Adam Sandler Collection [3 Discs]
Retail: $28.96
Our Price:
$25.92
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-
Aspect Ratio:
Widescreen Rating:
PG13 — for language including sexual references, and some rear nudity-
Language:
French, English Studio:
Sony PicturesUPC:
043396135499Year of Release:
2006Item Number:
COL013549Release Date:
06/13/2006Genre:
Comedy –
Comedy of Manners –
Gross-Out Comedy –
Romantic Comedy –
Slapstick
Format:
DVD
DVD FEATURES:
- Region: 1
- Number of Discs: 3
- Audio: Dolby Digital 5.1, Dolby Digital Stereo, Dolby Digital 2.0 Surround
- Screen: Enhanced Wide Screen Letterbox for 16x9 TV, Color
- Subtitle: English, French
- Features:
- cc 50 first Dates:
- Special features - Gag reel, Deleted scenes and more!
- Mr. Deeds:
- Special features - Outtakes reel, Deleted scenes and more!
- Big Daddy:
- Special features - Music videos and more!
ADDITIONAL INFORMATION:
Director:
Steven Brill, Jared Harris, Dennis Dugan, Peter SegalProducer:
Jack Giarraputo, Sid Ganis, Out of the Blue, Sid Gains, Steve Golin, Nancy JuvonenScreenwriter:
Peter Lyons Collister, Tim Herlihy, Adam SandlerScreen Story:
Steve FranksScreenwriter:
Steve Franks, George WingCinematographer:
Peter Lyons Collister, Theo Van de Sande, Jack N. GreenMusical Direction/Supervision:
Michael DilbeckComposer (Music Score):
Teddy CastellucciEditor:
Jeff GoursonProduction Designer:
Perry Andelin Blake, Alan AuArt Director:
Stephen McCabe, Steve Carter, Rick Butler, Domenic SilvestriCo-producer:
Alex Siskin, Scott Bankston, Larry KennarAssociate Producer:
Allen Covert, Michelle Holdsworth, Kevin GradyExecutive Producer:
Adam Sandler, Joseph M. Caracciolo, Jr., Robert Simonds, Michael Ewing, M. Jay Roach, Scott Bankston, Daniel Lupi, Jay RoachSet Designer:
Lauri Gaffin, Beth A. Rubino, Kevin Cross, Al Hobbs, Les Bloom, James Bayliss, Martha Johnston, Robert GreenfieldCostume Designer:
Ellen Lutter, Leslie Brown, Michael A. RussellSound/Sound Designer:
Felipe Borrero, Paul Massey, Christopher Boyes, David KelsonMakeup:
Robin Fredriksz, Ann PalaSpecial Effects:
Sony Pictures ImageworksFirst Assistant Director:
Gary Marcus, Glen Trotiner, John Hockridge, Adam DruxmanAnimator:
Sony Pictures ImageworksCamera Operator:
Joseph Urbancszyk, Stephen CampanelliStunts:
Michael Adams, Michael Brady, Gary Guercio, Brycen Counts, Paul Eliopolus, Tara FullerCasting:
Roger MussendenProduction Manager:
Lila Yacoub, Tim Wiles, Max Brehme, William W. Weiske IIITitle Design:
Howard A. Anderson CompanySupervising Sound Editor:
Elmo WeberShort Story Author:
Frank Budington KellandMusic Editor:
J.J. GeorgePilot:
Cliff FlemingSpecial Effects Coordinator:
John HartiganMakeup Special Effects:
K.N.B. EFX GroupDepartment Head Makeup:
Rose LibrizziStunts Coordinator:
Webster WhineryAssistant Art Director:
Don WoodruffUnit Production Manager:
Daniel LupiKey Hairstylist:
Pauletta Lewis-IrwinNegative Cutter:
Mo HenryKey Grip:
Charles SaldanaADR Supervisor:
David BachSecond Assistant Director:
Michael L. PhillipsProduction Assistant:
Anthony HoffmanVisual Effects Producer:
Victoria AlonsoHead Animal Trainer:
Steve BerensConductor:
Pete AnthonyADR Recordist:
Howard LondonUnit Publicist:
Spooky StevensExtra Casting:
Central CastingLocation Manager:
Timothy HillmanProduction Coordinator:
Susan M. EhrhartFoley Artist:
Vincent Guisetti, Pamela Nedd KahnAssistant Chief Lighting Technic:
Michael K. O'MeliaChief Lighting Technician:
Mark VuilleAssistant Location Manager:
Martin L. HudsonCostumes Supervisor:
Robert Q. MathewsHair Styles:
Lona VigiAssistant Properties:
Chuck AskerneeseStoryboard Artist:
Alexander HillSound Effects Director:
Derek VanderhorstCasting Associate:
Elizabeth TorresSet Dresser:
John Hammer MaxwellBest Boy Grip:
John PowersCasting Assistant:
Kendra CarterSecond Assistant Director:
Joe KontraSecond Second Assistant Director:
Timothy Grant EngleFirst Assistant Camera:
Bill CoeScript Supervisor:
Nancy KarlinStoryboard Artist:
Gary ThomasAssistant Location Manager:
Justin HealyFoley Editor:
Marc GlassmanSet Dresser:
Cameron Matheson, Chris ParkerProduction Secretary:
Kerri SmeltzerSecond Unit Director:
Jim BissellVisual Consultant:
Jim BissellConstruction Coordinator:
Karen D. HigginsStill Photographer:
Darren MichaelsLeadman:
Mark C. Weissenfluh, Sean GinevanSound Effects Director:
Cameron SteenhagenProduction Assistant:
David AlexandreScript Supervisor:
Summer BannerMatte Artist:
Dave R. BleichModel Effects:
Francois BordezGaffer:
Allan BradyProduction Assistant:
Anthony BuchananFirst Assistant Editor:
Tom CostainAssistant Production Coordinator:
Demelza CroninExtra Casting:
Margaret J. DoversolaSpecial Effects Supervisor:
Sheena DuggalAssistant Location Manager:
Leann EmmertDialogue Editor:
Russell FarmarcoMatte Artist:
Josh Geisler-AmhowitzProduction Assistant:
Katherine GourleyFirst Assistant Editor:
Jason GoursonKey Costumer:
Mari GrimaudMusic Editor:
Stuart GrusinAssistant Costume Designer:
Clare Hallworth, Nina HallworthMatte Artist:
Ivo HorvatAssistant Sound Editor:
Drake JeneveinSound Effects Director:
Orada JusatayanondProduction Assistant:
Norman KaliAssistant Costume Designer:
Jeannie H. KellySecond Assistant Camera:
Bill MartiStoryboard Artist:
Kevin McCarthySecond Assistant Camera:
Bobby McMahanAdditional Music:
Tom MgrdichianAssistant Production Coordinator:
Lisa Lee MitchellProduction Assistant:
Nicole Nakamoto, Carrie L. RinglerCamera Loader:
Shayna RitenourProduction Assistant:
Brad RobinsonDigital Effects:
Allen RuilovaAdditional Music:
Carl RydlundProduction Assistant:
Nancy Senaga, Rob Severin, Ryan StaniecKey Make-up:
Carme TenutaProduction Assistant:
J.J. TitoneLocation Manager:
Jim TriplettDigital Effects:
Vince Truitner, Carlo VolpatiFoley Editor:
Clay WeberDolly Grip:
James D. WickmanVoice Casting:
The Reel TeamFoley Mixer:
Kyle RochlinArt Department Coordinator:
Dru HomerSpecial Effects Foreman:
Chris WalkowiakGraphic Design:
Martin T. CharlesNegative Cutter:
Boyd SteerVideo Assist:
Alfred AinsworthProduction Assistant:
Scott BerriPilot:
Thomas HauptmanNegative Cutter:
Phillip JanssensProduction Assistant:
Ed KashibaVisual Effects Editor:
Steve RheeFirst Assistant Editor:
Laura J. WeissDepartment Head Hair:
Nanxy Ton HeaterFirst Assistant Camera:
Peter GreenBoom Operator:
Robert C. JacksonDialogue Editor:
Robert C. Jackson
REVIEWS:
- 50 First Dates pulls off a neat little trick. The opening 20 minutes are filled with familiar Adam Sandler movie bits (walrus puke, sexually ambiguous co-worker, a horny and ethnic Rob Schneider) that even he seems tired of but knows need to be there for his core audience. In a pleasant surprise, the movie manages to disengage from its autopilot setting once the film's high concept kicks in. The Memento-meets-Groundhog Day conceit is actually thought out by first-time screenwriter George Wing. The film actually takes the time to figure out how Drew Barrymore's inability to make new memories affects those who love her most, and manages to find complications and solutions that are logical and thematically resonant. Director Peter Segal and Sandler, recognizing that they have been given a charming love story, are confident enough to back away from the more pedestrian moments of outlandishness that open the film. Sandler and Barrymore made a winning duo in The Wedding Singer. That film marked the first time Sandler tried to take his film persona in a new direction -- something he attempted more boldly in Paul Thomas Anderson's underappreciated Punch-Drunk Love. Sandler obviously learned from his experience on Punch-Drunk Love how his infantile screen persona can be allowed to grow up. With 50 First Dates, he has taken the lessons from that film, and packaged them in a way that his audience can accept. ~ Perry Seibert, Rovi
- Although laden with phlegm, urine, and vomit, Big Daddy also hurls a load of charm and a big heart at its audience. This Adam Sandler vehicle is a return to the goofy and apathetic style of Billy Madison with a touch of the adult sophistication of The Wedding Singer. The comedy contains a laundry list of standard Sandler-esque elements, including everything from bathroom gags to random/bizarre humor to a supporting role by Rob Schneider. Even with the heavy-handed sentimentality and the clichéd courtroom scene climax, this crass and often sloppy film surprisingly works. It will satisfy longtime Sandler fans with his adolescent humor and sudden outbursts of rage, while its mawkish plot will attract the mainstream viewers the comedian gained with The Wedding Singer. Steve Buscemi delivers some real zingers as a homeless nomad, while Peter Dante and Jonathan Loughran are perfect in their portrayal of an affectionate gay male couple. Despite its many flaws and sluggish pace, Big Daddy is indeed a satisfying comedy that isn't the typically juvenile Sandler yuckfest. Directed by Dennis Dugan, who also teamed up with Sandler in Happy Gilmore, this film contains sensitivity about an important subject. While the trademark goofy gags still exist, the filmmakers also address issues around adoption, success, and parenting. A far cry from Kramer vs. Kramer, the film is still refreshing as a movie that extols love and acceptance while simultaneously being as rude, crude, and lewd as possible. ~ Adam Goldberg, Rovi
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