Resident Evil 1-3 [Blu-ray] [3 Discs]
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Aspect Ratio:
Widescreen Rating:
R — for strong sci-fi/horror violence, language, and brief sexuality/nudity-
Language:
Eng Studio:
Sony PicturesUPC:
043396236141Year of Release:
2008Item Number:
COL023614Release Date:
02/23/2010Genre:
Creature Film –
Horror –
Sci-Fi Horror
Format:
Blu-ray
DVD FEATURES:
- Region: ABC
- Number of Discs: 3
- Aspect Ratio: 2.40:1
- Audio: PCM Stereo
- Screen: Color
AWARDS
Genie Awards
- Won Best Sound Editing - 2004 (Craig Henighan, Nathan Robitaille, Stephen Barden, Tony Lewis, Jill Purdy, Steve Baine)
- Nominated Best Sound - 2004 (Todd Beckett, Dean Humphreys, David Lee)
ADDITIONAL INFORMATION:
Cast:
Milla Jovovich - Alice
Oscar Pearce - Mr. Red
Ali Larter - Claire Redfield
Anna Bolt - Dr. Green
Ashanti - Betty
Chris Egan - Mikey
Heike Makatsch - Lisa
Jaymes Butler - Clarence
Linden Ashby - Chase
Fiona Glascott - Ms. Gold
Eric Mabius - Matt
Chris Durand
James Tumminia - Lab Tech
Kirk B.R. Woller - Scientist
Michelle Rodriguez - Rain
Liz May Brice - Medic
Peter O'Meara - British Envoy
Marc Logan - Black - Commando 1
James Purefoy - Spence
Michaela Dicker - Red Queen
Geoff Meed - Pock Mark
Rusty Joiner - Eddie
Brian Steele - Rancid
Connor McCoy - Small Boy
Brian Steele - Tyrant
Rick Cramer - Corridor Guard
Gary A. Hecker - Tyrant Vocal
Carolina Jimenez - Mirror Woman
Aaron Abrams - AssistantDirector:
Paul W.S. Anderson, Alexander Witt, Russell MulcahyProducer:
Paul W.S. Anderson, Bernd Eichinger, Samuel Hadida, Jeremy Bolt, Don Carmody, Robert KulzerScreen Story:
Paul W.S. AndersonScreenwriter:
Paul W.S. AndersonScreen Story:
Alan B. McElroyCinematographer:
David Johnson, Christian Sebaldt, Derek Rogers, Derek Aasland, Sharon B. Moore, Tim Ross, Pablo ReyesComposer (Music Score):
Marco Beltrami, Clint Mansell, Marilyn MansonMusical Direction/Supervision:
Liz GallagherComposer (Music Score):
Jeff Danna, Charlie ClouserEditor:
Alex Berner, Eddie Hamilton, Niven Howie, Charlie ClouserProduction Designer:
Richard Bridgland, Paul Denham Austerberry, Eugenio CaballeroSupervising Art Director:
Tony ReadingArt Director:
Jorg Baumgarten, Nigel Churcher, Marc NiroCo-producer:
Chris SymesAssociate Producer:
Michael GabrawyExecutive Producer:
Victor Hadida, Robert Kulzer, Daniel Kletzky, Yoshiki Okamoto, Bernd Eichinger, Samuel Hadida, Martin MoszkowiczSet Designer:
Penny CrawfordCostume Designer:
Richard Bridgland, Mary E. McLeod, Joseph PorroSet Decorator:
Claudio Castelli, Bárbara Enriquez BejaranoSound/Sound Designer:
Roland Winke, Marco Raab, Dean Humphreys, David Lee, Todd Beckett, Tony Lewis, Luciano LarobinaMakeup:
Humberto Escamilla, Marco GarcÃaFirst Assistant Director:
Jan Sebastian Ballhaus, Pierre Henry, Mark EgertonCamera Operator:
Tim Ross, Pablo Reyes, Norbert Kaluza, Luis SansansCasting:
Robyn Ray, Suzanne Smith, Tina Gerussi, Victoria Burrows, Scott BolandAdditional Cinematography:
Sue GibsonVisual Effects Supervisor:
Richard Yuen, Richard YuricichSupervising Sound Editor:
Nigel HollandDigital Effects:
Computer Film Co.Second Unit Director:
Bharat NalluriSupervising Sound Editor:
Stefan BuschAnimatronic Effects:
Animated Extras Intl.Prosthetic Makeup Effects:
Animated Extras Intl.Special Effects Supervisor:
Gerd FeuchterSecond Unit Director:
Spiro RazatosDigital Effects:
C.O.R.E. Digital PicturesSound Editor:
Stephen BardenSupervising Sound Editor:
Craig HenighanStunts Coordinator:
Steve LucescuVisual Effects Supervisor:
Chris BondKey Make-up:
Marie Louise NardellaSound Editor:
Jill PurdyVisual Effects Supervisor:
Dennis BerardiVisual Effects:
Frantic Films, Mr. XDigital Effects:
Mr. X Inc.Sound Editor:
Steve BaineMakeup Special Effects:
Paul Jones Effects StudioVisual Effects:
NemesisVisual Effects Producer:
Alison O'BrienSound Editor:
Nathan RobitailleStunts Coordinator:
Willebaldo BucioMechanical Design:
Laurencio CorderoAdditional Editing:
Tod FeuermanDepartment Head Makeup:
David ForrestUnit Production Manager:
Kelly Van HornCostumes Supervisor:
Adolofo "Fito" RamirezSecond Unit Director:
Douglas AarniokoskiCreature Design:
Patrick TatopoulosVisual Consultant:
Patrick TatopoulosSecond Assistant Director:
Joaquin SilvaVisual Effects Supervisor:
Evan JacobsRe-Recording Mixer:
Chris JenkinsSecond Unit Assistant Director:
Miguel LimaLine Producer:
Hector LopezMechanical Design:
Darrell D. PritchettRe-Recording Mixer:
Frank A. MontañoSupervising Sound Editor:
Scott A. HeckerSecond Unit Director Of Photogra:
Igor MeglicDepartment Head Hair:
Bunny ParkerGaffer:
Benito AguilarLocation Manager:
Lily FlashnerProduction Supervisor:
Lily FlashnerStunts Coordinator:
Layton Morrison, Steve McMichaelSupervising Sound Editor:
Eric A. NorrisPost Production Supervisor:
James K. JensenStunts Coordinator:
Rick ForsayethAdditional Editing:
Ryan FolseyTitle Design:
Chris JonesScript Supervisor:
Sue FieldMakeup Special Effects:
Richard RedlefsenSecond Unit Assistant Director:
Robert P. GraysonScript Supervisor:
Israel PascoSteadicam Operator:
Norbert KaluzaProduction Supervisor:
Keah BewsLocation Manager:
Juan Pablo Noval, Iram Collantes LopezSecond Second Assistant Director:
Maria DioniSteadicam Operator:
Luis SansansGaffer:
Juan Carlos LazoProperties Master:
Derek Hecker, Gustavo CastellanosConstruction Coordinator:
Hector RomeroSecond Unit Costumer:
Enrique VillavicencioSecond Unit Makeup:
Lourdes FloresMakeup Special Effects:
Bruce Fuller, Jorge Siller OlguinAdditional Hair Stylist:
Isabel Amezcua, Estrella LorrabaquioRe-Recording Mixer:
Alberto RamirezFights Choreographer:
Charles Currier
REVIEWS:
- By the time film franchises make it to a third entry, it usually either marks the end of the franchise or a depressing grab at what made the original films so special in the first place -- and then there's Resident Evil: Extinction. Not only have the filmmakers turned the series' premise on its head with the post-apocalyptic setting, but they've gone out of their way to further complicate the story -- even so far as demanding a continuation at its head-scratching finale. All of this would make more sense if the quality of the films demanded it, but if anything, the series has lagged in quality rather than becoming more focused by learning what worked before. While not nearly as outrageous as the action overload of the second film, the third settles into somewhat of a serious tone, more like the original, except this time, it's all presented in a ho-hum fashion, thanks in part to Russell Mulcahy's glossy but largely geriatric direction. As to what his lensing is missing -- for one, the scares that are there just don't work, which would be okay if the action were amped up to realize the pic's full potential. While Extinction evokes a distinct Road Warrior feel, there's nary a time that it delivers on that level of excitement, despite its obvious throwback nature in terms of visuals and stunts. On the plus side, Milla Jovovich still delivers a tough-cookie performance and lives up to her action-starlet status, with her acrobatics being some of the most impressive feats of the film (though what's with the digital smoothing they obviously threw on her face in the close-ups?). Questionably aided dermatology aside, the flick gets points for expanding upon its own mythology while still throwing in a few nods to the gaming crowd -- it's just too bad that they couldn't have spiced up the recipe a bit more so that the onscreen action met the lofty ambitions of the script. ~ Jeremy Wheeler, Rovi
- To put it simply, Resident Evil: Apocalypse feels like it dove off the stupid bridge on the way to the big screen. It's loud and hokey, with not a brain in its head, which should please the cheese-lovers in the crowd but anger the more civilized moviegoers out there. The sequel picks up where the first one left off, though this time it's Alexander Witt behind the camera instead of the genre's heavily hated Paul W.S. Anderson (who returned to his script duties here). The result is a hodge-podge of style gone wrong, with blurry effects made to "heighten" the zombie horror that only make the viewer disoriented and confused. This cheap technique continues with each and every action scene, as the filmmakers bypass cohesive action in favor of impossible-to-follow editing techniques. On the plus side, it does feature a main baddie with a ridiculous rubber mask and, yes, scrumptious star Milla Jovovich does go one on one with this laughable creation in a fistfight that's every bit as ludicrous as it sounds. Filled with accents galore (another Anderson staple), the cast spouts out schlocky dialogue either in their own mixed-up tongue or with an accent they're desperately trying to hide -- either way, it's just another delicious piece of the puzzle in this guilty-pleasured train wreck. Throw in a bootleg Newt character ripped straight from Aliens along with more than a few lifted lines from that and other well-known genre projects, and Resident Evil 2 is quite possibly too familiar with its predecessors, but then again, what should one expect? In a movie where the star runs down the side of a building as if she were wearing magnetic boots and a villain whose main weaponry is a rocket launcher, it's obvious that this sequel is shooting straight for the stereotypical gamer crowd that could care less about any of the above, just as long as the explosions are big and the females are hot -- which funny enough, really wasn't what made the game series so great to begin with. ~ Jeremy Wheeler, Rovi
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