminiscent of a young James Caan, and the overly intense Frances McGlone complements him perfectly. Mahoney is also completely convincing as the kind of character who many from the New York and Boston area, and possibly elsewhere, will recognize instantly. Maxine Bahns, who has the best of the three badly-written women's parts is a non-actress, Cameron Diaz is saddled with an unbelievable role, and Jennifer Aniston is forced to make the best of her one-note part. ~ Michael Costello, Rovi
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