3:10 to Yuma [Special Edition]
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Aspect Ratio:
Widescreen Rating:
NR-
Language:
French, English Studio:
Sony PicturesUPC:
043396212251Year of Release:
1957Item Number:
COL021225Release Date:
09/25/2007Genre:
Outlaw (Gunfighter) Film –
Psychological Western –
Western
Format:
DVD
MOVIE DESCRIPTION:
Desperate for money, frontier rancher Van Heflin holds outlaw Glenn Ford at gunpoint, intending to collect the $200 reward. While both men await the train to Yuma that will escort Ford to prison, the cagey outlaw offers Heflin $10,000 if he'll set Ford free. The rest of the film is a sweat-inducing cat-and-mouse game between captive and captor, interrupted with bursts of violence from both Ford's gang (commandeered by Richard Jaeckel) and the vacillating townsfolk. 3:10 to Yuma is one of the best of the character-driven "psychological" westerns of the 1950s. Its only flaw is Ford's unconvincing character turnaround towards the end. ~ Hal Erickson, All Movie Guide
DVD FEATURES:
- Region: 1
- Number of Discs: 1
- Aspect Ratio: 1.85:1 (Theatre Wide Screen)
- Audio: Dolby Digital Mono
- Screen: Black and White, Enhanced Wide Screen Letterbox for 16x9 TV
- Subtitle: French, English
- Features:
- Includes sneak peek of 3:10 to Yuma remake, starring Christian Bale and Russell Crowe!
- Original theatrical trailer
- Newly remastered
AWARDS
British Academy of Film and Television Arts
- Nominated Best Film - Any Source - 1957 (Delmer Daves)
Telluride Film Festival
- Film Presented - 1991
ADDITIONAL INFORMATION:
Cast:
Glenn Ford - Ben Wade
Van Heflin - Dan Evans
Felicia Farr - Emmy
Leora Dana - Alice Evans
Henry Jones - Alex Potter
Richard Jaeckel - Charlie PrinceDirector:
Delmer DavesProducer:
David HeilwellScreenwriter:
Halsted WellesCinematographer:
Charles LawtonComposer (Music Score):
George DuningMusical Direction/Supervision:
Morris W. StoloffSongwriter:
Frankie Laine, Ned WashingtonEditor:
Al ClarkArt Director:
Frank Hotaling
REVIEWS:
- The success of {#High Noon} spawned numerous psychological {\Westerns}, and one of the best of this crop was {#3:10 to Yuma}. {$Van Heflin} as rancher {%Dan Evans} and {$Glenn Ford} as outlaw {%Ben Wade} both give exceptional, multi-layered performances, among the best of their careers, with {$Ford} going particularly against type and displaying that he was one of the more underrated actors of his generation. The script by {$Halsted Welles}, based on a story by {$Elmore Leonard}, is taut and insightful, occasionally veering towards the conventional (the love subplot between {%Wade} and {%Emmy} is not very believable), but always coming back in time. Equally important is the superb direction of {$Delmer Daves}, who tells his story with an economy of flashiness, and uses the film's obvious low budget to his advantage by emphasizing the isolation and barrenness of the settings. There are also strong supporting parts for {$Leora Dana} as {%Heflin}'s wife and a collection of scene-stealing character actors, including {$Richard Jaeckel}, {$Henry Jones}, and {$Robert Emhardt}. {#3:10 to Yuma} ultimately stands as a superior example of that subgenre of small-scale {\Westerns} that tell their tale simply with an emphasis on character over action, and which can often be every bit as satisfying and entertaining as the widescreen, big-themed {\Western} epics that grab the headlines and critical acclaim. ~ Bob Mastrangelo, All Movie Guide
- The success of High Noon spawned numerous psychological Westerns, and one of the best of this crop was 3:10 to Yuma. Van Heflin as rancher Dan Evans and Glenn Ford as outlaw Ben Wade both give exceptional, multi-layered performances, among the best of their careers, with Ford going particularly against type and displaying that he was one of the more underrated actors of his generation. The script by Halsted Welles, based on a story by Elmore Leonard, is taut and insightful, occasionally veering towards the conventional (the love subplot between Wade and Emmy is not very believable), but always coming back in time. Equally important is the superb direction of Delmer Daves, who tells his story with an economy of flashiness, and uses the film's obvious low budget to his advantage by emphasizing the isolation and barrenness of the settings. There are also strong supporting parts for Leora Dana as Heflin's wife and a collection of scene-stealing character actors, including Richard Jaeckel, Henry Jones, and Robert Emhardt. 3:10 to Yuma ultimately stands as a superior example of that subgenre of small-scale Westerns that tell their tale simply with an emphasis on character over action, and which can often be every bit as satisfying and entertaining as the widescreen, big-themed Western epics that grab the headlines and critical acclaim. ~ Bob Mastrangelo, All Movie Guide
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