The Grapes of Wrath
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Rating:
NR-
Language:
Eng Studio:
20th Century FoxUPC:
024543482642Year of Release:
1940Item Number:
FXD008264Release Date:
12/04/2007Genre:
Americana –
Drama –
Family Drama –
Rural Drama –
Social Problem Film
Format:
DVD
MOVIE DESCRIPTION:
The adaptation of Nobel Prize-winner John Steinbeck's Pulitzer Prize-winning novel of dirt-poor Dust Bowl migrants by 4-time Oscar-winning director John Ford starred Henry Fonda as Tom Joad, who opens the movie returning to his Oklahoma home after serving jail time for manslaughter. En route, Tom meets family friend Casey (John Carradine), a former preacher who warns Tom that dust storms, crop failures, and new agricultural methods have financially decimated the once prosperous Oklahoma farmland. Upon returning to his family farm, Tom is greeted by his mother (Oscar-winner Jane Darwell), who tells him that the family is packing up for the "promised land" of California. Warned that they shouldn't expect a warm welcome in California--they've already seen the caravan of dispirited farmers, heading back home after striking out at finding work--the Joads push on all the same. Their first stop is a wretched migrant camp, full of starving children and surrounded by armed guards. Further down the road, the Joads drive into an idyllic government camp, with clean lodging, indoor plumbing, and a self-governing clientele. When Tom ultimately bids goodbye to his mother, who asks him where he'll go, he delivers the film's most famous speech: "I'll be all around...Wherever there's a fight so hungry people can eat...Whenever there's a cop beating a guy, I'll be there...And when the people are eatin' the stuff they raise and livin' in the houses they build. I'll be there too." ~ Hal Erickson, Rovi
DVD FEATURES:
- Region: 1
- Number of Discs: 1
- Aspect Ratio: 1.33:1 (Pre-1954 Standard)
- Screen: Black and White
- Audio: Dolby Digital Stereo
- Features:
- Audio commentary by film historian Joseph McBride and Steinbeck scholar Susan Shillinglaw
- U.K. prologue
- Darryl F. Zanuck: 20th Century Filmmaker as seen on Biography on the A&E Network
- Restoration comparison
- Original theatrical trailer
- Still gallery
- Fox Movietone News: 1934 - Worst Drought in Many Years Hits Middle West, Midwest Drought Distress Becomes National Disaster, Outlaws; 1941 - Roosevelt Lauds Motion Pictures at Academy Fete
AWARDS
Academy of Motion Picture Arts and Sciences
- Won Best Director - 1940 (John Ford)
- Won Best Supporting Actress - 1940 (Jane Darwell)
- Nominated Best Actor - 1940 (Henry Fonda)
- Nominated Best Editing - 1940 (Robert L. Simpson)
- Nominated Best Picture - 1940
- Nominated Best Screenplay - 1940 (Nunnally Johnson)
- Nominated Best Sound - 1940 (E.H. Hansen)
American Film Institute
- Won 100 Greatest American Movies - 1998
Library of Congress
- Won U.S. National Film Registry - 1988
National Board of Review
- Won Best Acting - 1940 (Jane Darwell, Henry Fonda)
- Won Best Picture - 1940
New York Film Critics Circle
- Won Best Director - 1940 (John Ford)
- Won Best Picture - 1940
ADDITIONAL INFORMATION:
Cast:
Henry Fonda - Tom Joad
Jane Darwell - Ma Joad
John Carradine - Jim Casey
Charles Grapewin - Grandpa Joad
Doris Bowden - Rosasharn
Russell Simpson - Pa Joad
O.Z. Whitehead - Al Joad
John Qualen - Muley Graves
Eddie Quillan - Connie Rivers
Zeffie Tilbury - Gramma Joad
Frank Sully - Noah Joad
Frank Darien - Uncle John
Darryl Hickman - Winfield Joad
Shirley Mills - Ruth Joad
Roger Imhof - Thomas
Grant Mitchell - Caretaker
Charles D. Brown - Wilkie
John Arledge - Davis
Thornton Edwards - Motor Cop
George Breakston - Boy
Dick Rich
James Flavin - Guard
Harry Tenbrook - Deputy/Troublemaker
Selmar Jackson - Inspector
Frank O'Connor
George O'Hara - Clerk
Harry Cording
Lee Shumway
Paul Guilfoyle - Floyd
Tom Tyler - Sheriff
Louis Mason - Man in Camp
Kitty McHugh - Mae
Trevor Bardette - Jule
William Pawley - Bill
Ralph Dunn - Deputy
Harry Strang - Fred the Truck Driver
Herbert Heywood
Norman Willis - Joe
Walter Miller - New Mexico Border Guard
Pat Flaherty
Charles Tannen - Joe
David Hilary Hughes - Frank
Erville Alderson - Arkansas Storekeeper
Adrian Morris - Agent
Shirley "Muggsy" Coates
Peggy Ryan - Hungry Girl
Harry Tyler - Bert
Mae Marsh - Floyd's Wife
Joe Sawyer - Accountant
Irving Bacon - Conductor
Inez Palange - Woman in Camp
Ben Hall
Charles B. Middleton - Leader
Hollis Jewell - Muley's Son
Frank Faylen - Tim Wallace
Paul Sutton
Robert E. Homans - Spencer
Francis Ford
Wally Albright - Boy Who Ate
Cliff Clark - Townsman
Gloria Roy - Waitress
Rex Lease - Cop
Jack Pennick - Camp helper
Arthur Ayleswofth - Father
Ted Oliver - State Policeman
Georgia Simmons - Woman
William Haade - Deputy Driver
Eddy Waller - Proprietor
Walter McGrail - Gang Leader
Robert "Buddy" Shaw - Gas Station Attendant
Ward Bond - Policeman
Gaylord "Steve" Pendleton - AttendantDirector:
John FordProducer:
Darryl F. ZanuckBook Author:
John SteinbeckScreenwriter:
Nunnally JohnsonCinematographer:
Gregg TolandComposer (Music Score):
Alfred NewmanMusical Direction/Supervision:
Alfred NewmanEditor:
Robert L. SimpsonArt Director:
Richard Day, Mark-Lee KirkAssociate Producer:
Nunnally JohnsonSet Designer:
Thomas K. LittleCostume Designer:
Gwen WakelingSound/Sound Designer:
Roger Heman, George LeverettFirst Assistant Director:
Edward O'Fearna
REVIEW:
- John Ford's The Grapes of Wrath is arguably the director's greatest movie, and the rare Hollywood film superior to its literary source (a view shared by the novel's author, John Steinbeck). Indeed, it is the movie that sums up the impact of the Great Depression, at least on rural America, better than any other film of its time (and there were hundreds that tried, by everyone from Frank Capra to Preston Sturges). From the opening shot of Tom Joad's return to the ruined land where he grew up, the movie is a study of people whose dreams and hopes wither away like the drought-stricken crops. Yet Ford managed to make a movie that wasn't utterly pessimistic, despite its story and setting: the performers and script availed him of indomitable characters, convincingly portrayed, with the result that even the most cynical viewers were persuaded of Ford's artistic vision. Henry Fonda, who'd been an up-and-coming leading man, solidified his image as an upright hero with an almost mystical bent in his portrayal of Tom Joad; Jane Darwell became the archetypal rural matriarch; and even the bit players, such as Ward Bond and Grant Mitchell, got relatively rare opportunities to play against their usual types as beneficent characters. The movie became a strange case of fiction transcending fact, as Ford's images (photographed by the great cinematographer Gregg Toland) became more representative of the period than most documentary photography. Countless filmmakers have quoted from The Grapes of Wrath (there's a very funny audio-visual reference in Close Encounters of the Third Kind), and Ford himself never made a more compelling social statement despite several attempts (The Sun Shines Bright, Sergeant Rutledge, and others) over the next 20 years. ~ Bruce Eder, Rovi
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