13 Going on 30 [Special Edition]
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-
Aspect Ratio:
Widescreen Rating:
PG13 — for some sexual content and brief drug references-
Language:
English, French Studio:
Columbia TriStarUPC:
043396014213Year of Release:
2004Item Number:
COL001421Release Date:
06/27/2006Genre:
Comedy –
Fantasy Comedy –
Romance –
Romantic Comedy –
Romantic Comedy
Format:
DVD
MOVIE DESCRIPTION:
Thirteen-year-old Jenna (Shana Dowdeswell) has had enough with the trials of adolescence. In addition to being saddled with a devoted-but-nerdy best friend, Matt (Sean Marquette), she falls victim to one of the dangers of playing Seven Minutes in Heaven with the coolest kids in school: being stranded without a willing make-out partner. Humiliated, Jenna buries herself in the aforementioned make-out closet, wishing she could skip the whole adolescence bit and move straight into adulthood, and miraculously wakes up just weeks away from her 30th birthday. Of course, a lot has changed since going to bed the night before, not the least of which being an impressive set of womanly curves. The new, older Jenna (Jennifer Garner) is a successful magazine editor with friends in high places and a lion's share of potential suitors -- including a hockey-playing boyfriend and a swarthy married man. The problem is that her mind hasn't matured with her body; Jenna not only finds living on her own more terrifying than cool, but is quick to dismiss any male over the age of 14 as "gross." Half excited, half mortified, Jenna seeks out Matt (Mark Ruffalo), whom she learns she had spurned as a teenager in an effort to join the popular crowd. Gary Winick directed the film, from a script by Josh Goldsmith and Cathy Yuspa; Gina Matthews produced. Choreographer Michael Peters -- who died in 1994 -- received posthumous credit, as his choreography from the Michael Jackson Thriller video is used in one scene. ~ Tracie Cooper, Rovi
DVD FEATURES:
- Region: 1
- Number of Discs: 1
- Aspect Ratio: 1.85:1 (Theatre Wide Screen)
- Audio: Dolby Digital 5.1
- Screen: Enhanced Wide Screen Letterbox for 16x9 TV
- Subtitle: French, English
- Features:
- cc
- 18 deleted and extended scenes
- Blooper reel
- Two filmmaker audio commentaries
- "I Was a Teenage Geek" featurette reveals those awkward high-school years of the cast, including Jennifer Garner
- The Making-of 13 Going on 30
- Pat Benatar's "Love Is a Battlefield" and Rick Springfield's "Jessie's Girl" music videos
- "The '80s Outfit Challenge" Set-top feature allows viewers to piece together the ultimate '80s outfit, legwarmers optional
- "Then and Now" Set-top feature compares modern-day conveniences with their '80s counterparts
ADDITIONAL INFORMATION:
Director:
Gary WinickProducer:
Susan Arnold, Donna Arkoff Roth, Gina MatthewsScreenwriter:
Cathy Yuspa, Josh GoldsmithCinematographer:
Don BurgessFeatured Music:
Michael JacksonMusical Direction/Supervision:
John HoulihanComposer (Music Score):
Theodore ShapiroMusical Arrangement:
Pete Anthony, Jon KullEditor:
Susan LittenbergProduction Designer:
Garreth StoverArt Director:
Chris Cornwell, Raymond Kluga, Desiree Van TilCo-producer:
Allegra CleggAssociate Producer:
Desiree Van TilExecutive Producer:
Dan Kolsrud, Todd Garner, Blondel Aidoo, Emma McGuinnessSet Designer:
Ann Harris, George R. Lee, Gene DarnellCostume Designer:
Susie de SantoSet Decorator:
Leslie RollinsCostume Designer:
Maria BradleySound/Sound Designer:
Ann ScibelliMakeup:
Carla White, Deborah La Mia DenaverFirst Assistant Director:
Eric Fox HayesCoordinator:
Andy Foster, Ryan MeredithCamera Operator:
Chris Squires, Andrew Casey, Patrick B. O'BrienStunts:
Danny Aiello III, John Cenatiempo, Norman Douglass, Kevin Abercrombie, Jake Lombard, Cort Hessler III, Bill Anagos, Hudson Cooper, Michael E. LindrenChoreography:
Michael Peters, Marguerite DerricksSound Mixer:
James J. SabatCasting:
Ellen Lewis, Terri TaylorChief Lighting Technician:
Billy O'LearyLeadman:
Guido de CurtisSpecial Effects Coordinator:
Steve KirshoffMakeup Special Effects:
Kevin YagherAssistant Set Decorator:
Harriet ZuckerTitle Design:
Howard A. Anderson CompanyKey Costumer:
Holly DavisSteadicam Operator:
Chris SquiresProduction Sound Mixer:
David MacMillanNegative Cutter:
Gary BurrittProperties Master:
Emily FerryFoley Mixer:
Nerses GezalyanDepartment Head Hair:
Frances MathiasFoley Artist:
Jim MorianaStill Photographer:
Barry WetcherFoley Artist:
Jeffrey WilhoitUnit Production Manager:
Allegra CleggDialogue Editor:
Christopher HoganSupervising Sound Editor:
Tom BellfortVisual Effects:
Digital FilmworksCasting Associate:
Jennifer EustonSound Effects Editor:
Geoffrey G. RubayConductor:
Pete AnthonySound Effects Editor:
Hector GikaDialogue Editor:
Fred StahlyADR Recordist:
Greg SteeleFoley Supervisor:
Bob BeherElectrician:
Brian TildenConstruction Coordinator:
Joe OndrejkoDolly Grip:
Mike BrennanElectrician:
Richard M. ButkusKey Costumer:
Susan KistlerChief Lighting Technician:
Steven McGeeSecond Assistant Camera:
Rod CalarcoKey Grip:
Mitchell LillianVisual Effects Supervisor:
David M.V. JonesSound Effects Editor:
Perry RobertsonGreensman:
Steve BorgeseSecond Second Assistant Director:
Eric YellinStill Photographer:
Tracy BennettFirst Assistant Avid Editor:
Logan BreitFirst Assistant Editor:
George McCarthyKey Costumer:
Sabrina RosenAssistant Location Manager:
Brian BirdExtra Casting:
Sylvia FayKey Costumer:
Sandi FigueroaLeadman:
Jonathan BobbittPersonal Assistant:
David SaltzmanUnit Publicist:
Deborah SimmrinBest Boy Grip:
Charlie MarroquinSpecial Effects Foreman:
John StifanichKey Grip:
Michael J. CooVisual Effects:
Asylum Visual EffectsDepartment Head Makeup:
Cindy WilliamsConductor:
Jon KullLocation Manager:
Scott Allen LoganBoom Operator:
Harrison D. MarshAssistant Location Manager:
Rusty F. TinderArt Department Coordinator:
Al LewisSecond Assistant Director:
Hope GarrisonProduction Controller:
Cheryl A. StoneAssistant Production Coordinator:
Orlando R. GonzalesSet Dresser:
Jenny BaumProduction Assistant:
Michael FeldmanSecond Assistant Director:
Roberta RiordanCamera Loader:
Mark ConnellySwing Gang:
Bart Barbuscia, Louis TerryPersonal Assistant:
Lisa VijitchantonFirst Assistant Camera:
Donal SteinbergAssistant Properties:
Greg WilkinsonKey Make-up:
Amy SchmiedererSecond Assistant Camera:
Steven CuevaCamera Loader:
Mark GilmerFirst Assistant Camera:
Zoran VeselicDialogue Editor:
Hugh WaddellUnit Production Manager:
Joseph IbertiSecond Second Assistant Director:
William PurpleSwing Gang:
Natalie N. DorsetKey Hairstylist:
Katherine ReesScript Supervisor:
Sharon Reynolds-EnriquezConstruction Coordinator:
Joseph S. AlfieriKey Carpenter:
Henry AntonacchioProduction Assistant:
Philip DeRiseSpecial Effects Coordinator:
Gintar RepeckaAssistant Properties:
Joy TaylorCostumes Supervisor:
Marisa AboitizAssistant Location Manager:
Serena A. BakerGrip:
Nico BallyAssistant Costume Designer:
Vikki BarrettSet Medic/First Aid:
Maureen BeitlerAssistant Location Manager:
Tyson BidnerProduction Assistant:
Ryan BonnerPost Production Supervisor:
Patsy BougéCostumes Supervisor:
Joanna BrettProduction Assistant:
Michael BurgessSwing Gang:
Clovis ChambaretProduction Secretary:
Scott ClerGrip:
John Cleveland, Mark P. CooElectrician:
Mark CuetoKey Hairstylist:
Angel DeAngelisSwing Gang:
Peter DeCurtisSecond Assistant Camera:
Antony DiamondProduction Assistant:
Michael DillVisual Effects Supervisor:
Mitch DraimStunts Coordinator:
Shauna DugginsProduction Assistant:
Lee EbersoleAssistant Sound Editor:
Victor EnnisProduction Assistant:
Julia FishmanSecond Assistant Editor:
Marcus FranklinProperties Master:
Peter GelfmanExtra Casting:
Lee GenickProduction Assistant:
Greg GilmanAssistant Properties:
Timothy M. GrimesElectrician:
Anthony D. GuzmanProduction Assistant:
Vanessa HoffmanPersonal Assistant:
Juliana JanesProduction Supervisor:
Daren KicksSecond Assistant Camera:
Jennifer KoestlerProduction Assistant:
Kyra Kowasic, Kris Lahd, Steve Lambie, Thomas K. LeeVisual Effects Producer:
Whitney LuxtonCasting Assistant:
Alysson MarcusDolly Grip:
Luis R. MarroquinVideo Assist:
Kevin McKennaDialogue Editor:
Todd NiesonColor Timing:
Jim PassonMusic Editor:
Daniel PinderBoom Operator:
Michael PrimmerLocation Manager:
Santiago QuinonesVideo Assist:
Bradford S. RalstonADR Loop Group:
The Reel TeamHair Styles:
Michael ReitzGrip:
Brian RossoPersonal Assistant:
Jose RuisanchezProduction Assistant:
Amanda SandreneVisual Effects:
Kosta SaricSwing Gang:
Ron ShulemConstruction Foreman:
Jay SircyProduction Assistant:
Ara SoudjianAssistant Sound Editor:
Branden SpencerAssistant Location Manager:
Marcellin SternerVisual Effects Producer:
Jamie StevensonCamera Loader:
Rebecca VeneziaFirst Assistant Camera:
John F. VerardiProduction Secretary:
Windi See VianelloADR Editor:
Hugo WangProduction Assistant:
John Douglas WebsterPersonal Assistant:
Devon WilsonArt Department Coordinator:
Judith L. BuckleyAssistant Chief Lighting Technic:
Edward T. Cox, Joe Grimaldi
REVIEW:
- Independent director and producer Gary Winick goes Hollywood with 13 Going on 30, a film that does little more than remake Big by changing the gender of the protagonist. Taking the lead for the first time in a movie, Jennifer Garner gives her performance everything she has. She nails down the physical awkwardness of a 13-year-old in a suddenly grown-up body, and she gets the vocal tics just right. The screenplay itself, though not bad, fails to offer up anything original. Anyone should be able to know exactly where this film is going at all times, giving the film the unmistakable feeling that it is little more than a product. Winick keeps the audience in the film with smart casting. One sure way to spot a talented actor is to see someone transcend banal material. In Mark Ruffalo, Winick has his ace in the hole. Ruffalo does not steal his scenes, he saves them -- including a bizarre and finally winning rendition of the monster dance from Michael Jackson's "Thriller" video. Ruffalo is unable to be anything but completely believable, and he helps Garner modulate her performance so that the audience believes that everyone else in the film never questions that she is 30 even when she behaves like a 13-year-old. Judy Greer, playing the duplicitous best friend like an evil fifth cast member of Sex and the City, offers solid support. There is not a bad scene in 13 Going on 30, but simultaneously, one wishes every scene were better than it is. Had the talent of the screenwriters matched those of the performers, this film would have given Garner the same career boost that Big gave to Tom Hanks. ~ Perry Seibert, Rovi
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