MOVIE DESCRIPTION:

A French/Czech co-production, the dream-like La Planete Sauvage concerns the degradation of the Oms, human-like creatures on the futuristic planet Yagam. The Oms are kept as pets and beasts of burden by the Draggs, 39-foot beings who comprise Yagam's ruling class. The status quo is upset when Terr, one of the Oms, accidentally receives an education, whereupon he organizes the other Oms to demand equality with the Draggs. Based on Stefen Wul's novel Ems En Serie, Fantastic Planet was the winner of a 1973 Cannes Film Festival grand prize. ~ Hal Erickson, Rovi

DVD FEATURES:

• Region: 1
• Number of Discs: 1
• Subtitle: Eng
• Screen: Letterbox for TV
• Audio: Dolby Digital Stereo
• Features:
  • Optional subtitles
  • English language version
  • Les Escargots - a short by Rene Laloux
  • Fantastic Laloux - an interview with Rene Laloux
  • Trailer
  • Photo gallery
  • Would I Be the One - music video by Sean Lennon (inspired by Fantastic Planet)

AWARDS

• Cannes Film Festival

•     Won Special Prize - 1973

ADDITIONAL INFORMATION:

• Cast:

  
       Barry Bostwick - Terror

• Director:

  René Laloux

• Producer:

  Anatole Dauman, Simon Damiani, Andre Valio-Cavaglione

• Screenwriter:

  Steve Hayes, René Laloux, Roland Topor

• Book Author:

  Stefan Wul

• Cinematographer:

  Lubomir Rejthar, Boris Baromykin

• Composer (Music Score):

  Alain Goraguer

• Editor:

  Rich Harrison, Dick Elliott

• Production Designer:

  Roland Topor

• Art Director:

  Josef Kabrt

• Animator:

  Zdena Bartova, Zdenek Sob, Josef Kabrt, Josef Vanan, Jindrick Barta, Bohumil Sedja, Karel Strebl, Jiri Vokoum

REVIEW:

• Rarely has a titular adjective so accurately captured the experience of watching a movie as in Fantastic Planet. The film's alternate universe is both totally an element of fantasy, and fantastic in its vernacular sense: an absolute marvel to behold. Rene Laloux's animated French-language allegory takes trippiness to new levels of pure imagination, conjuring a planet where humans are both domesticated pet and outlaw nuisance to the native rulers. These rulers, the skyscraper-sized Traags, are blue humanoids with red eyes and vaguely aquatic features -- but who otherwise are pretty genial, intellectual beings. It's no coincidence we're supposed to see ourselves in them, but Fantastic Planet is no mere plea for us to trade places with the Earth creatures we so callously enslave and kill. Masterfully, Laloux's film also invites us to identify with the humans, whose spirit of determination inspires them to an against-all-odds uprising. But however many ways Fantastic Planet invites reflection, it's at least as interested in wowing its audiences with otherworldly technology, flora and fauna. The film pauses to flesh these out through atmospheric vignettes, featuring tall plants that whip the air aimlessly, intricate groves of multi-colored trees, small bulbous-eyed creatures that make clothing by foaming bubbles from their mouths, or giant winged beasts that scream in frightening bursts. (The sound design is a discussion in and of itself, consisting of excellently 1970s computerized beeps and boops, plus a soundtrack that could accompany a porn movie from that era, without that being the least bit silly). The Traags are a fully realized entity both familiar and unsettlingly foreign -- when their meditations carry them skyward in enclose bubbles, it's breathtaking. The one complaint is that the spell is broken slightly by the dispassionate and largely unnecessary narration of the lead character, reflecting on events after the fact, which tends to distance us from the bizarre immediacy of the story. Fantastic Planet is showing us so much, it doesn't need to tell us anything. ~ Derek Armstrong, Rovi