The Prestige [WS]
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Aspect Ratio:
Widescreen Rating:
PG13 — for violence and disturbing images-
Language:
English, French, Spanish Studio:
Touchstone / DisneyUPC:
786936705157Year of Release:
2006Item Number:
BVD050651Release Date:
08/14/2007Genre:
Psychological Thriller –
Thriller
Format:
DVD
MOVIE DESCRIPTION:
Obsession, jealousy, and deceit define the tense relationship shared between two turn-of-the-century magicians in Memento and Batman Begins director Christopher Nolan's dizzying tale of sleight of hand. Rupert Angier (Hugh Jackman) and Alfred Borden (Christian Bale) are London-based magicians of the highest order, both blessed with spectacular powers of deception and both cursed with unrelenting envy for one another's skills. When Alfred performs an awe-inspiring trick for which there seems no logical explanation, the friendly competition shared between the pair turns to deadly rivalry as the enraged Rupert determines to uncover his rival's deepest secrets. In the world of illusion, however, nothing is ever quite as it seems, and the rules of the physical world simply don't apply. Now, as bitter competition quickly begins to consume the souls of both performers, the firestorm birthed by their anger threatens to consume all who surround them. Michael Caine, Scarlett Johansson, and David Bowie co-star in a feature that finds director/screenwriter Nolan reuniting with brother and Memento story author Jonathan Nolan to adapt author Christopher Priest's original novel. ~ Jason Buchanan, Rovi
DVD FEATURES:
- Region: 1
- Number of Discs: 1
- Subtitle: Eng/Fre/Spa
- Aspect Ratio: 2.35:1 (Cinemascope)
- Audio: Dolby Digital 5.1
- Screen: Enhanced Wide Screen Letterbox for 16x9 TV
- Features:
- The Director's Notebook: The Cinematic Sleight of Hand of Christopher Nolan
- Conjuring the Past
- The Visual Maze
- Metaphors of Deception
- Tesla: The Man Who Invented the Twentieth Century
- Resonances
- The Art of the Prestige gallery
AWARDS
Academy of Motion Picture Arts and Sciences
- Nominated Best Art Direction - 2006 (Julie Ochipinti, Nathan Crowley)
- Nominated Best Cinematography - 2006 (Wally Pfister)
Art Directors Guild
- Nominated Best Art Direction in a Period Film - 2006 (Nathan Crowley)
Austin Film Critics
- Nominated Best Picture - 2006
London Film Critics Association
- Won Best Supporting British Actor - 2006 (Michael Caine)
- Nominated Best British Actor - 2006 (Christian Bale)
- Nominated Best British Director - 2006 (Christopher Nolan)
- Nominated British Newcomer of the Year - 2006 (Rebecca Hall)
Online Film Critics Association
- Nominated Best Adapted Screenplay - 2006 (Christopher Nolan, Jonathan Nolan)
Rome International Film Festival
- Film Presented - 2006
ADDITIONAL INFORMATION:
Cast:
Hugh Jackman - Robert Angier
Christian Bale - Alfred Borden
Michael Caine - Cutter
Scarlett Johansson - Olivia Wenscombe
David Bowie - Tesla
Rebecca Hall - Sarah
Andy Serkis - Alley
Samantha Mahurin - Jess
Piper Perabo - Julia McCullough
Daniel Davis - Judge
Jim Piddock - Prosecuter
Christopher Neame - Defender
Mark Ryan - Captain
Roger Rees - Owens
Jamie Harris - Sullen Warder
Monty Stuart - Stagecoach Driver
Ron Perkins - Hotel Manager
Ricky Jay - Milton
J. Paul Moore - Virgil
Anthony Demarco - Boy
Chao - Li Chi - Chung Ling Soo
Gregory Humphreys - Policeman
John Crye - Voice
W. Morgan Sheppard - Merrit
Sean Francis Howse - Man
Julie Sanford - Elegant Lady
Ezra Buzzington - Ticket Hawker
James Lancaster - Moderator
Olivia Merg - Jess (Toddler)
Zoe Merg - Jess (Toddler)
Johnny Liska - Scalper
Russ Fega - Man in Hotel
Kevin Will - Man in Hotel
Edward Hibbert - Ackerman
Christopher Judges - Burly Stagehand
James Otis - Blind Stagehand 1
Sam Menning - Blind Stagehand 2
Brian Tahash - Blind Stagehand 3
Scott Davis - Carriage Driver
Jodi Bianca Wise - Glamorous Assistant
Nikki Glick - Housekeeper
Enn Reitel - Workman 1
Clive Kennedy - Warder
Rob Arbogast - Leonard
Chris Cleveland - WillDirector:
Christopher NolanProducer:
Christopher Nolan, Emma Thomas, Aaron RyderBook Author:
Christopher PriestScreenwriter:
Christopher Nolan, Jonathan NolanCinematographer:
Wally Pfister, Hans BjernoComposer (Music Score):
David JulyanEditor:
Lee SmithProduction Designer:
Nathan CrowleyArt Director:
Kevin KavanaughAssociate Producer:
Jordan GoldbergExecutive Producer:
Charles Schlissel, Chris J. Ball, William Tyrer, Valerie DeanSet Designer:
Sally Thornton, Scott Zuber, Mark LuceroCostume Designer:
Joan BerginSet Decorator:
Julie OchipintiCostume Designer:
Toni Kehaulani Reed, Tom CumminsSound/Sound Designer:
Richard KingMakeup:
Kenny Myers, Maggie Fung, Heba ThorisdottirFirst Assistant Director:
Alan B. Curtiss, Jody SpilkomanStunts:
Joni Avery, Megan Godfrey, Paul Lacavara, Mike Avery, Rick Marcus, Steve HartSound Mixer:
Ed NovickCasting:
John PapsideraSound Mixer:
Alan MeyersonCostume/Wardrobe:
Shandra BeriLocation Manager:
Russ FegaTechnical Advisor:
Ricky JayStunts Coordinator:
Rick AverySpecial Effects Coordinator:
David M. BlitsteinMusic Editor:
Alex GibsonDepartment Head Makeup:
Peter Robb-KingExecutive Music Producer:
Hans ZimmerPilot:
James B. DirkerAnimal Trainer/Wrangler:
Cheryl ShawverStill Photographer:
Francois DuhamelFoley Supervisor:
Christopher FlickADR Mixer:
Eric GotthelfFirst Assistant Camera:
Bob HallADR Voice Casting:
Barbara HarrisFoley Mixer:
Mary Jo LangFoley Artist:
John RoeschADR Recordist:
Carolyn TappSecond Second Assistant Director:
Lynn StruiksmaChief Lighting Technician:
Cory GeryakPost Production Supervisor:
Nancy KirhofferAssistant Art Director:
Naaman MarshallTechnical Advisor:
Michael WeberRecording:
Alan MeyersonFirst Assistant Editor:
John LeeVisual Effects Editor:
John LeeProduction Assistant:
Shawn WilliamsonBest Boy Grip:
Jerry L. MarshallRe-Recording Mixer:
Lora HirschbergConstruction Coordinator:
Joe OndrejkoProperties Master:
Scott BuckwaldADR Recordist:
Rick CanelliFoley Artist:
Alyson MooreADR Mixer:
Tom O'ConnellDepartment Head Hair:
Janice AlexanderBest Boy Grip:
Roderick G. FarleyKey Grip:
Ray GarciaHair Styles:
Terry BalielPost Production Supervisor:
Teresa KellyCostume/Wardrobe:
Donna Marcione PollackExtra Casting:
Rich King & AssociatesCostumes Supervisor:
Robert Q. MathewsKey Costumer:
Kenn SmileySecond Assistant Camera:
Philip ShanahanScript Supervisor:
Steven R. GehrkeRe-Recording Mixer:
Gary RizzoSound Effects Editor:
Michael W. MitchellProduction Assistant:
Terrence B. ZinnSound Effects Editor:
Paul BerolzheimerVisual Effects Supervisor:
Stephane CerettiAssistant Properties:
Jeanne KukorHair Styles:
Karen MyersAnimal Trainer/Wrangler:
Phil SmithProduction Supervisor:
Gregg EdlerAnimal Trainer/Wrangler:
Catherine PittmanKey Make-up:
John R. BaylessCostume/Wardrobe:
Jo KissackAssistant Editor:
Scott Wesley RossNegative Cutter:
Mary Beth SmithFirst Assistant Sound Editor:
Andrew BockFoley Recordist:
Scott MorganAssistant Editor:
Laura RindnerSteadicam Operator:
Craig FikseFoley Editor:
Jonathon KleinAssistant Location Manager:
Guy MorrisonADR Editor:
Kimberly HarrisSet Medic/First Aid:
Henry HumphreysAssistant Production Coordinator:
Jeffrey CarusoCostume/Wardrobe:
Dennis McCarthyProduction Assistant:
Cindy A. TaylorRecording:
Chris SadorDolly Grip:
Tony GarridoMakeup Special Effects:
Leo Corey CastellanoPersonal Assistant:
M. Michelle NishikawaCraft Service/Catering:
Chef Robert CateringFirst Assistant Sound Editor:
Linda YeaneyColor Timing:
David OrrAssistant Chief Lighting Technic:
Larry SushinskiProduction Assistant:
Peter ScheerCostume/Wardrobe:
Jose Antonio HernándezVisual Effects Producer:
Scott ShapiroUnit Production Manager:
Cristen Carr StrubbeCamera Loader:
Daniel McFaddenBoom Operator:
Kurt PetersonProduction Secretary:
Erin RamosPost Production Accountant:
Jeanie DanielsAnimal Trainer/Wrangler:
Meghan FraserProduction Assistant:
Michelle SchrauwersFirst Assistant Accountant:
Jennifer ClarkCasting Assistant:
Jennifer CramProduction Assistant:
Beau FosterVideo Assist:
Michael HerronSet Medic/First Aid:
Anthony PenidoCostume/Wardrobe:
Monica Haines, Marci Johnson, Tricia Yoo, Antonio Almaraz, April KruegerProduction Accountant:
Greg HemstreetFirst Assistant Accountant:
Andrew T. Jablonski, Mike MaccuishPost Production Assistant:
Charles HarrisonADR Supervisor:
Linda WengLeadman:
R. Scott DuranAssistant Properties:
Jared FleuryCraft Service/Catering:
Jimmy SmithTransportation Coordinator:
Tommy TancharoenTransportation Captain:
Maxwell R. II Johnson, Tom WhelpleyPersonal Assistant:
Benjamin T. Morehead, Beatrice Springborn, Lawra RobertsonProduction Assistant:
Colin Dunning, Joshua Scheer, Clayton CogswellStill Photographer:
Stephen VaughanAnimal Trainer/Wrangler:
Scott Davis, Victoria M. Vopni, Cody Smith, Jesse Brackenbury, Lee RoeserProduction Assistant:
Nick Leclaire, Parker D. Lemire, Scott Michels, Craig OkesonTransportation Captain:
Phillip W. Helman
REVIEW:
- Filmmakers are no strangers to the world of magic and illusions. Both Orson Welles and Woody Allen were talented amateur magicians, and directors sometimes treat editing as little more than an excuse to fool audiences and exert their powers of manipulation. Christopher Nolan and his brother Jonathan Nolan juggle timelines with such ease and dexterity that seeing them tackle the topic of illusionists would seem to be a perfect fit of talent and material. The Prestige is the cinematic equivalent of watching a Penn & Teller show. The Nolans, like the comedy magic duo, lay out exactly what they are going to do. The answers to the mysteries are right in front of the viewer for pretty much the entire film, but they surround the simple truths with so much misdirection and showmanship that even the most alert viewer is likely to be taken in by the elaborate ruse. The filmmakers reveal everything about their characters' tricks, including plainly stating the dramatic arc that a good magic trick follows, and still manage to thrill the audience with their skill. The look of Christopher Nolan's films are, for the most part, cold. He has a very cerebral, considered tone to his movies that would be off-putting if not for the fact that he consistently hires actors who are able to get at viewers' emotions. Christian Bale and Hugh Jackman, as the magicians carrying on a lethal feud, carry the weight of The Prestige, each playing deeply flawed characters whose drive and ambition make them inherently interesting. In lesser hands, The Prestige could have become an empty exercise where the twists and turns might seem at best arbitrary or, at worst, manipulative. Thankfully, the editing and imagemaking is so precise, and the screenplay so beautifully layered, that the finished result tickles the audience with anticipation and bewilderment. The Nolans and their talented cast never play the viewers for suckers, even when fooling them right in front of their eyes. ~ Perry Seibert, Rovi
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