Rudy/Radio [2 Discs]
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-
Aspect Ratio:
Widescreen Rating:
PG-
Language:
English, Spanish, French Studio:
Sony PicturesUPC:
043396155893Year of Release:
1993Item Number:
COL015589Release Date:
06/01/2010Genre:
Biopic [feature] –
Drama –
Sports Drama
Format:
DVD
DVD FEATURES:
- Region: 1
- Number of Discs: 2
- Subtitle: Eng/Fre/Spa/Ko/Th
- Audio: Dolby Digital Surround
- Screen: Enhanced Wide Screen Letterbox for 16x9 TV
- Aspect Ratio: 1.85:1 (Theatre Wide Screen)
- Features:
- cc
- Rudy: Three exclusive featurettes
- Isolated music score
- Radio: Director's commentary
- Deleted scenes
- Tuning in on Radio
- The 12-hour football games of Radio
- Writing Radio
AWARDS
NAACP Image Awards
- Won Best Actor - 2004 (Cuba Gooding, Jr.)
- Won Best Supporting Actress - 2004 (Alfre Woodard)
ADDITIONAL INFORMATION:
Cast:
Cuba Gooding, Jr. - James Robert "Radio" Kennedy
Ed Harris - Coach Harold Jones
Alfre Woodard - Principal Reynolds
Lili Taylor - Sherry
Brent Sexton - Honeycutt
Chris Mulkey - Frank
Jon Favreau - D-Bob
Riley Smith - Johnny
Patrick Breen - Tucker
Debra Winger - Linda Jones
Chelcie Ross - Dan Devine
Benjamin L. Peters Jr. - Hallway KidDirector:
David Anspaugh, Mike TollinProducer:
Cary Woods, Robert N. Fried, Brian Robbins, Mike Tollin, Herbert W. GainsScreenwriter:
Angelo Pizzo, Mike RichCinematographer:
Oliver Wood, Don BurgessComposer (Music Score):
Jerry GoldsmithMusical Direction/Supervision:
Curt FriskComposer (Music Score):
James HornerMusical Arrangement:
James HornerMusical Direction/Supervision:
Laura Z. WassermanEditor:
David Rosenbloom, Chris Lebenzon, Harvey RosenstockProduction Designer:
Billy Higgins, Robb Wilson King, Clay GriffithArt Director:
Martin Price, Thomas MintonCo-producer:
Angelo PizzoAssociate Producer:
Tierre TurnerExecutive Producer:
Lee R. Mayes, Caitlin Scanlon, Todd GarnerSet Designer:
Martin Price, Robert Greenfield, Julia Starr Sanford, Andre W. DuncanCostume Designer:
Jane Anderson, Denise WingateSound/Sound Designer:
Hector GikaMakeup:
Angela Nogaro, Cheri Minns, Rick Pour, Carrie Angland, Stacye BrancheSpecial Effects:
Joe di Gaetano IIIFirst Assistant Director:
Michael Waxman, Vincent LascoumesCamera Operator:
Robert Presley, Patrick B. O'BrienStunts:
Ryan Crawford, Tyler Daum, Donté R. HunterCasting:
Margery SimkinProduction Manager:
Sara FlammSound Mixer:
Simon RhodesDepartment Head Makeup:
Jeff GoodwinMusic Editor:
Jim HenriksonAdditional Editing:
Joel NegronTitle Design:
Howard A. Anderson CompanyKey Costumer:
Paul A. SimmonsFoley Editor:
Larry KempProduction Sound:
Jeffree BloomerUnit Production Manager:
Herbert W. GainsMusic Editor:
Kenneth KarmanCostume/Wardrobe:
Karen KeyesSupervising Sound Editor:
Tom BellfortADR Editor:
Fred StahlyFoley Artist:
Michael BroombergSecond Assistant Director:
Paula HarrisChief Lighting Technician:
Steven McGeeSteadicam Operator:
Robert PresleySound Effects Director:
Dan HegemanDialogue Editor:
Michael HertleinPost Production Supervisor:
Isabel HendersonProduction Coordinator:
Jennifer CoreyProduction Assistant:
Trisha A. StanardCostume/Wardrobe:
Omar SimmonsStill Photographer:
Michael TackettSpecial Effects Coordinator:
Thomas KittleSet Dresser:
Larry SaulsKey Grip:
Michael J. CooDolly Grip:
Michael BonsignoreFirst Assistant Editor:
Peter FandettiCasting Associate:
Justine HempeHair Styles:
Wyatt BeltonProduction Assistant:
Terrence B. ZinnScript Supervisor:
Michael J. LeoneDolly Grip:
Michael BrennanProperties:
Dwight Benjamin-CreelHair Styles:
Stacye BrancheCostumes Supervisor:
Sandra CollierAssistant Location Manager:
Russell D. CookProduction Assistant:
William Cook Jr.Second Assistant Camera:
Steven CuevaExtra Casting:
Tona B. DahlquistProduction Assistant:
D. Tobias Denney, Elizabeth A. DennisUnit Publicist:
Frances FioreLeadman:
Frank M. FlemingCamera Loader:
Mark GilmerProduction Assistant:
Steven GoldfriedMusic Editor:
Lisa JaimeConstruction Coordinator:
Tom Jones Jr.Costume/Wardrobe:
Keva KeyesBest Boy Grip:
Craig KohtalaSecond Second Assistant Director:
Christophe LeChanuFoley Artist:
Diane MarshallAssistant Properties:
Randall R. MilazzoLocation Manager:
Mary Morgan-KerlagonBoom Operator:
Michael PiotrowskiAssistant Production Coordinator:
Kathy RayleCostume/Wardrobe:
Frederick SpencerKey Hairstylist:
JoJo StephensSound Effects Director:
Bruce TannisFirst Assistant Camera:
Joseph Thomas, Zoran VeselicHair Styles:
Toni-Ann WalkerAssistant Music Editor:
Ramiro BelgardtFoley Mixer:
Lucy SustarFirst Assistant Sound Editor:
Branden SpencerCable Person:
Michael RayleAssistant Editor:
Daniel Kupresan, Meredith ApelArt Department Coordinator:
Alicia LoweAssistant Editor:
Lara Grant, Jennifer MartinezAssistant Chief Lighting Technic:
Edward T. Cox
REVIEWS:
- A tale of the utmost dogged determination, Rudy has come to be considered one of the more resonant guilty pleasures in the pantheon of sports movies -- the kind that brings a tear to the eye of the gruffest of jocks. There's an almost nerdy earnestness about both the film and its main character, played with unblinking intensity by Sean Astin. A hero who wears his love of Notre Dame football proudly on his sleeve, with zero sense of irony, would be almost unthinkable in a 21st century sports movie -- it already seems quaint by 1994. But perhaps that's key to the film's charm. Rudy Ruettiger couldn't accomplish anything if he let people's perceptions of him dictate his choices in life. And since it's based on a true story, there's no cause to blame Rudy's roller coaster of travails and triumphs on screenwriting contrivances. Because the film has a reputation as kind of a B-sports classic -- in the same category as Major League -- it's probably not possible to go in without knowing it has a happy ending. Still, viewers will be pleasantly surprised if they think they know the shape of that ending -- it's much more life-sized than a writer of fiction would conjure. Hoosiers director David Anspaugh presides over the package without being flashy or syrupy, though the sentiment creeps through anyway. Angelo Pizzo is also back from Hoosiers with a sturdy script. Rudy is so much the focus of this script that the other characters tend to get short-changed, particularly Lili Taylor's Sherry. But Ned Beatty and Charles S. Dutton make the most of key supporting roles, and Astin carries the picture home. ~ Derek Armstrong, Rovi
- Cuba Gooding Jr. is famous for the poor quality of his post-Oscar work, so it was natural to assume that his performance as a mentally handicapped football assistant would be all bug-eyed caricature. It's definitely possible to quibble with some of his facial expressions, but Gooding actually underplays more scenes in Radio than he overplays. That leaves the movie on the whole in the range of B to B+ material. Good for a hankie or two -- with the right audience -- it's mid-level inspirational stuff that's delivered competently, but with little distinction. Radio does earn some credibility by being based on a real person, James Robert Kennedy, and the fact that it doesn't just follow the typical sports movie arc of seeing the team through one memorable season. Director Mike Tollin has been around a ton of sports movies in his day, so it's to his credit that Radio is more about how a special individual -- in the least condescending sense of that word -- impacts a whole town, rather than a specific athletic program. (Radio also walks the sidelines for the boys' basketball team). The central issues are the same as they would be for any group trying to seamlessly integrate someone who's intellectually different -- how to encourage him and give him a place without allowing his suggestible judgment to endanger either himself or others. In the role of Radio's champion and surrogate father, Ed Harris is a bit too saintly to effectively personify this central tension, but he does such likeable work that he's also not worth criticizing. Radio will please a lot of skeptics simply for the fact that it mostly avoids maudlin scenes and emotional manipulation. However, it doesn't rank especially high as either an underdog sports movie or a complex consideration of the mentally disabled. ~ Derek Armstrong, Rovi
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