The Grudge [Extended Cut]
Our Price:
$14.96
Stock Status: No Longer Available!!!
-
Aspect Ratio:
Widescreen Rating:
NR — for mature thematic material, disturbing images/terror/violence, and some sensuality-
Language:
English Studio:
Columbia TriStarUPC:
043396110120Year of Release:
2004Item Number:
COL011012Release Date:
09/25/2007Genre:
Haunted House Film –
Horror –
Supernatural Horror
Format:
DVD
MOVIE DESCRIPTION:
This American remake of director Takashi Shimizu's popular Japanese movie franchise The Grudge puts Buffy the Vampire Slayer alumna Sarah Michelle Gellar back into the line of supernatural fire. When Karen (Gellar), an American student working with a Japanese health center for college credit, comes across a mysterious curse, she quickly finds herself embroiled in a fight for her own sanity, and, ultimately, her very survival. Known as a "grudge," the curse was born inside of a house after its inhabitants died while consumed by rage -- according to legend, the curse touches all who come into contact with it, and will torment those unlucky individuals until they, too, become part of the grudge . Each time the curse finds a new victim, it is, in a sense, reborn, and will continue on its path unless Karen can free herself from its control over her. This version of The Grudge is also directed by Shimizu, and features Jason Behr, Clea DuVall, Kadee Strickland, William Mapother, and Bill Pullman in supporting roles. ~ Tracie Cooper, Rovi
DVD FEATURES:
- Region: 1
- Number of Discs: 1
- Aspect Ratio: 1.85:1 (Theatre Wide Screen)
- Audio: Dolby Digital 5.1
- Screen: Enhanced Wide Screen Letterbox for 16x9 TV
- Subtitle: Spanish, English, French
- Features:
- cc
- All new unrated, extended cut of the film
- Feature commentary by director Takashi Shimizu, producer Taka Ichise, and actress Takako Fuji
- 15 deleted scenes with optional filmmaker commentary
- Director Takashi Shimizu's original Ju-On short films "4444444444" and "In a Corner"
- Video diaries from Sarah Michelle Gellar and KaDee Strickland
- The Grudge House: An Insider's Tour
- Production Designer's Notebook: The Sketches of Iwao Saito
- Sights and Sounds: The Storyboard Art of Takashi Shimizu
ADDITIONAL INFORMATION:
Director:
Takashi ShimizuProducer:
Takashige Ichise, Sam Raimi, Robert TapertScreenwriter:
Stephen SuscoCinematographer:
Hideo Yamamoto, Noriyuki MizuguichiComposer (Music Score):
Christopher YoungEditor:
Jeff BetancourtProduction Designer:
Iwao SaitoArt Director:
Kyoko YauchiCo-producer:
Shintaro Shimosawa, Aubrey Henderson, Michael KirkExecutive Producer:
Carsten H.W. Lorenz, Joe Drake, Doug Davison, Nathan Kahane, Roy LeeSet Designer:
Katsumi KanedaSet Decorator:
Tatsuo OzekiCostume Designer:
Shawn-Holly CooksonMakeup:
Jane O'Kane, Sachie MunemuraFirst Assistant Director:
Masanori Adachi, Hiroshi ChonoAnimator:
Andrew Heinbold, Steven HeinboldStunts:
Shunsuke Gondo, Kaori IchijyoSound Mixer:
Kiyoshi KakizawaCasting:
Kelly Martin-Wagner, Masashi Yamaguchi, Nancy Nayor BattinoProduction Manager:
Katsuhiro OgawaSound Mixer:
Kazuhiko YokonoProduction Supervisor:
Edward LichtLine Producer:
Ray QuinlanStill Photographer:
Takashi SeidaRe-Recording Mixer:
Marti HumphreyCostume/Wardrobe:
Yumiko NakamuraSupervising Sound Editor:
Paul N.J. OttossonColor Timing:
MatoDialogue Editor:
Gloria D'AlessandroADR Supervisor:
Carin RogersUnit Publicist:
Cid SwankADR Editor:
Ryan JugglerPersonal Assistant:
Miyuki SaitoPost Production Supervisor:
Jack SchusterSound Effects Editor:
Rick FranklinFirst Assistant Editor:
Yoshie IshiguruMusic Editor:
Thomas MilanoRe-Recording Mixer:
Kelly VandeverSound Effects Editor:
Ai-Ling LeeFirst Assistant Camera:
Shinji SuzukiLine Producer:
Satoshi FukushimaFrom Screenplay by:
Takashi ShimizuVisual Effects Supervisor:
Kory JonesVisual Effects:
Reality Check StudiosDigital Effects:
Big XProduction Assistant:
Taka "Bart" Kawatsu, Joey Cruz ManalangProduction Coordinator:
Tobin AdamsPersonal Assistant:
Tobin AdamsSecond Assistant Camera:
Toshitaka AkaikeBest Boy Grip:
Daisuke AkazawaTranslator:
Chiho AsadaSet Dresser:
Tomoko AsaiAssistant Costume Designer:
Eric AycockSecond Assistant Camera:
Yoichi ChiashiProduction Assistant:
Jennifer CraigTranslator:
Kayoko K. DietscheAssistant Chief Lighting Technic:
Mamoru EbisawaAssistant Makeup:
Dianne EnsorBest Boy Grip:
Ryosuke FujitaFirst Assistant Camera:
Shingo GimaLocation Manager:
Rintaro HamasakiDigital Effects:
Toyokazu HashimotoSecond Assistant Director:
Chikara HigamiTranslator:
Miho HohjohAssistant Chief Lighting Technic:
Hiroshi IimuraFirst Assistant Camera:
Kiyoshi ItoProduction Assistant:
Yuji ItoSet Dresser:
Yuko ItoNegative Cutter:
JR Media Services Inc.Production Assistant:
Eri KadaTranslator:
Sayuri KanamoriChief Lighting Technician:
Masao KanazawaAssistant Art Director:
Satoshi KandaTranslator:
Reiko KatoPersonal Assistant:
Reiko KatoAssistant Makeup:
Akiko KawanoFirst Assistant Camera:
Yukari KawanoAssistant Art Director:
Naoko Kojyo, Tomoko KotakemoriProduction Assistant:
Nana ManiwaVisual Effects Producer:
Danny MartinezMakeup Special Effects:
Yuichi MatsuiProduction Assistant:
Masako MatsumuraCostume/Wardrobe:
Satoko MatsuyamaThird Assistant Director:
Makoto MeguroPersonal Assistant:
Matthew MilamProduction Coordinator:
Tomoko MiyachiSet Dresser:
Sachiko MiyagawaPersonal Assistant:
Harue MiyakeThird Assistant Director:
Toyohiro MiyataFirst Assistant Camera:
Hayato MuraokaAssistant Chief Lighting Technic:
Hidenori NagataChief Lighting Technician:
Atsushi OgasawaraAssistant Chief Lighting Technic:
Yoichiro OhashiDigital Effects:
Shigenori OhnoProduction Assistant:
Takuya OkadaFirst Assistant Camera:
Kazuhiro OkamotoCostume/Wardrobe:
Asami OkusePersonal Assistant:
Patricia RiveraStunts Coordinator:
Hideo SaitoCostume/Wardrobe:
Emiko SakaiProduction Coordinator:
Miyuki SakaitaniProduction Assistant:
Takeshi SatoChief Lighting Technician:
Kenichi SekineAssistant Chief Lighting Technic:
Yosuke SekizawaProduction Controller:
Lorita ShepherdAssistant Chief Lighting Technic:
Akihiro ShimuraProduction Coordinator:
Kazuko ShingyokuScript Supervisor:
Kazuko ShingyokuSet Dresser:
Koji ShinodaThird Assistant Director:
Jun ShiozakiPersonal Assistant:
Hiroko StanhopeSecond Assistant Director:
Takeo SugawaraDigital Effects:
Yoshiko TakekumaStill Photographer:
Kenji TakeuchiProduction Assistant:
Hiroki TaniguchiCostume/Wardrobe:
Miyuki TaniguchiScript Supervisor:
Kathleen ThomasLocation Manager:
Yusuke WakabayashiSecond Assistant Director:
Amy WilkinsSet Dresser:
Hanako YanagiPersonal Assistant:
Irene YeungKey Grip:
Tadashi YokoyamaFirst Assistant Camera:
Shota YoshikawaCompositor:
Takeshi Yamaguchi
REVIEW:
- Having previously directed four variations on his patented vengeful ghost storyline in his native Japan, director Takashi Shimizu brings his lucrative horror franchise stateside with this remake of 2003's Ju-on: The Grudge. Though likely to be more frightening to American audiences unfamiliar with the conventions of Japanese horror than those who have basked in the dread of the slow-moving, dark-haired female ghosts that have seemingly come to define the genre, Shimizu's fifth entry into the popular series does manage to sustain the dread that so endeared the original Japanese Ju-on films to audiences in search of a good scare, while constantly keeping viewers on their toes with a series of well-timed shocks. Of course, when one has revisited the same themes and characters so many times, it's only a matter of time before the story begins to cannibalize itself. In addition to retelling the story from the first theatrical feature, The Grudge also reaches back to the original two shot-on-video features to provide a few good scares -- a fact that, despite its general effectiveness, does hint that the well may be running a bit dry and Shimizu may be wise to consider expanding his oeuvre as his international reputation continues to grow. If audiences find fault in any aspect of this surprisingly faithful remake, it may be in composer Christopher Young's suitably creepy, but somewhat clichéd score -- which tends to serve as a somewhat obvious primer to the film's most frightening moments. If this revelation comes as something of a disappointment to viewers who like their scares to come when least expected, it should be noted that the film makes fantastic -- and extremely unsettling -- use of sound to heighten the audience's sense of fear. When combined with Shimizu's penchant for nonlinear storytelling, these genuinely unsettling auditory assaults serve well to keep the viewer disoriented and ill-at-ease throughout. Additionally, Shimizu succeeds in the end by taking horror conventions one step further. Viewers are certainly well-aware that characters who investigate strange noises or peer into darkened corners are likely to meet a predictable fate, but by bending the unspoken rule that if you escape the haunted house you elude the ghost, Shimizu offers some truly unexpected and satisfying moments of terror that will no doubt serve to influence future cinematic hauntings. ~ Jason Buchanan, Rovi
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